Robert Herdman portree

Robert Herdman maalid: 52 kuulsumat teost galeriin läbi

Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 52 teost Robert Herdman meie kataloogis

Lühidalt

Galleriile on Robert Herdman kõige kuulsam teos John Campbell Shairp (1819–1885), LLD (1886). The young seamstress (1860) ja The Arrochar Gleaner (1862) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Robert Herdman 52 teose põhjal esitleb galeriis allpool 52 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.

1829 – 1888 Romanticism Enamama teoseid: Šoti Rahvusportreegalerii

Galeria 10 parimat Robert Herdman maali

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Morning (1861) autor Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Robert Herdman maalid, järjestus 11 kuni 52

11Evening (1862) autor Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) autor Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) autor Robert HerdmanFern Gatherer1866 14After the Battle (1870) autor Robert HerdmanAfter the Battle1870 · Scottish National Gallery 15Sir Joseph Noel Paton (1821–1901) (1870) autor Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) autor Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) autor Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) autor Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) autor Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) autor Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · Scottish National Gallery 21Execution of Mary, Queen of Scots (1867) autor Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) autor Robert HerdmanEvening Thoughts1864 · Scottish National Gallery 23La culla – Study in Italy (1864) autor Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) autor Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) autor Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) autor Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) autor Robert HerdmanSir George Harvey (1806–1876), Artist1874 · Šoti Rahvusportreegalerii 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) autor Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) autor Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) autor Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) autor Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) autor Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) autor Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · Šoti Rahvusportreegalerii 34A Conventicle Preacher before the Justices (1876) autor Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) autor Robert HerdmanSir Theodore Martin1876 · National Portrait Gallery 36Thomas Carlyle (1795–1881) (1875) autor Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) autor Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) autor Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) autor Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) autor Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) autor Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) autor Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) autor Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) autor Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) autor Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) autor Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · Šoti Rahvusportreegalerii 47A Sprig of Arran Heather autor Robert HerdmanA Sprig of Arran Heather 48A Pilot autor Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) autor Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest autor Robert HerdmanCorrie, a Crofter's Harvest 51Sleep autor Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA autor Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

Teemad, mis püüdisid Robert Herdman pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Robert Herdman originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Robert Herdman teosid Selle nimekirja maalid
Šoti Rahvusportreegalerii, EdinburghŠoti Rahvusportreegalerii Edinburgh 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, EdinburghRoyal Scottish Academy of Art - Architecture Edinburgh 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
National Portrait Gallery, LondonNational Portrait Gallery London 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, LeedsLeeds Art Gallery Leeds 1 Sleep

Robert Herdman, iga kümnendiga üks signatuurpilt

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Robert Herdman maalid: galerii vastused

Milline Robert Herdman maal on kõige kuulsam?Paljasta vastus

John Campbell Shairp (1819–1885), LLD (1886). Järgnevad The young seamstress (1860) ja The Arrochar Gleaner (1862).

Kui vana Robert Herdman oli teose John Campbell Shairp (1819–1885), LLD valmimisel?Paljasta vastus

57 aastat vanus: teos John Campbell Shairp (1819–1885), LLD on pärinev aastast 1886 ning Robert Herdman sündis aastal 1829.

Millised on Robert Herdman top 10 maali?Paljasta vastus

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell ja The Gleaner. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid Robert Herdman lõi?Paljasta vastus

Meie kataloogist leiate 52 teost kunstnikult Robert Herdman, mis on pärinevad ajastust 1854 kuni 1886.

Kust leiad Robert Herdman kõige kuulsamad originaalteosed?Paljasta vastus

Peamiselt Šoti Rahvusportreegalerii (Edinburgh), Royal Scottish Academy of Art - Architecture (Edinburgh) ja Scottish National Gallery (Edinburgh) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Millal lõi Robert Herdman oma kuulsamad maalid?Paljasta vastus

Ajal 1870s: 19 52 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Thomas Carlyle (1795–1881), Historian and Essayist.

Millised on Robert Herdman varased ja hilised kuulsad teosed?Paljasta vastus

Sellel lehel on kõige vanem teos The Time of Primroses (1854) ja kõige värskeim John Campbell Shairp (1819–1885), LLD (1886).

Millist teemat Robert Herdman kõige rohkem käsitledas?Paljasta vastus

Victorian era (3), Portraiture (2) ja Elderly man (2), kogu selle lehekülje 52 teose kohta.

Millise suunaga on Robert Herdman seotud?Paljasta vastus

Romanticism, seda lähtudes selle lehe originaalteostest.

Milliseid Robert Herdman originaalte Šoti Rahvusportreegalerii kogumuses on?Paljasta vastus

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University ja Sir George Harvey (1806–1876), Artist: Šoti Rahvusportreegalerii, Edinburgh säilitab 5 selle lehel olevat teost.

Robert Herdman: kunstnik

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.