Paul Bodifée portree

23 kulubumatamatumat Paul Bodifée maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 23 teost Paul Bodifée meie kataloogis

Lühidalt

Young Lady Amidst Wildflowers (1897) on Paul Bodifée maalide kõige silmapaistvam teos; originaal kuulub museumi Museum De Waag, Deventer. Pärast seda suunatakse pilk Child Portrait of Oscar Bodifée (1905) ja Peasant Woman Carrying Mandrake (1905) suunas. Meie kataloogis olevatest Paul Bodifée 23 teosest on need 23 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1866 – 1938, Deventer Enamama teoseid: Museum De Waag

Paul Bodifée top 10 maalist galeriist vaatenurgast

Paul Bodifée kuulsad maalid, numbrid 11 kuni 23

Muuseumid, kus on säilitatud Paul Bodifée originaalteosed

Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.

Muuseumid Linn Paul Bodifée teosid Selle nimekirja maalid
Museum De Waag, DeventerMuseum De Waag Deventer 23 Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée, Peasant Woman Carrying Mandrake

Paul Bodifée aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Paul Bodifée maalid: küsimused galeriile

Mis on Paul Bodifée kõige kuulsam teos?Paljasta vastus

Young Lady Amidst Wildflowers (1897), Museum De Waag, Deventer. Järgnevad Child Portrait of Oscar Bodifée (1905) ja Peasant Woman Carrying Mandrake (1905).

Mis vanuses luunud Paul Bodifée teos Young Lady Amidst Wildflowers?Paljasta vastus

31 aastat vanus: teos Young Lady Amidst Wildflowers on pärinev aastast 1897 ning Paul Bodifée sündis aastal 1866.

Millised on Paul Bodifée kümneks kuulsumat maalatist?Paljasta vastus

Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée, Peasant Woman Carrying Mandrake, Portrait of Girls with Blue Bow in the Hair, Autumn Landscape with Water and Row of Trees, Landscape with Farm, Trees and Pool of Water, Landscape with Village Church, Cornfield with Farm in the Distance, Farm with Water Well and Farmwoman ja Puddle in Overijssel. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Paul Bodifée kohta on teada?Paljasta vastus

Meie kataloogist leiate 23 teost kunstnikult Paul Bodifée, mis on pärinevad ajastust 1890 kuni 1927.

Kust saab näha kõige kuulsamaid Paul Bodifée originaalteoseid?Paljasta vastus

Peamiselt Museum De Waag (Deventer) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Paul Bodifée oma tuntumad maalid?Paljasta vastus

Ajal 1910s: 10 23 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Girls with Blue Bow in the Hair.

Milline kuuls Paul Bodifée maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Autumn Landscape with Water and Row of Trees (1890) ja kõige värskeim Small Alley between Stadhuis and Politiebureau (1927).

Mida Paul Bodifée originaalte ma näen Museum De Waag muuseumis?Paljasta vastus

Young Lady Amidst Wildflowers, Child Portrait of Oscar Bodifée ja Peasant Woman Carrying Mandrake: Museum De Waag, Deventer säilitab 23 selle lehel olevat teost.

Paul Bodifée: kunstniku portree

A Life Rooted in Deventer

Johannes Petrus Paulus Bodifée, known to many as Paul, lived a life deeply connected to the landscapes of his home. Born in 1866 in Deventer, Holland, he was the son of Matthias Joseph Bodifée and Elizabeth Hendriks. His path toward art began with formal studies at the Normaalschool voor Tekenonderwijs and later at the Rijksacademie van Beeldende Kunsten, where he refined his skills in both painting and engraving. While his training took him to Amsterdam, his heart remained tied to the provinces of Overijssel.

After completing his education, Bodifée established an atelier in Nieuwer-Amstel before returning to Deventer. There, he balanced his creative pursuits with a role as a drawing teacher. In 1896, he married Rosa Elisa Leeuw, the daughter of a prominent architect from Nijmegen. Together, they raised four children, and their family life was often marked by travels through the countryside. This movement through the natural world provided the quiet observations that would later define his work.

The Spirit of the Landscape

Bodifée’s artistic approach was shaped by the traditions of the Haagse School and the Deventer School. He possessed a particular talent for capturing the atmosphere of the Salland region, a place characterized by its dry, sandy soil. His eyes were drawn to the subtle shifts in light over water scenes, tree landscapes, and the quiet corners of old Deventer neighborhoods. He found beauty in the simple presence of a peasant figure or the way blossoms appeared on trees in a farmyard.

His subject matter often focused on specific, localized environments:

  • The water-filled landscapes of Giethoorn.
  • The sandy stretches of the Overijssel province.
  • City views and old corners within Deventer.

In works such as Field of flowers, he used oil on paper to capture delicate natural details. He also worked with oil on canvas and panel, often focusing on the interplay between birch trees and river views. His ability to translate the atmosphere of a specific place into paint allowed him to connect with prestigious groups like Arti et Amicitiae and Pulchri studio in Den Haag.

A Lasting Presence

Though he lived through a period of significant change, Bodifée remained focused on the enduring qualities of the Dutch landscape. His work as both a painter and a printmaker allowed him to explore texture and light through different mediums. By documenting the landscapes of Salland and the streets of Deventer, he left behind a visual record of the regions he loved.

His legacy is held in collections such as Museum De Waag, where pieces like Jongedame temidden van veldbloemen allow modern viewers to see the world through his eyes. He passed away in 1938, leaving a body of work that remains a quiet, steady reflection of the Dutch countryside.