Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 103 teost Thomas Sidney Cooper meie kataloogis
Lühidalt
Kõigist Thomas Sidney Cooper jäetud originaalteostest on kõige kuulsam An Evening Drink (1897), mis kuulub Bolton Museum And Art Gallery kogele linnas Bolton. Järgnevad sellest An Evening Scene (1852) ja Fording a brook, suburbs of Canterbury (1834). Meie kataloogist löytyb 103 teost kunstnikult Thomas Sidney Cooper; galeriist on säilitatud 99 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
In An Evening Repose by Thomas Sidney Cooper, a tranquil pastoral scene unfolds at the quiet hour of dusk. The air feels heavy with the stillness of the fading day as a herd of cattle and sheep graze peacefully across a wide field. These animals move through the grass with a slow, rhythmic grace, their presence grounding the landscape in a moment of profound rest. It is a quintessential depiction…
In the quietude of 1888, Thomas Sidney Cooper captures a moment of rural stillness in his work, Cattle and Sheep in a Landscape. This English landscape painter brings a sense of life to the pastoral scene, focusing his attention on the steady, rhythmic existence of livestock. The animals occupy the heart of the view, existing in a space where the air feels heavy with the scent of damp earth and…
The quietude of the English countryside finds its voice in The Lord Of The Pastures, a work by the artist Thomas Sidney Cooper. Within this scene, the pastoral life of the nineteenth century remains suspended in a moment of stillness. Thomas Sidney Cooper, who lived from 1803 to 1902, brings a specific, grounded presence to the meadow through his depiction of the animals that inhabit it.
In the quietude of a rolling landscape, Sheep in a Pasture brings a moment of rural stillness to life. This oil painting by Thomas Sidney Cooper captures a flock of sheep resting upon a grassy hill, their forms nestled under a dramatic, cloudy sky. The scene unfolds with a sense of peace, as the animals cluster in the foreground and middle ground, leading the eye toward a distant, soft horizon.…
Cattle by a river1835 · Fitzwilliam Museum
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The Entrance to Carisbrooke Castle1837 · Royal Collection
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Cattle in a Stream1841 · Birmingham Museum and Art Gallery
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Cattle reposing (1846)1846 · Fitzwilliam Museum
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The Victoria Cow1848 · Royal Collection
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The Halt on the Hills1847 · Sheffield City Art Galleries
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Goats and Kids in a Shed1846 · Nottingham City Museums And Galleries
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Mountain Sheep1845
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Mountain Sheep (also known as Morning Mist Clearing Off)1846 · Nottingham Castle Museum And Art Gallery
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In the Meadows of Fordwich1840
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Cattle1850 · Reading Public Museum
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Landscape with Cows and Sheep1850
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The Evening Drink in the Canterbury Meadows1851 · Russell
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In the Whitehall Meadows, Canterbury, Kent1854 · Sheffield City Art Galleries
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Mountain Sheep1862 · Touchstones Rochdale Arts And Heritage Centre
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In the Canterbury Meadows1863 · Wolverhampton Art Gallery
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Heat Showers in August1857 · Manchesteri Kunstigalerii
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Midday Repose1866 · Laing Art Gallery
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Milking Time in the Meadows1869
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Morning, Canterbury Meadows, Kent1869 · Sheffield City Art Galleries
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In the Kentish Meadows1868
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Five Cows in a Landscape1874 · Kingston Lacy
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A Group of Cattle1877
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Landscape with Cattle and Sheep1875 · York Art Gallery
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Landscape with Cattle and Fowl1874 · Wolverhampton Art Gallery
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Clearing the Wood for the Iron Way1880
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Landscape with Cows1881
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Landscape with cattle1890 · National Library of Wales
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Fordwich Meadows, Canterbury, Kent1889 · Victoria Art Gallery
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Study of a Working Horse1900 · Yale Center for British Art
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Village Landscape (from McGuire Scrapbook)
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Farm Landscape
43
A Cow and Two Sheep
44
The Rustic Foot Bath
45
A Shepherd With His Flock
46
Milking Time - Study of a Farm-Yard near Canterbury
47
Gathering CloudsAmgueddfa Cymru
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The Chill of Winter
49
Cattle Resting By A Brook
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Waiting for the Ferry
51
April Showers
52
Inquiring for the Tilbury Ferry
53
Summer Evening
54
In the Highlands
55
Four Sheep1874 · Wolverhampton Art Gallery
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Cattle and Sheep at a Watering Place
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Landscape and Cattle
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The Lowland Herd
59
Sheep In An Extensive Landscape
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Sheep In Winter
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A Cow And Sheep On The Cliffs
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The Church Meadows
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Sheep At Pasture
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Cows In A Meadow 1
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A Cow With Sheep In A Landscape
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Leader benjamin williams tintern abbey moonlight on the wye
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Canterbury Meadows
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Among the Cumberland Mountains - Mist Clearing Off
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In The Highlands
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Cattle resting beside a river
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Evening In The Meadows
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Dairy Cows Resting
73
Cattle Wattering
74
Sheep In A Winter Landscape
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Cattle Watering
76
Rams And A Bull In A Highland Landscape
77
Cattle Sheep and Goats
78
Cattle Resting
79
Cows in a Meadow
80
In The Canterbury Meadows
81
Cattle and Sheep Resting in an Extensive Landscape
82
Landscape with Sheep
83
Highland Cattle by a StreamSunnycroft
84
Landscape with SheepAmgueddfa Cymru
85
A Wooded Ford
86
LandscapeGrundy Art Gallery
87
Cattle and Sheep in a Field
88
Near Canterbury. a Boy on a Donkey driving Cattle along a Road, the Cathedral beyond
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Sheep in the Highlands
90
A Bull and Cow with Two Sheep and Goat
91
A Farm in Kent
92
Friesian Bull in a LandscapeOwletts
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Cattle and Sheep Probably in Canterbury Meadows
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CATTLE GRAZING IN CANTERBURY MEADOWS
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Sheep In Canterbury Water Meadows
96
Peasants and Sheep
97
Meadows Near Canterbury
98
Landscape with a Flock of Sheep Resting
99
Sheep in a Moorland Landscape
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Thomas Sidney Cooper teosid | Selle nimekirja maalid |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent, Morning, Canterbury Meadows, Kent |
 Wolverhampton Art Gallery |
Wolverhampton | 3 | In the Canterbury Meadows, Landscape with Cattle and Fowl, Four Sheep |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Landscape With Cattle And Sheep, Cattle in a Stream |
 Fitzwilliam Museum |
2 | Cattle by a river, Cattle reposing (1846) | |
 Royal Collection |
London | 2 | The Entrance to Carisbrooke Castle, The Victoria Cow |
 Amgueddfa Cymru |
Cardiff | 2 | Gathering Clouds, Landscape with Sheep |
 Bolton Museum And Art Gallery |
Bolton | 1 | An Evening Drink |
 Wallace Collection |
London | 1 | An Evening Scene |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
An Evening Drink (1897), Bolton Museum And Art Gallery, Bolton. Järgnevad An Evening Scene (1852) ja Fording a brook, suburbs of Canterbury (1834).
94 aastat vanus: teos An Evening Drink on pärinev aastast 1897 ning Thomas Sidney Cooper sündis aastal 1803.
An Evening Drink, An Evening Scene, Fording a brook, suburbs of Canterbury, The Home Farm, Sheep In The Isle of Skye, An Evening Repose, Cattle and Sheep in a Landscape, The Lord Of The Pastures, Sheep in a Pasture ja Landscape With Cattle And Sheep. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 103 teost kunstnikult Thomas Sidney Cooper, mis on pärinevad ajastust 1834 kuni 1900.
Peamiselt Sheffield City Art Galleries (Sheffield), Wolverhampton Art Gallery (Wolverhampton) ja Birmingham Museum and Art Gallery (Birmingham) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1840s: 9 99 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Home Farm.
Sellel lehel on kõige vanem teos Fording a brook, suburbs of Canterbury (1834) ja kõige värskeim Study of a Working Horse (1900).
Animals (22), Landscape (19) ja Rural landscape (14), kogu selle lehekülje 99 teose kohta.
Oil On Canvas, 7 teoseks 99 töödelt sellel lehel.
Romanticism, seda lähtudes selle lehe originaalteostest.
The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent ja Morning, Canterbury Meadows, Kent: Sheffield City Art Galleries, Sheffield säilitab 3 selle lehel olevat teost.
Inglise maapiirkonna südames, kus Canterbury kumerlikud laiundid kohtuvad Kenti taeva pehme valgusega, elab Thomas Sidney Cooperi vaim edasi tema lapendatud linateel. Tema kaasaeglaste armastusega nimetatud "lemasid maalistav Cooper" oli palju enema kui pelgalt karjakarni maalistaja; ta oli pastoraalse kunsti poet, mees, kellel oli haruldane võime üles võtta vaikne, muru söes lambajärgede ja karja hing.
Cooperi karjääri kulg oli tähistatud sügav muutosega kohalikust käsitöölist tunnustatud kunstnikuks Kunsti Akadeemias. Tema liikumine Londoni kaheksateist aasta vanuses võimaldas tal sukelduda Briti Muuseumi intellektuaalsesse ja kunstilisse maailma, pakkudes talle ajaloolist sügavust, mis oli vajalik tema töö tõstamiseks lihtsast realismist kõrgemale. Kuigi ta säilitas sügava sidlusega oma Canterbury juurtele — tegutsedes joonistusmeisterina ning leidmisega stabiilsuse kohalikust maastikust — oli just tema võime ühendada maapiirkonna karm reality romantilise ja atmosfäärilise suurepärasusega see, mis kinnitas tema koha viktoriaanlikus kunstikanonis. Tema tehnika oli iseloomulik hoolikas ja meistralt lagedud pintoonid, luues sügavuse ja õhu niiskuse tunnet, mis tegi tema maastikud elavaks, nagu nad ise hingaksid.
Üks Cooperi karjääri põnevamaid peatuid oli tema pikaajaline kunstiline partnerlus Frederick Richard Leega. See koostöö võimaldas stiilide unikaalset sündimist, mis sai midiviktoriaanliku maastikumaali tunnusnipuks. Kui Lee keskendus laadele, monumentaalsetele vaadetele ja looduse maailma draamatilisele arhitektuurile, pakkus Cooper kompositsiooni hinge oma loomade täpsete kujutamistega. See sünergia on kaugeimalt briljantne nende ühises meistriteoses „Kellermanni kuraasieride alistamine“, mis on monumentaalne teos Waterloo sõja mälestuseks. Selles teoses kohtuvad maastiku suurepärasus ja loomade emotsionaalne, detailne kohalolu, luues narratiivi, mis on korvpalli laadiga eepiline, kuid detailides intiimne.
Lisaks suurepärasetele ajaloolistele tellimustele peitus Cooperi tõeline kire maapiirkonna vaiksetes hetkedes. Tema teosed, nagu „Karja ja lambad laabas maastikus puhkamas“, toimivad akenina Inglise pastoraalsuse kaduvasse ajastusse. Tema silmade läbi näeme me:
Viktoriaanliku ajastu edenedes seisid Cooperi töud kui tunnistus Inglise maastiku püsivale ilule keskmel tööstusliku revolutsiooni sagedane varjustumine. Ta tabas rahu ja püsivuse tunnet, mis kõlastas sügavalt kiiresti muutumas ühiskonnas. Tema viljakas looming ja järjepidev kohalolu Kunsti Akadeemias tõid talle kriitilise tunnustuse ning püsiva maine loomade kujutamise meistrina. Isegi täna on tema maalid austatud mitte ainult tehnilise täpsuse, vaid võime tõsta esile sügava emotsionaalse sideme maaga.
Thomas Sidney Cooperi pärand on pühendumus looduse väikestele ja sageli üle vaadatavatele detailidele. Ta õpetas meile, et lambase stabiilne pilk on sama suurepärasusest täidetud kui kõige draamatilisem mäestik. Oma "lemasid maalistava Cooperi" kujutuste kaudu säilitas ta maapiirkonna väärikus, tagades, et 19. sajandi Inglismaa rahulik ja pastoraalne ilu jääks igavesti elavaks ka tulevatele põlvetele.
