Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 34 teost Reginald Marsh meie kataloogis
Lühidalt
Kõigist Reginald Marsh jäetud originaalteostest on kõige kuulsam The Bowery (1930). Järgnevad sellest The Irving Place Burlesque 1930 (1913) ja The Steeplechase (1932). Meie kataloogist löytyb 34 teost kunstnikult Reginald Marsh; galeriist on säilitatud 31 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The Bowery is a painting by Reginald Marsh created in 1930. This work depicts a crowded scene of down and out men standing along Bowery Street. Above the street level, the Third Avenue elevated railway is visible, cutting across the upper portion of the composition. The scene captures a specific segment of urban life in New York City during the 1920s and 1930s.
The Irving Place Burlesque 1930 is an etching by Reginald Marsh. The print captures a specific moment of entertainment and social interaction within a burlesque theater. It documents the atmosphere of 1930s New York, focusing on the shared experience of the audience and the performers on stage.
A monochromatic world of sharp lines and sudden shadows defines this 1932 etching. The scene is a frantic collision of muscle and metal. Horses and riders surge through a tight, compressed space, their forms defined by the heavy, rhythmic weight of the etching needle. There is no room for air here, only the urgent, overlapping geometry of a struggle. The light falls from an unseen height, catching the curve of…
The work reflects the grit of the early twentieth century. It avoids the polished surface of traditional portraiture to find truth in the unvarnished reality of the street. The lines trace the textures of a lived-in environment, where every person is a part of a larger, moving mass. There is a sense of the individual being swallowed by the collective motion of the metropolis. The boy's face, suggested by the…
Reginald Marsh, an American painter born in Paris, France, in 1898, focused his practice on the textures of urban existence. His approach to A Paramount Picture, created about 1934, aligns with his commitment to social realism. Having studied under Kenneth Hayes Miller and George Luks, Marsh developed a method for capturing the density of metropolitan life. His work often addressed the social divisions and economic pressures of the Great Depression,…
In "Asbury Park The Morrow Castle" by Reginald Marsh, a large warship anchors the center of a black and white sketch. The vessel sits heavy and still, a symbol of concentrated power amidst a sea of movement. Around this iron hull, a dense crowd gathers. Soldiers, sailors, and civilians press toward the edges of the frame, their forms arranged on both sides of the central ship to create a dynamic,…
Locomotives, Jersey City, painted by Reginald Marsh in 1934, presents a monochrome view of a train yard in Jersey City. The scene focuses on the industrial activity of a railway hub, where locomotives and various pieces of railway infrastructure occupy the space. The depiction includes human figures engaged in labor amidst the mechanical elements of the yard.
The painting titled Pursuit was created by Reginald Marsh about 1941. It captures a singular, tense moment of movement. The artist, born in Paris, France, lived from 1898 to 1954. His hand moved across the surface to fix this specific scene in time.
The air inside this dim interior feels heavy, thick with the scent of stale smoke and the low murmur of voices. A group of men gathers in a tight, restless cluster, their bodies leaning into one another as they occupy a corner of this urban sanctuary. A massive column anchors the left side of the frame, a silent, heavy presence that seems to hold up the weight of the room.…
In this 1932 work, titled Tattoo and Haircut, the artist Reginald Marsh captures a specific, unvarnished moment from the urban landscape of New York. The scene is set within the Bowery, a district of the Lower East Side, during the height of the Great Depression. It is a quiet observation of the people and the architecture that defined this particular corner of the city during a difficult era.
Madrid
12
H. Dummeyer Bar Grill
13
Golf Course Scene1922
14
Astoria, Long Island1927
15
George Tilyou's Steeplechase1932
16
U.S. Marine1934 · Museum of Fine Arts
17
In Fourteenth Street1934
18
George C. Tilyou's Steeplechase Park1936
19
Atlantic Liner in Harbor with Tug (mural study, U.S. Customs House, New York, New York)1937
20
Atlantic Liner in Harbor with Tugs (mural study, U.S. Customs House, New York, New York)1937
21
Girl Walking Verso Four Girls1947
22
Hudson Burlesk Chorus Verso Study for Hudson Burlesk Chorus1948
23
WALKING WOMAN (recto) / WOMAN IN HAT WALKING (verso)1953 · Cincinnati Art Museum
24
Hudson Theatre Verso Unfinished Study for Hudson Theatre1951
25
Coney Island Beach1953
26
Raymond S. Haupert, Moravian College1954 · Payne Gallery
27
Five Women (sketch)Pennsylvania Academy of Fine Arts
28
Striptease at New Gotham TheatreArt Institute of Chicago
29
Hudson's Burlesque
30
Merry Go Round
31
Down at Jimmy KellyChrysler Museum of Art
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Reginald Marsh teosid | Selle nimekirja maalid |
|---|---|---|---|
 Art Institute of Chicago |
Chicago | 2 | Tattoo and Haircut, Striptease at New Gotham Theatre |
 Cleveland Museum of Art |
Cleveland | 1 | A Paramount Picture |
 Toledo Museum of Art |
Toledo | 1 | Pursuit |
 Museum of Fine Arts |
Boston | 1 | U.S. Marine |
 Cincinnati Art Museum |
Cincinnati | 1 | WALKING WOMAN (recto) / WOMAN IN HAT WALKING (verso) |
 Payne Gallery |
Bethlehem, Pennsylvania | 1 | Raymond S. Haupert, Moravian College |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Five Women (sketch) |
 Chrysler Museum of Art |
Norfolk | 1 | Down at Jimmy Kelly |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The Irving Place Burlesque 1930 is an etching by Reginald Marsh. The print captures a specific moment of entertainment and social interaction within a burlesque theater. It documents the atmosphere of 1930s New York, focusing on the shared experience of the audience and the performers on stage.
The Bowery is a painting by Reginald Marsh created in 1930. This work depicts a crowded scene of down and out men standing along Bowery Street. Above the street level, the Third Avenue elevated railway is visible, cutting across the upper portion of the composition. The scene captures a specific segment of urban life in New York City during the 1920s and 1930s.
The painting titled Pursuit was created by Reginald Marsh about 1941. It captures a singular, tense moment of movement. The artist, born in Paris, France, lived from 1898 to 1954. His hand moved across the surface to fix this specific scene in time.
The Bowery (1930). Järgnevad The Irving Place Burlesque 1930 (1913) ja The Steeplechase (1932).
32 aastat vanus: teos The Bowery on pärinev aastast 1930 ning Reginald Marsh sündis aastal 1898.
The Bowery, The Irving Place Burlesque 1930, The Steeplechase, Milo the Mule Face Boy, A Paramount Picture, Asbury Park The Morrow Castle, Locomotives, Jersey City, Pursuit, Bowery Quartet ja Tattoo and Haircut. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 34 teost kunstnikult Reginald Marsh, mis on pärinevad ajastust 1913 kuni 1954.
Peamiselt Art Institute of Chicago (Chicago), Cleveland Museum of Art (Cleveland) ja Toledo Museum of Art (Toledo) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1930s: 12 31 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Bowery.
Sellel lehel on kõige vanem teos The Irving Place Burlesque 1930 (1913) ja kõige värskeim Raymond S. Haupert, Moravian College (1954).
People (5), Crowd (2) ja Black and white (2), kogu selle lehekülje 31 teose kohta.
Etching, 3 teoseks 31 töödelt sellel lehel.
Social realism, seda lähtudes selle lehe originaalteostest.
Tattoo and Haircut ja Striptease at New Gotham Theatre: Art Institute of Chicago, Chicago säilitab 2 selle lehel olevat teost.
Reginald Marsh seisab kui murdmatult oluline tegelane Ameerika sotsiaalrealismis, olles kuulus oma hämmastavate detailide rikkastatud piltide poolest, mis kirjeldavad New Yorki elu 1920ndatel ja 1930ndatel. Kuigi tema teosel on märkimisväärselt kohal Coney Islandi rannapiidid ja burleski esinemised, on Marsh'i kunst on palju enesevähemalt dokumenteerimine; see on sügav mõõtmõte linnaelu tekstuuridele ja rütmidele, mida toetab vankumatu pühendumus kunstilisele uurinemisele. Tema pärand ei asu pelgalt tema ikoonilistes piltides, vaid ka tema uuenduslikates tehnikates ja püsivas mõjus järgnevaid kunstnikke põlvkondi.
Reginald Marsh sündis 1898. aastal Pariisis, vaid Café du Dome'i kohal, ning tema kasvuaastad olid täis rikkast kunstilist pärandit. Ameerika impressionismi toetanud freskoartist Frederick Dana Marsh'i ja miniatüürimeister Alice Randall'i pojana kasvas Marsh keskkonnas, kus loovus õitles juba tema varajastest päevadest peale. Kolmjas vanuses New Jerseys Nutleys elama kolonistis, kasvas ta läheduses Frank Fowler'i kunstikolooniaga – inspiratsiooni ja kogemuste otsijate pärandlik keskus –, mis kinnistas tema seost kunstitriitadega. See varajane kokkupuide nii miniatuurmalduva täpsuse kui ka freskoide suurepärase mõõduga andis hiljem talle võime vangustada nii intiimseid inimlikke hetki kui ka metropooli laia energiat.
Marsh'i tee linna realismist meistriks ei olnud kergem ega otsekohene. Ta õppis suure tähelejadamusega, omades 1920. aastal Yale'i ülikoolist õigusteadmise bak Algorii, enne kui ta suunas oma huvid kunstikoolis. Selle perioodi jooksul täiendas ta oma oskusi Yale Record illustraatorina, sukeldudes üliõpilasmõju vibratstele rütmidele ja arendades varajast visuaalse lugulaaduse meisterlikkust. See kujundav ajastu kinnistas tema kunstilist tundjust ja valmistas teda karjääriks, mis oli pühendatud inimkogemuse olemuse vangistamisele kaasatraktatava piltide abil.
Alates professionjaalsest teekonnast New Yorkis hakkas Marsh tirelessly otsima tänavate pulssi. Tema tööd kasutasid mitmeid meediumeid spetsiifiliste atmosfäärsete efektide saavutamiseks, ulatudes mustast ja gouažist kuni õli-impasto läbikaudse ja dünaamilise tekstuurini. Olgu see siis hedonistlik õhvast Jimmy Kelly's burlesque nightclub ning klubis või merekomerciaalne elu tema fresko-uuringutes nagu Atlantic Liner in Harbor, Marshil oli ainulaadne võime muuta linna kaos struktureeritud ja rütmikas kompositsiooniks.
Reginald Marsh'i tähtsuse koondub tema rollis kadunud ajastu visuaalse ajaloolikuna. Tema teos on aken sotsiaalrealistliku liikumise juurde, keskendudes töölise klassi elule ja New Yorki kuulsaimate piirkondade, nagu Bowery ja Coney Island, råändmatule tegelikkusele. Tema maalid iseloomustavad:
Lisaks rahvastikustatud tänavakohtadele näitas Marsh ka suurepärast portreemaljamist, ühendades realismiga pehmed emotsioonid, nagu nähtav on tema mustvalgistes õli-tööd. Oma pühendumusega "linna karkele" ei pildistanud Reginald Marsh vaid New Yorki; ta igavustas selle hinged, tagades, et XX sajandi alguse energia jätkaks resoneerida läbi aastakümnete.
