Robert Smithson portree

Robert Smithson maalid: 4 kuulsumat teost galeriin läbi

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 6 teost Robert Smithson meie kataloogis

Lühidalt

Galleriist vaadatuna on Robert Smithson kõige kuulsam teos Non Site - Site Uncertain, mille originaal ripub Detroit Institute of Arts-is, Detroit. Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Robert Smithson 6 teose põhjal esitleb galeriis allpool 4 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.

1938 – 1973, Passaic Enamama teoseid: Detroit Institute of Arts

Galeria 10 parimat Robert Smithson maali

Muuseumid, kus on säilitatud Robert Smithson originaalteosed

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Robert Smithson teosid Selle nimekirja maalid
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, iga aasta esindavad teosed

5 aastat, 1966 kuni 1970, on esitatud Robert Smithson kogu ajastatud karjäär selles lehel: lühike ülevaade, mis on koostatud aastaaegult läbi tema kõige kuulsamate originaalteoste.

Teosed aasta kaupa

Vali aasta, et näha originaale.

Robert Smithson maalid: galerii vastused

Milline Robert Smithson maal on kõige kuulsam?Paljasta vastus

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Järgnevad Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Kui palju teoseid Robert Smithson lõi?Paljasta vastus

Meie kataloogist leiate 6 teost kunstnikult Robert Smithson, mis on pärinevad ajastust 1966 kuni 1970.

Kust leiad Robert Smithson kõige kuulsamad originaalteosed?Paljasta vastus

Peamiselt Detroit Institute of Arts (Detroit) ja Chrysler Museum of Art (Norfolk) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Millised on Robert Smithson varased ja hilised kuulsad teosed?Paljasta vastus

Sellel lehel on kõige vanem teos Three-Sided Vortex (1966) ja kõige värskeim Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: kunstnik

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.