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1 kulubumatamatumat Theodor van Pee maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Theodor van Pee meie kataloogis
Lühidalt
A painter and his muse in a workshop (1719) on Theodor van Pee maalide kõige silmapaistvam teos; originaal kuulub museumi Staatliche Kunsthalle Karlsruhe, Karlsruhe. Meie kataloogis olevatest Theodor van Pee 1 teosest on need 1 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1668 – 1746, Amsterdam
Enamama teoseid: Staatliche Kunsthalle Karlsruhe
Theodor van Pee top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Theodor van Pee originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Theodor van Pee teosid | Selle nimekirja maalid |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee aastate jooksul: iga teose unikaalsed originaalid
Kõik siin kuvatavad Theodor van Pee originaalteosed on pärinevad ühest aastast, 1719: need on esitatud kululuse järjekorras.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Theodor van Pee maalid: küsimused galeriile
Mis on Theodor van Pee kõige kuulsam teos?Paljasta vastus
A painter and his muse in a workshop (1719)
Mis vanuses luunud Theodor van Pee teos A painter and his muse in a workshop?Paljasta vastus
51 aastat vanus: teos A painter and his muse in a workshop on pärinev aastast 1719 ning Theodor van Pee sündis aastal 1668.
Kui palju teoseid kunstniku Theodor van Pee kohta on teada?Paljasta vastus
Meie kataloogist leibab 1 teost kunstnikult Theodor van Pee.
Kust saab näha kõige kuulsamaid Theodor van Pee originaalteoseid?Paljasta vastus
Peamiselt Staatliche Kunsthalle Karlsruhe (Karlsruhe) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Theodor van Pee: kunstniku portree
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.