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Paul Burlin maalid: 1 kuulsumat teost galeriin läbi
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 3 teost Paul Burlin meie kataloogis
Lühidalt
Galleriist vaadatuna on Paul Burlin kõige kuulsam teos A-1961 (1961), mille originaal ripub Smithsonian American Art Museum-is, Washington, D.C.. Kunstnii Paul Burlin 3 teose põhjal esitleb galeriis allpool 1 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
1886 – 1969, New York City
Enamama teoseid: Smithsonian American Art Museum
Galeria 10 parimat Paul Burlin maali
Muuseumid, kus on säilitatud Paul Burlin originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Paul Burlin teosid | Selle nimekirja maalid |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | A-1961 |
Paul Burlin, iga aasta esindavad teosed
Kõik sellel lehel asuvad Paul Burlin originaalteosed on loodud aastal 1961: siin on need, kõige kuulsemad esimesena.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Paul Burlin maalid: galerii vastused
Milline Paul Burlin maal on kõige kuulsam?Paljasta vastus
A-1961 (1961)
Kui vana Paul Burlin oli teose A-1961 valmimisel?Paljasta vastus
75 aastat vanus: teos A-1961 on pärinev aastast 1961 ning Paul Burlin sündis aastal 1886.
Kui palju teoseid Paul Burlin lõi?Paljasta vastus
Meie kataloogist leibab 3 teost kunstnikult Paul Burlin.
Kust leiad Paul Burlin kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Smithsonian American Art Museum (Washington, D.C.) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Paul Burlin: kunstnik
The Formative Years and Artistic Evolution
Born in New York City, Paul Burlin was a painter and printmaker who began his formal artistic education between 1900 and 1912 as a part-time student at the National Academy of Art and the Art Student's League. His early travels took him to Europe from 1908 to 1909 and to the Southwestern United States in 1910. Following a trip to Santa Fe, New Mexico, his paintings of the region were exhibited in New York in 1911, an event that led to his invitation to participate in the 1913 Armory Show. During his time in Santa Fe, which lasted until 1920, he painted landscapes, scenes of local daily life, and portraits of Pueblo Indians, often exploring themes of spirituality and anthropomorphism.
Style and Later Life
Burlin's career saw him move to Paris in 1921, where he studied European abstract painting styles. Upon returning to the United States in 1932, he settled in New York and worked as a member of the Federal Project of the Whitney Museum. As his career progressed, his work moved toward abstract expressionism, utilizing key symbols and imagery from Greek mythology to comment on the brutality of war. In his later years, despite losing his sight and undergoing eight cornea implants, he continued to paint, even when declared legally blind. His final works, The Series of Nine, were exhibited at the Museum of Modern Art in New York and the Pasadena Museum.