Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 18 teost Robert William Buss meie kataloogis
Lühidalt
Galleriile on Robert William Buss kõige kuulsam teos The pifferari in front of the Madonna (1829). The Origin of Music (1845) ja The Triumph of Music (1845) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Robert William Buss 18 teose põhjal esitleb galeriis allpool 17 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
Robert William Buss’s “John Cooper as Captain Mouth in ‘The Bride of Ludgate’” is a captivating portrait that transcends mere representation, embodying the grandeur and theatricality characteristic of Baroque art. Executed around 1927, this piece hails from the University of Bristol Theatre Collection, offering a glimpse into the artistic sensibilities of the early 20th century amidst a fascination with operatic performance.
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Robert William Buss teosid | Selle nimekirja maalid |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
Bath | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 Bristoli ülikooli muuseumid |
Bristol | 1 | John Cooper as Captain Mouth in 'The Bride of Ludgate' |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
London | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 Walker Art Gallery |
Liverpool | 1 | Scene from 'Don Juan' |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829). Järgnevad The Origin of Music (1845) ja The Triumph of Music (1845).
24 aastat vanus: teos The pifferari in front of the Madonna on pärinev aastast 1829 ning Robert William Buss sündis aastal 1805.
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper as Captain Mouth in 'The Bride of Ludgate', J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 ja A Funeral Bearer. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 18 teost kunstnikult Robert William Buss, mis on pärinevad ajastust 1829 kuni 1847.
Peamiselt Wimpole Hall, Theatre Royal (Bath) ja Bristoli ülikooli muuseumid (Bristol) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1840s: 7 17 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Origin of Music.
Sellel lehel on kõige vanem teos The pifferari in front of the Madonna (1829) ja kõige värskeim The Crowd (1847).
Sky (2), Cherubs (2) ja Foliage (2), kogu selle lehekülje 17 teose kohta.
Oil On Canvas, 4 teoseks 17 töödelt sellel lehel.
The Origin of Music ja The Triumph of Music: Wimpole Hall säilitab 2 selle lehel olevat teost.
