Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 98 teost Alexander Calder meie kataloogis
Lühidalt
Kõigist Alexander Calder jäetud originaalteostest on kõige kuulsam Untitled, mis kuulub Biennale Internazionale dell'Antiquariato di Firenze kogele linnas Firenze. Järgnevad sellest Mobile (1932) ja Romulus and Remus (1928). Meie kataloogist löytyb 98 teost kunstnikult Alexander Calder; galeriist on säilitatud 98 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
This work, titled Untitled, is an original lithograph in colors by the artist Alexander Calder. It emerged from the studio about 1967. The paper holds the ink in a way that captures a specific moment of graphic intent, a quiet intersection of line and pigment.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
Alexander Milne Calder's "Black Sun," painted in 1953, isn’t merely a depiction of abstract forms; it’s an invitation to contemplate the interplay between chaos and order, darkness and light. Born in Aberdeen, Scotland, and later establishing himself as a pivotal figure in American sculpture alongside his son Alexander Stirling Calder and grandson Alexander ‘Sandy’ Calder, Milne Calder possessed a singular vision – one that sought to capture dynamic movement and…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Calder's Circus1931 · Whitney Museum of American Art
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Punane Päike1968 · Des Moines Art Center
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Lobster Trap and Fish Tail1939 · MoMA - Museum of Modern Art
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Violin1960
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Untitled (400)
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Untitled (2)
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Untitled (362)
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Sculpture in montreal
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Untitled1937
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Untitled1948 · The Phillips Collection
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Three Fingers1944
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The Antlers1944
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The Vine1944
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The Fawn1944
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The Racket1944
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The Flower1944
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Yellow Tights1945
28
Spiral Composition1946
29
Four Fish in Water1947
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The Acrobats1944
31
"Calder #1" Textile (Model No. 1-145)1949 · Metropolitan Museum of Art
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Antennae with Red and Blue Dots1953
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Reef Fringe1953
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Black Widow1959
35
Chevrons Noir sur Rouge et Jaune1960
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Saucers1965
37
7 Circles Abstract1966
38
Grid with Symbols1966
39
Like Two Discs Sculpture1962
40
A R
41
Red, Blue and Black Balls on a Yellow Ground1967 · Dallas Museum of Art
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Untitled1968 · Buffalo AKG Art Museum
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Across the Orange Moons1967 · Smithsonian American Art Museum
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Model for Nenuphar1968
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Nenuphar1968
46
Gwenfritz1968
47
Across the Orange Moons1967
48
Pryamids and Clouds1970
49
Maquette for Flamingo1972
50
Spiral1970
51
The Big Wheel1970
52
Yellow, Red, Blue Flowers1970
53
Tableau Noir1970
54
Pyramids1975
55
Crosshatch
56
Fish at Sunrise1974
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Red PolygonsThe Phillips Collection
58
Untitled (665)
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Untitled (226)
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Untitled (728)
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Untitled (3)New York Historical Society
62
Untitled (227)
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Untitled (230)
64
Untitled (391)
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Untitled (208)
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Untitled (121)
67
Untitled (778)
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Untitled (527)
69
Untitled (4)
70
Untitled (890)
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Untitled (647)
72
Untitled (282)
73
Untitled (318)
74
Flamingo
75
Untitled, (1976)
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Untitled (5)
77
Hair Comb
78
Untitled (210)
79
Untitled (937)
80
Untitled (571)
81
Winter Landscape
82
Untitled
83
The Boston Society of Architects
84
Red, Yellow, Blue
85
Baluster
86
Pin
87
Boney
88
Four wings, (1972)
89
Necklace
90
Smoke Rings
91
Untitled (6)
92
Bracelet
93
Trois Spirales
94
On Yellow
95
NemoBiennale Internazionale dell'Antiquariato di Firenze
96
Red, Yelloe and Blue GongsCa' Pesaro - Rahvusvaheline Kaasaegse Kunsti Galerii
97
Tache Bleu
98
Red MobileGalleria Civica di Arte Moderna e Contemporanea Torino
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Alexander Calder teosid | Selle nimekirja maalid |
|---|---|---|---|
 Biennale Internazionale dell'Antiquariato di Firenze |
Firenze | 2 | Untitled, Nemo |
 Solomon R. Guggenheimi muuseum |
New York | 2 | Romulus and Remus, Red Lily Pads (Nénuphars rouges) |
 The Phillips Collection |
Washington, D.C. | 2 | Untitled, Red Polygons |
 Tate Britain |
London | 1 | Black Sun |
 Whitney Museum of American Art |
New York | 1 | Calder's Circus |
 Des Moines Art Center |
Des Moines | 1 | Punane Päike |
 MoMA - Museum of Modern Art |
New York | 1 | Lobster Trap and Fish Tail |
 Metropolitan Museum of Art |
New York | 1 | "Calder #1" Textile (Model No. 1-145) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Alexander Milne Calder's "Romulus and Remus," crafted in 1928, isn’t merely a sculpture; it’s a distilled essence of myth rendered in delicate wire. This piece, a testament to the artist’s pioneering approach to three-dimensional form, transcends its subject matter – the legendary founders of Rome – to become a profound meditation on beginnings, brotherhood, and the very act of creation itself. Calder, deeply influenced by Constructivism and early Modernism, sought…
Alexander Milne Calder's "Red Lily Pads (Nénuphars rouges)" isn’t merely a depiction of a serene pond; it’s an invitation to lose oneself in the delicate balance of form, color, and movement. Created in 1956, this captivating sculpture – captured through a masterful photograph – embodies Calder's signature approach: embracing chance and celebrating the ephemeral beauty of nature within a distinctly modern aesthetic. The piece resides within a contemporary architectural space,…
In Colored Spots, created in 1970, we encounter a moment of pure rhythmic energy. This gouache work moves away from the heavy permanence of sculpture to explore the lightness of color and shape. The composition is defined by a series of circles, varying in scale, that appear to drift across the surface. There is a specific tension in how these forms are placed; they do not sit static but seem…
Untitled, Biennale Internazionale dell'Antiquariato di Firenze, Firenze. Järgnevad Mobile (1932) ja Romulus and Remus (1928).
Untitled, Mobile, Romulus and Remus, Abstraction, Red Lily Pads (Nénuphars rouges), Orange and Black Composition, Puppet Man, Slanting Red Nose, Black Sun ja Colored Spots. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 98 teost kunstnikult Alexander Calder, mis on pärinevad ajastust 1928 kuni 1975.
Peamiselt Biennale Internazionale dell'Antiquariato di Firenze (Firenze), Solomon R. Guggenheimi muuseum (New York) ja The Phillips Collection (Washington, D.C.) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1960s: 17 98 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Abstraction.
Sellel lehel on kõige vanem teos Romulus and Remus (1928) ja kõige värskeim Pyramids (1975).
Sculpture (6), Geometric (5) ja Geometric design (5), kogu selle lehekülje 98 teose kohta.
Acrylic On Canvas, 4 teoseks 98 töödelt sellel lehel.
Abstract expressionism, seda lähtudes selle lehe originaalteostest.
Untitled ja Nemo: Biennale Internazionale dell'Antiquariato di Firenze, Firenze säilitab 2 selle lehel olevat teost.
Šoti päritoluga ameerika skulptor Alexander Milne Calder, sündinud 1846. aastal Aberdeeni linnas Šotimaal, on kunstiajaloo oluline figuur, kuigi tema nimi ei pruugi olla sama tuntud kui poja ja lapselapse omad. Calderi loomingus tiivustab arhitektuurne skulptuur, eriti silmapaistev Philadelphia linnapea hoone monumentaalne kaunistus. Tema perekonna kunstiline pärand on erakordne – nii Alexander Stirling Calder kui ka Alexander “Sandy” Calder said 20. sajandi olulisteks skulptoriteks, jätkates isa loomingut ja arendades seda edasi.
Calder alustas oma kunstilist teekonda Šotimaal, töötades kuulsa skulptori John Rhindi juures. Samal ajal täiendas ta oma oskusi Edinburgh’ Royal Academy’s. Seejärel siirdus ta Londonisse, kus osales Albert Memoriali loomises – tohutu ja detailiderikas monument, mis kujundas tema varajast esteetilist tunnetust. 1868. aastal otsustas Calder immigreeruda Ameerika Ühendriikidesse ning leidis uue kodu Philadelphias. Seal õppis ta Joseph A. Bailly juures ja käis Thomas Eakinsi tunnides Pennsylvania Academy of the Fine Arts’is, mis aitas tal lihvida oma tehnilisi oskusi ja arendada isikupärast loomingulist stiili.
Calderi nimi on lahutamatult seotud Philadelphia linnapea hoonega, mis kujunes tema suurimaks väljakutseks ja saavutuseks. See tohutu projekt hõlmas üle 250 skulptuurielemendi valmistamist marmorist ja pronksist ning kestis tervelt kakskümmend aastat. Hoone fassaadi kaunistavad figuurid, portaalid ja detailid on tunnistuseks Calderi oskustest ja visaduse kohta. Eelkõige väärib tähelepanu tohutu William Penni pronksist monument, mis oli mõeldud kroonima linnapea hoone torni. Lisaks sellele olid olulised ka “India figuur” skulptuur ning värviliste valgustitega illumineeritud “South Portal” ja “West Portal”, mis näitasid Calderi tähelepanu detailidele ja tema oskust luua atmosfääri.
Alexander Milne Calderi pärand ulatub kaugemale tema enda töödest. Tema poeg, Alexander Stirling Calder, sai tuntuks arhitektuurse skulptuuriga, samal ajal kui lapselaps, Alexander “Sandy” Calder, revolutsioneeris mobiilsete skulptuuride kunstivormi. Calderi loomingust võib leida inspiratsiooni nii tema poja kui ka lapselapse töödes, mis näitab perekonna kunstilise geeniuse jätkuvust. Tema panus kunstimaailma on kajastatud erinevates muuseumides, sealhulgas Smithsonian American Art Museum’is ja Galleria Civica di Arte Moderna e Contemporanea Torinos.
Alexander Milne Calderi loomingut iseloomustab arhitektuuriline täpsus, detailirohkus ning oskus luua monumentaalseid ja atmosfäärilisi teoseid. Tema töö on oluline näide 19. sajandi skulptuurikunstist ning tema panus Philadelphia linnapea hoone loomises on kunstiajaloo üks silmapaistvamaid saavutusi. Calderi perekonna loominguline pärand jätkab inspireerimist ja vaimustamist tänapäevalgi, kinnitades nende kohta kunstimaailmas.
