Peeter Snijers portree

13 kulubumatamatumat Peeter Snijers maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 13 teost Peeter Snijers meie kataloogis

Lühidalt

Leo (The Month of July) (1727) on Peeter Snijers maalide kõige silmapaistvam teos; originaal kuulub museumi Royal Museum of Fine Arts Antwerp, Antverp. Pärast seda suunatakse pilk Aquarius (The Month of January) (1727) ja A Still Life (1729) suunas. Meie kataloogis olevatest Peeter Snijers 13 teosest on need 13 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1681 – 1752, Antwerpen Enamama teoseid: Royal Museum of Fine Arts Antwerp

Peeter Snijers top 10 maalist galeriist vaatenurgast

1
Leo (The Month of July) (1727) autor Peeter Snijers

Leo (The Month of July)

1727 · Oil · Royal Museum of Fine Arts Antwerp, Antverp

Leo (The Month of July) is a genre painting by the Flemish artist Pieter Snyers. It belongs to a series of twelve paintings created by the artist to represent the cycle of the months. In this specific work, the month of July is identified through the inclusion of its corresponding astrological sign. The canvas captures a moment of seasonal abundance, grounding the celestial symbol within a terrestrial scene of human…

2
Aquarius (The Month of January) (1727) autor Peeter Snijers

Aquarius (The Month of January)

1727 · Oil On Canvas · Royal Museum of Fine Arts Antwerp, Antverp

The chill of a Flemish winter permeates this 1727 oil on canvas, where the communal life of a village unfolds under a muted, grey-blue sky. Bare, vertical trees frame a receding architectural backdrop, creating a sense of depth through atmospheric perspective. The composition balances a group of figures in the foreground against the structural lines of distant buildings. Warm, earthy tones of ochre and terracotta dominate the palette, providing a…

3
A Still Life (1729) autor Peeter Snijers

A Still Life

1729 · Oil · National Gallery, London

The scene unfolds in a dense, pyramidal composition where light fights against a heavy, atmospheric darkness. A lobster, its shell a warm orange, rests near a basket overflowing with peaches or nectarines, their skins glowing under a dramatic light. Nearby, white radishes and small red berries in a bowl catch the eye, appearing bright against the deep greens and earthy browns that dominate the palette. In the upper left, a…

4
Gemini (The Month of May) (1750) autor Peeter Snijers

Gemini (The Month of May)

In this 1750 oil painting, the lushness of May is rendered through a serene, romanticized landscape. Three women occupy the foreground, their presence anchoring a composition that transitions from intimate human interaction to a distant, atmospheric vista. The central figure, draped in a bodice and skirt of striking blue and white, provides a cool focal point against the warm, earthy tones of the surrounding greenery. To her side, a seated…

5
The Month of April (1750) autor Peeter Snijers

The Month of April

The Month of April emerges from the brush of Pieter Snyers, a Flemish artist who began his life in Antwerp, Belgium, in 1681. This specific work exists as a single chapter within a larger, cohesive narrative: a series of twelve paintings that represent each month of the year. This collection remains the most significant achievement of Snyers' career, capturing the shifting essence of the seasons through his eyes. Within this…

6
The Bird's Nest (1750) autor Peeter Snijers

The Bird's Nest

1750 · Oil On Canvas · Royal Museum of Fine Arts Antwerp, Antverp

The Bird's Nest is a painting by the Flemish artist Pieter Snyers. This work dates to about 1750. The artist, who was born in Antwerp in 1681, produced this piece during a period of significant activity in the region. Snyers was a multifaceted painter whose output included landscapes, still lifes, and genre scenes.

7
Still Life: Vegetables and Fruit (1725) autor Peeter Snijers

Still Life: Vegetables and Fruit

1725 · Oil On Canvas

A dense, pyramidal arrangement of produce dominates the dark tabletop, creating a sense of immediate, tactile abundance. The composition draws the eye through a heavy concentration of harvest, where the organic curves of vegetables meet the smooth skins of fruit. Light enters from the upper left, casting a soft glow that defines the textures of the scene: the roughness of root vegetables, the leafy crispness of cabbage, and the waxy…

8
Still Life with Dead Game (1734) autor Peeter Snijers

Still Life with Dead Game

1734 · Oil On Canvas · Royal Museum of Fine Arts Antwerp, Antverp

The scene unfolds through Still Life with Dead Game, a work that captures a heavy, silent abundance. Pieter Snyers brings this collection of life and death into focus, presenting a dense arrangement of birds and ripe fruit. The composition rests upon the skill of a Flemish master who moved through many genres, from portraits to landscapes, yet here he focuses his attention on the textures of the hunt and the…

9
Pantry with Game autor Peeter Snijers

Pantry with Game

Oil On Canvas · Städel Museum, Frankfurt

The canvas presents a dense arrangement of organic forms set upon a heavy wooden table. In the foreground, a white cloth drapes in deep folds, catching a strong light that originates from the left. This illumination reveals the textures of various subjects: the wet scales of a fish, the soft fur of a dog, and the smooth skin of a melon. A peacock lies among the other elements, its plumage…

10
Allegory of the Month of March, Peeter Snijers, after 1730 (1730) autor Peeter Snijers

Allegory of the Month of March, Peeter Snijers, after 1730

1730 · Rijksmuseum, Amsterdam

There is no reason to doubt the authenticity of this signed allegory set in a village. The Rijksmuseum painting is a smaller version of one last recorded on the New York art market in 1998,7 which shows six figures before a similar though not identical village. An older woman is depicted seated by the same stand with the same fish and fruit, to which has been added a covered basket…

Peeter Snijers kuulsad maalid, numbrid 11 kuni 13

Teemad, mis püüdisid Peeter Snijers pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Peeter Snijers originaalteosed

Kümne 6 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Peeter Snijers teosid Selle nimekirja maalid
Royal Museum of Fine Arts Antwerp, AntverpRoyal Museum of Fine Arts Antwerp Antverp 5 Leo (The Month of July), Aquarius (The Month of January), The Bird's Nest
Belgia Kuninglikud Fine Artsi muuseumid, BrüsselBelgia Kuninglikud Fine Artsi muuseumid Brüssel 2 Gemini (The Month of May), The Month of April
National Gallery, LondonNational Gallery London 1 A Still Life
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Pantry with Game
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Allegory of the Month of March, Peeter Snijers, after 1730
Fitzwilliam MuseumFitzwilliam Museum 1 A dead hare

Peeter Snijers aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Peeter Snijers maalid: küsimused galeriile

Mis on Peeter Snijers kõige kuulsam teos?Paljasta vastus

Leo (The Month of July) (1727), Royal Museum of Fine Arts Antwerp, Antverp. Järgnevad Aquarius (The Month of January) (1727) ja A Still Life (1729).

Mis vanuses luunud Peeter Snijers teos Leo (The Month of July)?Paljasta vastus

46 aastat vanus: teos Leo (The Month of July) on pärinev aastast 1727 ning Peeter Snijers sündis aastal 1681.

Millised on Peeter Snijers kümneks kuulsumat maalatist?Paljasta vastus

Leo (The Month of July), Aquarius (The Month of January), A Still Life, Gemini (The Month of May), The Month of April, The Bird's Nest, Still Life: Vegetables and Fruit, Still Life with Dead Game, Pantry with Game ja Allegory of the Month of March, Peeter Snijers, after 1730. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Peeter Snijers kohta on teada?Paljasta vastus

Meie kataloogist leiate 13 teost kunstnikult Peeter Snijers, mis on pärinevad ajastust 1725 kuni 1750.

Kust saab näha kõige kuulsamaid Peeter Snijers originaalteoseid?Paljasta vastus

Peamiselt Royal Museum of Fine Arts Antwerp (Antverp), Belgia Kuninglikud Fine Artsi muuseumid (Brüssel) ja National Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Peeter Snijers oma tuntumad maalid?Paljasta vastus

Ajal 1720s: 4 13 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Leo (The Month of July).

Milline kuuls Peeter Snijers maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Still Life: Vegetables and Fruit (1725) ja kõige värskeim Gemini (The Month of May) (1750).

Millist teemasid Peeter Snijers eelistas?Paljasta vastus

Trees (4), Woman (3) ja Child (3), kogu selle lehekülje 13 teose kohta.

Mida Peeter Snijers kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Oil On Canvas, 5 teoseks 13 töödelt sellel lehel.

Mida Peeter Snijers originaalte ma näen Royal Museum of Fine Arts Antwerp muuseumis?Paljasta vastus

Leo (The Month of July), Aquarius (The Month of January) ja The Bird's Nest: Royal Museum of Fine Arts Antwerp, Antverp säilitab 5 selle lehel olevat teost.

Peeter Snijers: kunstniku portree

flemishaste žanride meister

Peeter Snijers, tuntud ka nimega Pieter Snyers, oli mitmekülgne flameste meister, kes jättis maailma kunstihikulätmatu jälje. Sündinud Antwerpis aastal 1681, on Snijersi kunstiline teekond on suurepärane tunnistus tema loovusele ja kunstilisele geniusile.

varajane elu ja õppimine

Snijers sündis jõuka kaupmehe Peteri ja Anna de Deckeri peresse. Tema varajast elu iseloomustas loomulik kalduvus kunsti suunas, mis viis teda õppima Alexander van Bredael (1663–1720) juhendamisel. See aluslik koolitus ei teravendanud mitte ainult tema oskusi, vaid avas ka teekonna tulevasse edukusse.

kunstilised saavutused ja panused

Snijersi karjääris oli märkimisväärne sündmus 1704. aastal nimetamine Antwerpi Püha Luki guildi meistriks, mis rõhutas tema kasvavat autoriteeti flameste kunstikeskkonnas. Edasine suurepärane saavutus oli Antwerpi akadeemia direktori ametikoht aastal 1741, mis kinnistas tema positsiooni nii kunstnikuna kui ka õpetajana maailma kunstimaaili.

kunstilised žanrid ja silmapaistvad teosed

Snijersi laia laas on iseloomustatud mitmekülgsuse poolest, pakkudes olulisi panust erinevates valdkondades:
  • portreid: mis peegeldavad tema oskust tabada inimliku olemuse sügavust.
  • žanripildid: mis pakuvad vaate igapäevasse.
  • tasapildid: demonstreerides tema meistriklassi valgusest ja kompositsioonist aruandmises.
  • maalustatud loodusmaastikud: näidates tema võimet tekitada looduslikku ilu tunnet.
Eriti silmapaistvalt erineb tema suurepärane seeria 12 maalid, millest iga üks esindab erinevat aasta kuud, mis on tuntud oma teema laiuse ja kunstilise täiuslikkuse poolest.

pärand ja mõju

Snijersi pärand ulatub kaugemale kui ainult tema enda kunst; ta oli ka kogumiste hoidja, kelle märkimatu kollektsioon sisaldas teoseid tuntud kunstikutelt. Tema nimi ilmub sageli flameste ja hollandi meistrite maalide ajaloloogias, rõhutades tema mõju kogu Euroopa kunstihikulätule.