Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 111 teost Philip Guston meie kataloogis
Lühidalt
Kõigist Philip Guston jäetud originaalteostest on kõige kuulsam The Pit (1976). Järgnevad sellest The Room (1970) ja Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938). Meie kataloogist löytyb 111 teost kunstnikult Philip Guston; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The canvas presents two hooded figures seated within the interior of an automobile. These figures are rendered with thick, heavy outlines and a cartoonish quality, their faces obscured by the white fabric of their hoods. One figure holds a smoking cigar between its fingers, the grey smoke curling upward into the surrounding space. The vehicle itself is positioned against a background of serially arranged, white, sheep-like clouds that drift across…
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
The title, which references Rome, suggests a preoccupation with the classical world and the layers of history that settle upon a place. There is a tension here between the modern hand and the ancient subject. The work avoids the easy path of mere imitation, opting instead to engage with the essence of classical relief. It captures a sense of what remains after time has passed. The shadows are deep, and…
Gladiators1940
12
The Palette1975
13
Bombardment1937
14
Monopoly1964 · Parrish Art Museum
15
Martial Memory1941
16
The Young Mother1944
17
Porch II1947
18
The Tormentors1948
19
Study for Tormentors1947
20
The Porch1947
21
Painting No. 61951 · Smithsonian American Art Museum
22
Painting, Number 51952 · Metropolitan Museum of Art
23
Painting No. 61951
24
Painting No. 91952
25
Ischia1949
26
Untitled1950
27
Loft I1950
28
Review1949
29
Red Painting1950
30
Three things are necessary for the salvation of man to know what he ought to believe to know what he ought to desire and to know what he ought to do. St. Thomas Aquinas, Two Precepts of Charity, 1273. From the series Great Ideas of Western Man1952
31
Drawing Related to Zone (Drawing No. 19)1954
32
Late April1961 · Israel Muuseum
33
Duo1961
34
Role1959 · Cleveland Museum of Art
35
Rite1958 · Art Institute of Chicago
36
Drawing 19601960 · Metropolitan Museum of Art
37
Close-Up III1961 · Metropolitan Museum of Art
38
Close Up III1961
39
To Fellini1958
40
Celebration1961
41
Inhabiter1965
42
Open Washes1966
43
Untitled (Book)1968
44
Untitled1968
45
City1968
46
Brushes1969
47
Discussion I1969
48
Shoes1968
49
Untitled1973
50
Untitled (Cup)1973
51
Untitled (Wall)1971
52
Painter in Bed1973
53
Roma1971
54
Painting, Smoking, Eating1972
55
Figure in Interior1970
56
Daydreams1970
57
The Street from Ten Lithographs by Ten Artists1971
58
Cerveteri1972
59
Pantheon1973
60
The Lesson1975 · The Phillips Collection
61
Web1975
62
The Street1977
63
Back View1977
64
Couple in bed1977
65
Deluge II1975
66
Ancient Wall1976
67
Midnight Pass Road1975
68
Monument1976
69
Inside - Outside1977
70
Head and Bottle1975
71
Step1979 · Museum of Fine Arts
72
Summer1980
73
Wheel1980
74
Room1980
75
East Side1980
76
Untitled (8)1980
77
As It Goes1978
78
Painter's Forms No. 21978
79
Tomb1978
80
Door1981
81
Studio Corner1981
82
Remains from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc1981
83
Gulf1983
84
Painter1983
85
City Limits1969
86
Drawing for Conspirators1930 · Whitney Museum of American Art
87
Curtain
88
Days Work
89
Untitled (9)
90
Box Tree, Rome
91
Clock
92
The return
93
Room
94
Entrance
95
Green Rug
96
Inscapes. Words and Images
97
Talking
98
Sleeping
99
A Critical Study
100
The lesson
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Philip Guston teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 3 | Painting, Number 5, Drawing 1960, Close-Up III |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painting No. 6 |
 Städel Museum |
Frankfurt | 1 | Ride |
 Georgia Museum of Art |
Athens | 1 | Untitled, #342 |
 Parrish Art Museum |
Water Mill | 1 | Monopoly |
 Israel Muuseum |
Jeruusalemma | 1 | Late April |
 Cleveland Museum of Art |
Cleveland | 1 | Role |
 Art Institute of Chicago |
Chicago | 1 | Rite |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The Pit (1976). Järgnevad The Room (1970) ja Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938).
63 aastat vanus: teos The Pit on pärinev aastast 1976 ning Philip Guston sündis aastal 1913.
The Pit, The Room, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painter III, To B.W.T., Ride, The Studio, Agean, Last Piece ja Untitled, #342. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 111 teost kunstnikult Philip Guston, mis on pärinevad ajastust 1930 kuni 1980.
Peamiselt Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) ja Städel Museum (Frankfurt) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1970s: 30 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Pit.
Sellel lehel on kõige vanem teos Drawing for Conspirators (1930) ja kõige värskeim Agean (1980).
Symbols (7), Buildings (4) ja Arts (4), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 2 teoseks 100 töödelt sellel lehel.
Neo expressionism, seda lähtudes selle lehe originaalteostest.
Painting, Number 5, Drawing 1960 ja Close-Up III: Metropolitan Museum of Art, New York säilitab 3 selle lehel olevat teost.
Philip Guston oli kuulus kanadand-ameriklik maal ja grafika kunstnik, kelle karjäär ulatus üle nelja aastakümnese. Tema kunstiline teekond on märkimisväärsete stiilide ja teemade muutuste sümbol, kus ühendatakse abstraktsionismielemendid ja esitav kunst, et uurida rassistuse, antisemitismi, fašismi ja Ameerika identiteedi keerulisi teemasid.
Gustoni varajast elu mõutas sügavalt tragedy. Tema isa, ukrainaproene juudi emigrant, lõi end 1923. aastal elu lõppu. See sünd mõjutas Gustoni kunstilist arengut sügavalt. Ta hakkas joonistama juba noores eas ja käisin Los Angeles Manual Arts High Schoolis, kus ta alustas maalimist 1927. Emali toetusega loomistöö toimus sageli väikeses kapis, kus valgusena toimis vaid rippuv lamp.
Gustoni kunstikarjääri saab laialt jagada kaheks eraldi faaksiks. Alguses oli tema töö füguratiivne ja esitav, näidates varajasi mõjupunkte Renessansi meistritelt nagu Piero della Francesca. Hiljem omastas ta abstraktsiooni, muutudes prominentseks tegelaseks New Yorki koolis koos kunstikega nagu Jackson Pollock ja Willem de Kooning.
Gustoni hilisema ajastu teosed on ehk kõige vastuolulisemad ja mõjuvimad tema karjääris. Need maalid sisaldasid sageli tumedaid, satiirisi elemente, sealhulgas joonistusi Richard Nixonist ja katusest kattaudud Klansmenitest. Ta uuris rassistuse, antisemitismi ja Ameerika identiteedi teemasid rahvustatud aususega, mis väljakutas konventsionaalsed kunstilised normid.
Philip Gustoni pärand inspireerib jätkuvalt nii kunstnikke kui ka kunstihuvilisi. Tema ainulaadne vaade ja kunstiline stiil on jätnud tematu jälje maailma kunstipärale.
