Peder Aadnes portree

7 kulubumatamatum Peder Aadnes maali, galeriiselektsioon

Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 7 teost Peder Aadnes meie kataloogis

Lühidalt

Kõigist Peder Aadnes jäetud originaalteostest on kõige kuulsam Chancellor Christopher Hammer (1770), mis kuulub National Museum of Art, Architecture and Design kogele linnas Oslo. Järgnevad sellest Andreas Olaus Hammer (1766) ja Vicar Martin Wang (1791). Meie kataloogist löytyb 7 teost kunstnikult Peder Aadnes; galeriist on säilitatud 7 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.

1739 – 1792, Fluberg Enamama teoseid: National Museum of Art, Architecture and Design

Peder Aadnes top 10 maalist: galeriis valitud teosed

Muuseumid, kus on säilitatud Peder Aadnes originaalteosed

Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

Muuseumid Linn Peder Aadnes teosid Selle nimekirja maalid
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 4 Chancellor Christopher Hammer, Andreas Olaus Hammer, Vicar Martin Wang

Peder Aadnes aastak aegades: originaalteos, mis määratleb iga ajastu

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Sammlajate küsimused Peder Aadnes maalide kohta

Millise teosega on Peder Aadnes kõige kuulsam?Paljasta vastus

Chancellor Christopher Hammer (1770), National Museum of Art, Architecture and Design, Oslo. Järgnevad Andreas Olaus Hammer (1766) ja Vicar Martin Wang (1791).

Kui vana oli Peder Aadnes, kui teos Chancellor Christopher Hammer loodi?Paljasta vastus

31 aastat vanus: teos Chancellor Christopher Hammer on pärinev aastast 1770 ning Peder Aadnes sündis aastal 1739.

Kui palju maali Peder Aadnes jäeti?Paljasta vastus

Meie kataloogist leiate 7 teost kunstnikult Peder Aadnes, mis on pärinevad ajastust 1766 kuni 1791.

Mitteks muuseumides rihangavad Peder Aadnes meistriteosed?Paljasta vastus

Peamiselt National Museum of Art, Architecture and Design (Oslo) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Millah aastades maalas Peder Aadnes oma kuulsamaid teoseid?Paljasta vastus

Ajal 1790s: 2 7 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Vicar Martin Wang.

Mis on Peder Aadnes esimene ja viimane kuuls fama originaalteos?Paljasta vastus

Sellel lehel on kõige vanem teos Andreas Olaus Hammer (1766) ja kõige värskeim Vicar Martin Wang (1791).

Millised Peder Aadnes teosed on National Museum of Art, Architecture and Design näituses?Paljasta vastus

Chancellor Christopher Hammer, Andreas Olaus Hammer ja Vicar Martin Wang: National Museum of Art, Architecture and Design, Oslo säilitab 4 selle lehel olevat teost.

Peder Aadnes: elu ja looming

The Life of Peder Aadnes

Peder Pedersen Aadnes was a Norwegian rural painter born in Odnes in what is now Søndre Land Municipality. His early training began at the age of fifteen as an apprentice when Eggert Munch painted the altarpiece in the church in Fluberg. Later, he completed a three-month apprenticeship under the painter and drawing teacher Niels Thaaning. In 1772, Aadnes married Ingeborg Trøgstad and took over the family farm.

While managing his farm, his painting work took him to various locations throughout eastern Norway. His repertoire included portraits and the decoration of churches, farm interiors, and furnishings. He is known for a cheerful Rococo style that featured silk-clad upper-class people in settings such as castles and parks. His works often depicted carefully cultivated trees, nobility, and specific shades of blue.

Artistic Legacy and Works

Aadnes's paintings can be found in several locations across eastern Norway, including:

  • Lunde Church in Nordre Land Municipality
  • Nordsinni Church
  • Bagn Church
  • The Myttingstua building at Maihaugen

His murals in the Thomle building, now held at the Lands Museum, feature fantasy landscapes and specific details, such as a suitor placing his hand on a lover's bodice while a chaperon sleeps, and a boy peeking under the skirts of a lady on a swing. Because Aadnes rarely signed his works, researchers identify his paintings through consistent elements like his use of blue shades and specific tree depictions.