Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 77 teost Robert Smirke meie kataloogis
Lühidalt
The Cession Of Matavai on Robert Smirke maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk The wreck of the 'Grosvenor' (1792) ja The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793) suunas. Meie kataloogis olevatest Robert Smirke 77 teosest on need 77 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In The Cession Of Matavai, Robert Smirke presents a complex historical scene centered on the era of European colonization in the Pacific. The work captures a moment of profound cultural encounter, focusing on the tension between two distinct worlds. Smirke, an artist known for his ability to translate narrative depth into visual form, uses this setting to explore themes of power and the shifting dynamics of dominance and vulnerability.
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
The Awakening of King Lear by Robert Smirke centers on a dramatic moment of human interaction. An elderly man with a white beard sits in a large chair, serving as the focal point of the composition. Kneeling before him is a woman in white and light blue drapery, her posture suggesting a gesture of supplication or comfort. This central pairing is framed by two other men who observe the scene…
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
A Scene From 'the Busybody' From By Mrs Centlivre is a painting by the artist Robert Smirke. This work depicts a specific moment taken from the play written by Mrs Centlivre. The composition captures a dramatic instance from the theatrical text, focusing on the interactions between the characters within a domestic setting.
Diana and ActaeonYale Center for British Art
12
Juliet Nurse
13
Lady Jane Grey
14
The Slaughter Of The Suitors Of Penelope
15
Title Not Known - (10)
16
The SoldierYale Center for British Art
17
Title Not Known -
18
The Afflicted Matron, The Countess Trifaldi, From 'don Quixote'
19
'henry Iv', Part I, Act Ii, Scene 1, The Inn Yard With Gadshill And The Carriers
20
King Lear
21
Mary Isabella Somerset
22
The Treachery Of Colonel Kirke
23
Ulysses And Nausicä
24
Children Playing
25
Cromwell suppressing the mutiny in the army
26
Ulysses Discovered By His Nurse
27
Sancho Panza And The Duchess
28
His Majesty Reviewing The Volunteer Corps Assembled In Hyde Park, In Honour Of His Birthday
29
The Deserter Apprehended
30
The Merry Wives Of Windsor
31
The Martyrdom of Archbishop Cranmer
32
The SchoolboyYale Center for British Art
33
Kneeling female figure with a cup
34
Title Not Known -
35
Title Not Known -
36
The LoverYale Center for British Art
37
Title Not Known
38
Title Not Known -
39
The Order Of Knighthood Conferred On Don Quixote By The Inn Keeper
40
Title Not Known - (9)
41
Title Not Known -
42
Casimire And Lady Pentweazel, From Samuel Foote's Taste
43
Title Not Known -
44
The Astronomers' ClubRahvuslik Mereväemuuseum
45
Don Quixote And Sancho Panza
46
The JusticeYale Center for British Art
47
The InfantYale Center for British Art
48
The Rivals
49
Scene From Samuel Richardson's Pamela
50
Mrs Henry Siddons
51
Melinda And Lucy Consult Kite
52
He Seven Ages Of Man The PantaloonYale Center for British Art
53
Title Not Known - (11)
54
Much Ado About Nothing
55
Lady Pentweazle From Samuel Foote's 'taste'Upton House
56
The Rivals from `Tom Jones
57
Title Not Known - (8)
58
The Two Sons Of Tipu Sahib, Sultan Of MysoreYale Center for British Art
59
Measure For Measure
60
Scene From Bickerstaffe's Play 'the Hypocrite'
61
Falstaff Disguised As Herne With Mrs Ford And Mrs Page
62
The Scandal
63
The Duel
64
Second ChildishnessYale Center for British Art
65
Young Man Lifted From A River, Apparently Drowned
66
The Merry Wives Of Windsor -
67
Scipio And The Hermit
68
Don Quixote At Home, After The Termination Of His Second Sally
69
'henry Iv', Part I, Act V, Scene 4, Falstaff And The Dead Body Of Hotspur
70
The Sleeper Awakened
71
Illustration From Francis Beaumont And John Fletcher's 'the Humorous Lieutenant'
72
Title Not Known -
73
Resuscitation By Doctor Hawes Of A Man Believed Drowned
74
A Scene From 'taste' A Play By Samuel Foote
75
Illustration To Le Strange's 'gil Blas'
76
'love For Love' By William Congreve
77
The Rival Waiting-womenHatchlands Park
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Robert Smirke teosid | Selle nimekirja maalid |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 13 | The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece, Woman Sleeping in the Nude in a Wooded Landscape |
 Upton House |
Banbury | 2 | A Scene From 'the Busybody' From By Mrs Centlivre, Lady Pentweazle From Samuel Foote's 'taste' |
 Rahvuslik Mereväemuuseum |
London | 1 | The Astronomers' Club |
 Hatchlands Park |
Guildford | 1 | The Rival Waiting-women |
Siin kuvatud Robert Smirke esimese ja viimase originaalte jae 1790 ja 1804 vahel on 15 aastat: iga aasta on allpool oma kohal.
Vali aasta, et näha originaale.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
Veel 1792 teoseid
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
The Cession Of Matavai. Järgnevad The wreck of the 'Grosvenor' (1792) ja The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793).
The Cession Of Matavai, The wreck of the 'Grosvenor', The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Falstaff rebuked, Sarah Siddons as Lady Macbeth, The Awakening of King Lear, Port of Zakynthos, Greece, A Scene From 'the Busybody' From By Mrs Centlivre, Woman Sleeping in the Nude in a Wooded Landscape ja Figure Study of a Nude Woman in a Wooded Landscape. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 77 teost kunstnikult Robert Smirke, mis on pärinevad ajastust 1790 kuni 1804.
Peamiselt Yale Center for British Art (New Haven), Upton House (Banbury) ja Rahvuslik Mereväemuuseum (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1792: 2 77 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The wreck of the 'Grosvenor'.
Sellel lehel on kõige vanem teos Sarah Siddons as Lady Macbeth (1790) ja kõige värskeim Port of Zakynthos, Greece (1804).
Women (7), Scenes (4) ja Historical scene (3), kogu selle lehekülje 77 teose kohta.
Oil, 4 teoseks 77 töödelt sellel lehel.
Romanticism ja Neoclassicism, seda lähtudes selle lehe originaalteostest.
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece ja Woman Sleeping in the Nude in a Wooded Landscape: Yale Center for British Art, New Haven säilitab 13 selle lehel olevat teost.
Briti kunstikuvi suures kangaas, kus paljud otsisid au läbi laagedaste lahingukohtade või monumentaalsete portreedi, lõi Robert Smirke endale õrna ja sügavalt intiimse niši. Sündinud 1753. aastal Carlisle'i lähedal asuvas vaikusest täis Wigtonis, oli Smirke mees, kelle harja juhtis pigem luuletuse rütm kui ajaloo draama. Reisiva kunstniku pojana oli tema lapsepõlv uputatud tähelepanekute olemusse, õppides maailma nägema liikumise ja valguse läbi juba enne ametlikku õppetöö, mis andis talle võime vältida pindalistut. See varajane kokkupuude rändavusega maailm installeeris temasse eluaegse austuse looduse peenete detailide vastu – omaduse, mis määras hiljem tema ainulaadse lähenemise kirjanduslikule maastikule.
Smirke'i kunstiline teekond oli järjekordne ja hoolikas täienemine. Pärast tehniliste oskuste teravdamist Londoni heraldilise maalniku juures hakkas ta 1775. aastal professionaalsetest ringidest tuntudks läbi Incorporated Society of Artistsi. Kuigi tema esimesed näidised olid vaadatavalt lihtsad, paljastasid need kasvavat talenti stseenide vaikse elegantsi tabamiseks. Ta ei maalnud pelgalt maastikke; ta maaldis lugusid. Tema tõeline meistriklassis peitus võime tõlkida kirjavõrd asjad visuaalseks luuleks, keskendudes eriti inglise poetide, nagu James Thomson, teostele. Valides monokroomsed paletid ja keerukad kompositsioonid, lõi Smirke ajatuse tunnet, võimaldades vaatajal astuda otse klassikalise kirjanduse salmide sisse.
Robert Smirke tõus Royal Academy prestiižikas hallides toimub kui tunnistus tema tehnilisele võimekusele ja suutmele võlustada ajastu tarkimaid kriitikusid. Tema valimine assotsieeritud akadeemikuks aastal 1791, millele järgnes täis akadeemiline staatus aastal 1793, märkis tema üleminekut lubavast illustraatorist Briti kunstie establishmenti nurgakiviks. Just sellel perioodil hakkasid tema kõige pidustatatumad teosed kõlastama avalikku kujinime. Teosed nagu Narcissus and the Lady ja Sabrina – subjektid, mis olid pärit Miltoni teosest Comus – näitasid sügavat tundlikkust müütide ja legendide atmosfääriliste omaduste vastu.
Smirke'i tööd iseloomustavad mitmed määravad elemendid, mis eristavad teda tema kaaslaskest:
Isegi tema diplomitöö Don Quixote and Sancho peegeldas tema pühendumust iseloomulikkusele ja narratiivsele sügavusele. Kuigi ta ei otsinudki kuulsust nendete inimestega, kes maalisid imperiumi eepilist laadust, peitub Smirke'i ajalooline väärtus tema rollis inglise kirjanduspärandi visuaalse hoidjana. Ta muutis kangaaja raamatule, tagades, et 18. sajandi poetide romantismi jääks elma tema kujundite püsiva jõu kaudu. Tema elu, mis ulatus 18. sajandi lõpust kuni 1845. aastani, on jätkuvalt ilus peatükk Briti kunsti loos – lugu, mida ei jutustata valgetes proclamatsioonides, vaid meistarlooliku pehmetes ja võluvatest kuisetes sõnadest.
