Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 23 teost Thomas Hovenden meie kataloogis
Lühidalt
Kõigist Thomas Hovenden jäetud originaalteostest on kõige kuulsam Breaking Home Ties (1890), mis kuulub Philadelphia Museum of Art kogele linnas Philadelphia. Järgnevad sellest Jerusalem the Golden (1892) ja Study of a Man with Grindstone (1850). Meie kataloogist löytyb 23 teost kunstnikult Thomas Hovenden; galeriist on säilitatud 23 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
A young woman reclines upon a chaise lounge, her form the apex of a silent pyramid. She rests within a softly lit room where muted tones and textured fabrics settle like dust in the afternoon light. Two men occupy the periphery; one watches her with a heavy, concerned gaze, while another lingers in the shadows behind. The air in this 1892–94 oil painting feels thick with stillness. Every brushstroke leans…
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In 1873, Thomas Hovenden captures a quiet, heavy moment within the walls of a private interior. The Discussion finds two men locked in a formal meeting, their presence commanding the space around them. One man offers a pipe to the other, a gesture that hangs in the air between them, suggesting a pause in a significant exchange. The atmosphere carries a weight of seriousness, as if the words spoken here…
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
The Portrait of Frank Hamilton Cushing by Thomas Hovenden captures a moment of quiet presence. Painted in 1890, this oil on canvas presents the likeness of Frank Hamilton Cushing, an American anthropologist and ethnologist. He sits before us, his gaze meeting the observer with a steady, thoughtful expression that suggests a mind deeply engaged with the complexities of his studies.
To stand before Thomas Hovenden's Hoc Signo Vinces is to step across the threshold of time, into a richly textured moment plucked from the tumultuous heart of history. This oil on canvas, executed in 1880, transcends mere portraiture or genre scene; it is a profound meditation on conflict, faith, and the enduring human spirit. The painting draws its dramatic weight from the backdrop of the Wars of the Vendée during…
Self Portrait of the Artist in His Studio is an oil on canvas work by Thomas Hovenden. The painting is dated 1875. It depicts a solitary male artist within the confines of his studio. This specific composition is currently held at the Yale University Art Gallery in New Haven.
Still Life with Fan and Roses1874 · Smithsonian American Art Museum
12
What O'Clock Is It.1878
13
Contentment1881 · Columbia Museum of Art
14
Dem Ws Good Ole Times1882
15
The Sailor's Return1892
16
Sketch of Arm and Sketch of Two HandsMetropolitan Museum of Art
17
Study of a Man
18
A Special Correspondent
19
Taking His Ease1885 · Fine Arts Museums of San Francisco
20
The Last Moments of John Brown1882 · Metropolitan Museum of Art
21
The Village Blacksmith
22
The Flower of Scotland
23
The Last Moments of John Brown1884 · Fine Arts Museums of San Francisco
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Thomas Hovenden teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 4 | Jerusalem the Golden, Standing Woman with Man in Outline, Sketch of Arm and Sketch of Two Hands |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Portrait of Frank Hamilton Cushing, Still Life with Fan and Roses |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Taking His Ease, The Last Moments of John Brown |
 Philadelphia Museum of Art |
Philadelphia | 1 | Breaking Home Ties |
 Birminghami kunstimuuseum |
Birmingham | 1 | Study of a Man with Grindstone |
 Yale University Art Gallery |
New Haven | 1 | Self-Portrait of the Artist in His Studio |
 Amon Carter Museum of American Art |
Fort Worth | 1 | Chloe and Sam |
 Detroit Institute of Arts |
Detroit | 1 | Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The oil study titled Study of a Man with Grindstone was created by Thomas Hovenden. This work emerged around 1850. It captures a singular, quiet moment of labor through the medium of oil.
This monochromatic drawing, executed in 1867, presents a central female figure rendered in heavy graphite and white gouache on tan wove paper. The woman is positioned in profile, facing toward the right side of the composition. Her head is bowed, casting her gaze downward. She wears a heavy, dark skirt with deep folds that suggest weight and texture through dense hatching and shading. Behind her, a second figure—a man—is indicated…
In this intimate oil on canvas, the artist Thomas Hovenden turns his gaze inward, capturing himself within the familiar confines of his workspace. Titled Self-Portrait of the Artist in His Studio, the work offers a glimpse into a private, lived-in world. The scene unfolds across a vertical plane, measuring 67.37 x 44.51cm, where the man and his surroundings exist in a quiet, suspended moment of repose.
In the oil painting "Chloe and Sam" by Thomas Hovenden, dated about 1882, the composition centers on two elderly figures within a rustic, dimly lit kitchen. The scene is captured from a straight-on medium shot, placing the viewer directly within the cluttered, lived-in interior of the cottage. On the left, a woman stands at a table covered with a striped cloth, appearing engaged in food preparation. She wears a white…
In 1890, Thomas Hovenden painted Breaking Home Ties, a work that captures a heavy moment of transition within an American rural household. The scene depicts the quiet necessity of departure, illustrating a period when young sons were forced to leave the family land to seek a living in the city or on the distant, shrinking frontier. It is a depiction of a fractured domesticity, where the soil of the farm…
Breaking Home Ties (1890), Philadelphia Museum of Art, Philadelphia. Järgnevad Jerusalem the Golden (1892) ja Study of a Man with Grindstone (1850).
50 aastat vanus: teos Breaking Home Ties on pärinev aastast 1890 ning Thomas Hovenden sündis aastal 1840.
Breaking Home Ties, Jerusalem the Golden, Study of a Man with Grindstone, Standing Woman with Man in Outline, Self-Portrait of the Artist in His Studio, The Discussion, Chloe and Sam, Portrait of Frank Hamilton Cushing, Hoc Signo Vinces (also known as In This Sign Shalt Thou Conquer) ja Self Portrait of the Artist in His Studio. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 23 teost kunstnikult Thomas Hovenden, mis on pärinevad ajastust 1850 kuni 1892.
Peamiselt Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) ja Fine Arts Museums of San Francisco (San Francisco) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 7 23 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Chloe and Sam.
Sellel lehel on kõige vanem teos Study of a Man with Grindstone (1850) ja kõige värskeim Jerusalem the Golden (1892).
Man (7), Woman (4) ja Portrait (4), kogu selle lehekülje 23 teose kohta.
Oil On Canvas, 12 teoseks 23 töödelt sellel lehel.
Contemporary realism, seda lähtudes selle lehe originaalteostest.
Jerusalem the Golden, Standing Woman with Man in Outline ja Sketch of Arm and Sketch of Two Hands: Metropolitan Museum of Art, New York säilitab 4 selle lehel olevat teost.
