Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 82 teost Pieter Codde meie kataloogis
Lühidalt
Galleriist vaadatuna on Pieter Codde kõige kuulsam teos Double Portrait of a Married Couple (1634), mille originaal ripub Mauritshuis Royal Picture Gallery-is, Haag. Venus Mourning over Adonis (1650) ja Family Group (1642) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Pieter Codde 82 teose põhjal esitleb galeriis allpool 75 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
Pieter Codde executed the Double Portrait of a Married Couple in 1634. This oil on panel work presents two figures positioned side by side. The subjects are dressed in formal, high-status attire, characterized by ruffled collars and white cravats. They are situated before a doorway, a setting that provides a structured architectural backdrop to the pair.
In this oil painting on panel, a group of figures is arranged in a dense, pyramidal structure. At the center of the composition, the pale skin of a lifeless male figure, Adonis, is positioned against a dark, shadowed background. Venus leans over his body, her form integrated into the central mass of the mourning group. Surrounding the central pair, several female attendants are depicted in various states of grief. Their…
Family Group (Moore) – A Window Into Domestic Tranquility The sculpture “Family Group” by Henry Moore, created in 1950, stands as a testament to the enduring fascination with familial bonds and the exploration of human form through abstraction. Unlike traditional portraiture, Moore eschewed meticulous detail, opting instead for a simplified representation that prioritizes gesture and emotional resonance—a deliberate departure from the conventions of his time. The piece’s impact transcends mere…
Departure with Two Soldiers and a Woman is a genre painting executed by the Dutch artist Pieter Codde. Created in 1632, this work belongs to the era of the Dutch Golden Age, a period when the Netherlands saw a significant flourishing of domestic and social scenes. The painting captures a specific, quiet moment of interaction, rendered with the technical precision characteristic of the seventeenth-century tradition.
The tension of a sudden confrontation unfolds in A Prisoner Kneels Before an Officer, a work by the Dutch painter Pieter Codde. This scene captures a moment of high drama, known also by the title Travellers interrogated by an officer. The narrative weight of the piece shifts depending on the language used to describe it, appearing in other records as Verhaftete Reisende vor einem Offizier (Der Überfall).
A man bows deeply toward a group of women, his back turned to the viewer, creating a central axis of movement within a quiet Dutch interior. To the left, three women gather around a table draped in white linen, their postures suggesting a moment of social interaction or perhaps a formal greeting. A woman stands to the right, positioned near the heavy folds of a large, draped four-poster bed. The…
The painting titled Company of Music-Makers is a work by the Dutch artist Pieter Codde. Created about 1633, it captures a specific moment of domestic harmony. The artist, a specialist in genre works, guardroom scenes, and portraits, focuses here on the rhythmic life of a musical gathering.
In this portrait, Portrait of a Man with a Watch by Pieter Codde, we encounter a middle-aged man presented within an oval composition. He is depicted from the chest up, his gaze directed slightly toward the viewer with a focused, steady expression. The subject wears a large, dark, wide-brimmed hat that frames his face, while a black doublet with subtle textures suggests the weight of heavy fabric. A prominent white…
The air in the guardroom hangs thick with the scent of stale ale and damp wood. Shadows cling to the corners of the room, swallowing the back wall and leaving only a sliver of light to dance across the scene. A central wooden table anchors the composition, its surface worn by the weight of heavy mugs and the restless movements of men. One figure lies slumped upon the floor, a…
In the Portrait of Joan van Werkhoven ( -1665) by Pieter Codde, a single figure occupies the vertical space, positioned slightly off-center against a dark and atmospheric background. The subject meets the viewer at eye-level, creating an immediate sense of presence. This person is dressed in an elaborate period costume, featuring a wide-brimmed hat and a large, ruffled lace collar that catches the light. A voluminous doublet or cloak adds…
Company playing backgammon in an interior1630 · Museum of Fine Arts Ghent (MSK)
12
Portrait of a painter in front of his easel1630 · Museum Boijmans Van Beuningen
13
A Conversation1628 · Nationalmuseum
14
Company Making Music1625 · Nationalmuseum
15
Elegant company conversing and singing in an interior1633 · Staatliches Museum Schwerin
16
Elegant company conversing and singing in an interior1630 · Staatliches Museum Schwerin
17
Portrait of a richly dressed young lady, full-length, before a draped table1635
18
7 persons in a room, chatting1624
19
Travellers interrogated by an offiece1624
20
Conversation Piece1638 · Bavaria riiklikud maalidema kogumikud
21
musical company1638 · Bavaria riiklikud maalidema kogumikud
22
Portrait of a Man1658 · Museum of Fine Arts Ghent (MSK)
23
Interior of Guardroom1652 · Petit Palais
24
Soldiers ransacking a house1649 · Frans Halsi muuseum
25
Portrait of a Family1661 · Nationalmuseum
26
An Artist in his Studio1650 · Hallwyl Museum
27
Portrait of a Family1665
28
The Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193)1670 · Museum der bildenden Künste
29
Soldiers Breaking into a Peasant's Cottage1645 · Statens Museum For Kunst
30
An Artist in Front of the Easel1637 · Hermitage muuseum
31
Actors' Changing Room1630 · Berliini Riigimuseumid
32
DAME A SA TOILETTELouvre'i muuseum
33
Art-lovers in a Painter's Studio1630 · Staatsgalerie
34
The Dancing Lesson1627 · Louvre'i muuseum
35
Tric-Trac Players1628 · Mauritshuis
36
Interior with Musicians Seated around a Table (detail)1627
37
An Elegant Company1632 · Art Institute of Chicago
38
A Woman holding a Mirror1625 · National Gallery
39
The Young Draughtsman1630 · Musées Royaux des Beaux-Arts
40
Portrait of a young Man standing1625 · The Ashmolean Museum of Art And Archaeology
41
Dutch Cavaliers and Their Ladies Making Music1631 · Bristol Museum - Art Gallery
42
Young Scholar in His Study: Melancholy1630 · Palais des Beaux-Arts de Lille
43
Portrait of a Man, a Woman and a Boy in a Room1640 · National Gallery
44
Merry Company with Masked Dancers1636 · Mauritshuis Royal Picture Gallery
45
Merry Company1633 · Academy of Fine Arts Vienna
46
Halt of Travellers Among Ruins1649
47
Landscape with a Lake and Castle1666
48
Portrait of a Man, Holding a Scroll
49
Woman in front of the mirrorVarssavi Rahvusmuuseum
50
Man at the tableVarssavi Rahvusmuuseum
51
Portrait Of A ChildBavaria riiklikud maalidema kogumikud
52
LE CONTENTEMENT DE PEU
53
Soldat avec une femme
54
Lady Seated at Virginals
55
LA CONVERSATION. SCENE GALANTEPalais des Beaux-Arts de Lille
56
Portrait d'hommeMusée des Beaux-Arts de Strasbourg
57
Joueuse de théorbeMusée des Beaux-Arts de Strasbourg
58
Scène de cabaret
59
Gallant Company1633 · Rijksmuseum
60
Merry Company1633 · Akademie Der Bildenden Künste Wien
61
Interior with Musicians Seated around a Table1627
62
The Meagre Company1633 · Rijksmuseum
63
Musical Company
64
Young Scholar In His Study
65
The Meagre Company
66
A Woman holding a Mirror
67
The Music PartyCity Museum and Art Gallery
68
Portrait of a Man, a Woman and a Boy in a Room
69
Lute PlayerPhiladelphia Museum of Art
70
An elegant company making music in an interior
71
A Merry Company in an Interior
72
Elegant company making music
73
Travelers resting on a path
74
Family portrait with husband, wife and two daughters seated at a table draped in red cloth, a son playing a lute, another son holding a fiddle beside a lady playing the virginal, a maidservant pouring wine by the window, and a dog resting on the floor
75
The Adoration of the Shepherds, Pieter Codde, 16451645 · Rijksmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Pieter Codde teosid | Selle nimekirja maalid |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 4 | Family Group, Gallant Company, The Meagre Company |
 Nationalmuseum |
Stockholm | 3 | A Conversation, Company Making Music, Portrait of a Family |
 Bavaria riiklikud maalidema kogumikud |
München | 3 | Conversation Piece, musical company, Portrait Of A Child |
 Mauritshuis Royal Picture Gallery |
Haag | 2 | Double Portrait of a Married Couple, Merry Company with Masked Dancers |
 Hermitage muuseum |
Stiiitlinburg | 2 | Venus Mourning over Adonis, An Artist in Front of the Easel |
 Museum of Fine Arts Ghent (MSK) |
Gent | 2 | Company playing backgammon in an interior, Portrait of a Man |
 Staatliches Museum Schwerin |
Schwerin | 2 | Elegant company conversing and singing in an interior, Elegant company conversing and singing in an interior |
 Louvre'i muuseum |
Pariis | 2 | DAME A SA TOILETTE, The Dancing Lesson |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The tension of a sudden confrontation unfolds in A Prisoner Kneels Before an Officer, a work by the Dutch painter Pieter Codde. This scene captures a moment of high drama, known also by the title Travellers interrogated by an officer. The narrative weight of the piece shifts depending on the language used to describe it, appearing in other records as Verhaftete Reisende vor einem Offizier (Der Überfall).
Pieter Codde executed the Double Portrait of a Married Couple in 1634. This oil on panel work presents two figures positioned side by side. The subjects are dressed in formal, high-status attire, characterized by ruffled collars and white cravats. They are situated before a doorway, a setting that provides a structured architectural backdrop to the pair.
Family Group (Moore) – A Window Into Domestic Tranquility The sculpture “Family Group” by Henry Moore, created in 1950, stands as a testament to the enduring fascination with familial bonds and the exploration of human form through abstraction. Unlike traditional portraiture, Moore eschewed meticulous detail, opting instead for a simplified representation that prioritizes gesture and emotional resonance—a deliberate departure from the conventions of his time. The piece’s impact transcends mere…
In this oil painting on panel, a group of figures is arranged in a dense, pyramidal structure. At the center of the composition, the pale skin of a lifeless male figure, Adonis, is positioned against a dark, shadowed background. Venus leans over his body, her form integrated into the central mass of the mourning group. Surrounding the central pair, several female attendants are depicted in various states of grief. Their…
The Portrait of a Family by Pieter Codde captures a quiet moment of domesticity from the Dutch Golden Age. Painted about 1661, this formal and somber group portrait presents five individuals gathered within an interior setting. A man, three women of varying ages, and a small child occupy the space, accompanied by a dog. The arrangement of these figures suggests a structured lineage and the steady weight of familial unity.
The air feels heavy with the tension of a cosmic dispute as the rugged, mountainous landscape rises to meet a soft, hazy sky. High above the jagged cliffs, light spills from the upper left, catching the pale skin of figures caught in a moment of profound decision. This is the theater of the gods, where the very essence of music is being weighed. Apollo and Pan occupy the scene, their…
Double Portrait of a Married Couple (1634), Mauritshuis Royal Picture Gallery, Haag. Järgnevad Venus Mourning over Adonis (1650) ja Family Group (1642).
35 aastat vanus: teos Double Portrait of a Married Couple on pärinev aastast 1634 ning Pieter Codde sündis aastal 1599.
Double Portrait of a Married Couple, Venus Mourning over Adonis, Family Group, Departure with Two Soldiers and a Woman, A Prisoner Kneels Before an Officer, Interior with Figures, Company of Music-Makers, Portrait of a Man with a Watch, The Guardroom ja Portrait of Joan van Werkhoven ( -1665). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 82 teost kunstnikult Pieter Codde, mis on pärinevad ajastust 1624 kuni 1670.
Peamiselt Rijksmuseum (Amsterdam), Nationalmuseum (Stockholm) ja Bavaria riiklikud maalidema kogumikud (München) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1630s: 26 75 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Double Portrait of a Married Couple.
Sellel lehel on kõige vanem teos A Prisoner Kneels Before an Officer (1624) ja kõige värskeim The Judgement of Mida with Apollo and Pan (Ovidius, Metamorphosis II:146-193) (1670).
Man (17), Woman (13) ja People (12), kogu selle lehekülje 75 teose kohta.
Oil On Panel, 15 teoseks 75 töödelt sellel lehel.
Dutch golden age ja Baroque, seda lähtudes selle lehe originaalteostest.
Family Group, Gallant Company ja The Meagre Company: Rijksmuseum, Amsterdam säilitab 4 selle lehel olevat teost.
Pieter Codde, nimi, mis on sarnane seitsenda sajandi Hollandi kuldaja rafineeritud elegantsile, elas rikkalikku ja mitmekihilist elu, mis oli sama tekstuurne ja sügav kui tema ise loodud lamedad pinda. 1599. aastal Amsterdamis, vaaatliku perekonda sündinud — tema isa oli linnauiskonnale sadamatasid kontrolliv ametnik — tõus Codde esile keskkonnas, mis oli täis merikaubandust ja Hollandi kasvavat õitsemist. Kuigi ajaloolised andmed tema algõppimise kohta on ebaselgesed, on kunstiteadjate ringis ringelnud kuulupud müüt, et ta võib olla õppinud legendaalse Frans Halsi õpite under. Siiski viitab kaasaegne uurimistöö, et ta võib olla oma tehnilist täiuslikkust täiendanud Barent van Somereni või Cornelis van der Voort juures. Olgu tema õpetaja kes ta oli, Codde arengut iseloomustas sügav etke võime vangistada vaikseid, sageli hõbehallis toonid, mis said tema esteetika signatuuriks.
Tema varajased aastad ei olnud määratletud vaid pintsliga, vaid ka kirjandusliku tundlikkusega, mis lisas sügavust tema visuaalsetele narratiividele. 1600. aastate algupõttis oli Codde tuntud oma kaasakuse poolest luule- ja dramaatkunstiga, esinedes trükistes nagu Hollande Nachtegaelken. Sõna ja pildi koha kooselamine võimaldas tal läheneda žanripiltidele mitte ainult reaalsuse kirjeldajana, vaid lugemajuna, kes suutas klassikalisi ja armastust teemasid igapäevase elu kangaasse kududa. Tema liikumine Amsterdamis moodsas Sint Antoniesbreestraat on kättesaamisel pani ta kunstilise kogukonna südamesse, ümbritatuna linna vibratilise energiaga, mis defineeris selle kultuurilist identiteeti.
Kui tema karjäär kümenes, sai Codde mitme erineva žanri meistriks, eriti märkimisväärsed olid kaitseruumide koondisd, muusikakogud ja intiimsed portreid. Tema tööd on tunnustatud täpsuse ja sofikeeritud chiaroscibility — valguse ja varju dramaatilise mängu — poolest, mis annab elu niiสิ่งmatistele esemetele kui ka inimlikud teemadtele. Omas kaitseruumide maalides pidas ta kinni militaal elu rasket ja sageli pinget täis atmosfääri, kuid täidis ta need stseenid tehnilise elegantsiga, mis tõstis need puhtast raporteerimisest kõrgemale. Tema võime kirjeldada terase külma särat, kangaste rasket tekstuuri ja küünlaja pehmed valgustusid lõi vaatlejale sügavalt kaasavandava kogemuse.
Lisaks militaarsetele teemadele saavutas Codde suure edu oma ajastu sotsiaalsete harmooniate kirjeldamisel. Tema muusikilised kompositsioonid on eriti emotsionaalsed, pühistades jagatud vabaaja hetki ja kunstilist pühendumust. Teostes nagu Dancing Lesson ja The Lute Player võib tunda tema täpsete pintsl strokes läbi muusika rütmilist pulsatsiooni. Need maalid kasutavad sageli peenikest, hõbevaadust paletti, mis annab stseenidele unistuslikku ja nostalgilist kvaliteeti, tehes neist nii vahetuid kui ajatuse üle kesti. Need väikese mõidusõna meistriteosed kutsus Codde vaatlejat sisse hollandi koduse elu privaatsetesse ja harmoonilistesse nurkadesse, kus meloodia ja liikumine kohtusid.
Pieter Codde elu ei olnud varjude vaba, peegeldades tumedamaid toone, mida leiame tema tõsisematel kompositsioonidel. Tema isiklik ajalugu oli turbulentne, sisaldades kõrgel tasemel õigustlikku süüdistust ja lahutust, mille tagajärjel kolis tema naine kunstnik Paulus Potteri koju. Siiski, isegi isiklike murdepunktide ajal, oli tema professionaalne tee märkimisväärsete saavutuste täis. Kuni 1657. aastani oli ta säilitanud prestiiitse elamuse Keizersgrachtil, mis oli tunnistus stabiilsusest ja edu sellest talentist, mida ta oma töödega saavutas. Tema hiljaastad veeti ta Amsterdami suuregus keskel, jätkades tehnikate täienarvestamist, mis mõjutas järjekorda hollandi maalide põlvkondi.
Codde ajalooline tähtsus peitub tema rollis sillana algse kuldaja rühvel naturalismist kuni 17. sajandi kesma osa täielikult lihvitud esteetikani. Tema panus žanripiltide arendamisel pakkus kavad selleks, kuidas kasutada valgust emotsioonide ja atmosfääri vorminguks. Täna asuvad tema teosed mõnes maailma prestiižseimas institutsioonis, sealhulgas:
Lõpupõna jääb Pieter Jacobsz Codde Lääne kunstikanonisse elavaks figuuriks, keda mäletatakse mitte ainult tehnilise oskuse, vaid võime poolest vangistada inimlikult kontaktist ja igapäevase eksistentsi vaikust täis lühiajalist, säravat olemust.
