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14 kulubumatamatum Rienk Keijert maali, galeriiselektsioon
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 14 teost Rienk Keijert meie kataloogis
Lühidalt
Kõigist Rienk Keijert jäetud originaalteostest on kõige kuulsam Allegory on the City of Leeuwarden (1742), mis kuulub Fries Museum kogele linnas Leeuwarden. Järgnevad sellest Portrait of an Unknown Man (1737) ja Portrait of Antonia Cornelisdr. Schrevelius (1750). Meie kataloogist löytyb 14 teost kunstnikult Rienk Keijert; galeriist on säilitatud 14 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
1709 – 1775, Leeuwarden
Enamama teoseid: Fries Museum
Rienk Keijert top 10 maalist: galeriis valitud teosed
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Kunstianikut Rienk Keijert nimekiri jätkub, 11 kuni 14
Muuseumid, kus on säilitatud Rienk Keijert originaalteosed
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Rienk Keijert teosid | Selle nimekirja maalid |
|---|---|---|---|
 Fries Museum |
Leeuwarden | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius |
 Varssavi Rahvusmuuseum |
Varssavi | 1 | Athena and Odysseus |
Rienk Keijert aastak aegades: originaalteos, mis määratleb iga ajastu
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Sammlajate küsimused Rienk Keijert maalide kohta
Millise teosega on Rienk Keijert kõige kuulsam?Paljasta vastus
Allegory on the City of Leeuwarden (1742), Fries Museum, Leeuwarden. Järgnevad Portrait of an Unknown Man (1737) ja Portrait of Antonia Cornelisdr. Schrevelius (1750).
Kui vana oli Rienk Keijert, kui teos Allegory on the City of Leeuwarden loodi?Paljasta vastus
33 aastat vanus: teos Allegory on the City of Leeuwarden on pärinev aastast 1742 ning Rienk Keijert sündis aastal 1709.
Millised on kümne kõige kuulsama Rienk Keijert maalid?Paljasta vastus
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus ja Solomon Worshipping the False Gods. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Kui palju maali Rienk Keijert jäeti?Paljasta vastus
Meie kataloogist leiate 14 teost kunstnikult Rienk Keijert, mis on pärinevad ajastust 1737 kuni 1773.
Mitteks muuseumides rihangavad Rienk Keijert meistriteosed?Paljasta vastus
Peamiselt Fries Museum (Leeuwarden) ja Varssavi Rahvusmuuseum (Varssavi) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millah aastades maalas Rienk Keijert oma kuulsamaid teoseid?Paljasta vastus
Ajal 1750s: 6 14 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Antonia Cornelisdr. Schrevelius.
Mis on Rienk Keijert esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos Portrait of an Unknown Man (1737) ja kõige värskeim Portrait of Adolf IJpey (1773).
Millised Rienk Keijert teosed on Fries Museum näituses?Paljasta vastus
Allegory on the City of Leeuwarden, Portrait of an Unknown Man ja Portrait of Antonia Cornelisdr. Schrevelius: Fries Museum, Leeuwarden säilitab 13 selle lehel olevat teost.
Rienk Keijert: elu ja looming
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.