Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 107 teost Palma Vecchio meie kataloogis
Lühidalt
Galleriist vaadatuna on Palma Vecchio kõige kuulsam teos Madonna and Child (1515), mille originaal ripub Hermitage muuseum-is, Stiiitlinburg. Judith (1525) ja The Adoration of the Shepherds with a Donor täidavad kolmikut, mille iga silm tunnistab. Kunstnii Palma Vecchio 107 teose põhjal esitleb galeriis allpool 97 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…
The painting titled Judith is a significant oil on panel work by the Venetian painter Palma Vecchio. Created between 1525 and 1528, this piece emerged during a period when the artist was establishing his presence within the artistic landscape of the Republic of Venice. The work reflects the specific technical approach of a painter who bridged the transition from the High Renaissance toward the burgeoning Mannerist style.
The air in the painting feels heavy with the scent of damp earth and hay. In a rural landscape of rolling hills and distant, pale buildings, a small light gathers around the Holy Family. Mary holds the infant Jesus close, her form a soft curve against the shadows. Beside them, Joseph stands as a steady presence. A shepherd boy kneels in the dirt, his posture a study in humility before…
The air feels heavy, thick with the scent of velvet and the silent weight of an impending end. Lucretia sits before us, her pale skin luminous against a backdrop of deep, swallowing shadows. A sharp, diagonal line of a dagger presses against her chest, creating a point of tension that vibrates through the stillness. Her reddish-blonde hair flows in soft, organic waves, framing a face caught in a moment of…
In this 1520 portrait, we are met with a man whose steady gaze bridges the distance between his era and our own. He is positioned slightly off-center, a choice that lends a sense of naturalism to his posture, as if he has just paused in thought to acknowledge our presence. The composition is a medium close-up, focusing our attention on the quiet dignity of his features. His long, flowing brown…
A single light source enters from the upper left, carving a face out of the heavy darkness. This is the world of Palma Vecchio, where deep browns and muted greens emerge from a nearly black background. The man, identified as John the Baptist, looks directly at the viewer with a piercing, steady gaze. His reddish-brown hair falls in soft, organic waves around a face marked by contemplation. A thin, dark…
An elderly man sits within a heavy shadow. His face, etched by time, turns toward an unseen light from the upper left. A thick, white beard flows over a deep green tunic. Over one shoulder, a red cloak rests with the weight of heavy wool. The skin of his hands and brow catches the glow, pulling him out from the dark, atmospheric background.
In this 1514 oil on panel, we find ourselves drawn into a private, outdoor moment of the Holy Family. The composition is intimate, centered on a man holding a child while a woman stands nearby, her hands resting upon a vase. This arrangement creates a sense of domesticity within a sacred context. The background, filled with the soft presence of trees, suggests a natural setting that allows the figures to…
The portrait presents a young woman in a strict profile view, her head and shoulders occupying the majority of the frame. She is positioned against a dark, circular backdrop that creates a halo-like effect around her silhouette. The subject's skin is rendered in warm, fleshy tones, transitioning through soft shadows that define the structure of her face and neck. This technique, known as sfumato, allows for a gradual blending of…
The oil on canvas painting titled The Fall of Man: Eve offers the apple to Adam was executed by the artist Palma Vecchio. This work belongs to the religious art genre. It depicts a specific biblical scene within a wooded setting, focusing on the interaction between two figures.
John the Baptist1528 · Kunsthistorisches Museum
12
Saint Sebastian1527 · Kunsthistorisches Museum
13
The Raising of Lazarus1514 · Philadelphia Museum of Art
14
The Three Sisters1520 · Gemäldegalerie Alte Meister
15
Mary with the Child, John the Baptist and Saint Catherine1515 · Staatliche Kunstsammlungen Dresden
16
Saint Magdalene1504 · Bavaria riiklikud maalidema kogumikud
17
Mary with Child and Saints Roch and Aurea1514 · Bavaria riiklikud maalidema kogumikud
18
The Triumph of Caesar1510 · Lowe Gallery
19
Madonna and Child with the Infant Saint John and a Bishop Saint1510 · Szépművészeti Múzeum
20
Daphnis1514 · Bavaria riiklikud maalidema kogumikud
21
Allegory1510 · Philadelphia Museum of Art
22
Venus and Cupid1511 · Statens Museum For Kunst
23
The Holy Family1515 · Gemäldegalerie
24
The Virgin and Child1502 · Gemäldegalerie
25
The Holy Family1514 · Krakovi Riiklik Muuseum
26
Two Nymphs at Rest1525 · Städel Museum
27
The Holy Family with a Female Saint and Saint Francis of Assisi1520 · Szépművészeti Múzeum
28
Madonna and Child with Sts Joseph and Magdalene1525 · Kunsthistorisches Museum
29
Visitation1522 · Kunsthistorisches Museum
30
Saint Roch1527 · Kunsthistorisches Museum
31
Portrait of a young woman with bare chest1525 · Gemäldegalerie
32
Mars, Venus and Cupid1520
33
Lamentation Over the Dead Christ1580 · Art Museum
34
Tarquinius and Lucretia1590 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
35
Young Woman in Green Dress1513 · Kunsthistorisches Museum
36
Sacred Conversation (detail)1525 · Gallerie dell'Accademia di Venezia
37
The Holy Family with Saint Catherine1513 · Staatliche Kunstsammlungen Dresden
38
Christ and the Woman Taken in Adultery1510 · Hermitage muuseum
39
Christ and the adulteress1528 · Capitoline Museums
40
Portrait of Paola Priuli1527 · Fondazione Querini Stampalia
41
Young Woman in a Blue Dress, with Fan1514 · Kunsthistorisches Museum
42
Sacred Conversation1522 · Kunsthistorisches Museum
43
Sacra Conversazione1516
44
Portrait of a Poet1516
45
Sacred Conversation (detail)1525 · Gallerie dell'Accademia di Venezia
46
Polyptych of St Barbara (central panel)1524 · Santa Maria Formosa
47
Portrait of Francesco Querini1527 · Fondazione Querini Stampalia
48
Polyptych of St Barbara1524 · Santa Maria Formosa
49
Virgin and Child with St John the Baptist and Mary Magdalene1525 · Palazzo Bianco
50
Virgin and Child with Saints John the Baptist, Peter and a Female Saint1526 · Glasgow Museums Resource Centre
51
Sacred Conversation1525 · Gallerie dell'Accademia di Venezia
52
De heilige familieRijksmuseum
53
Portrait of a Young WomanSzépművészeti Múzeum
54
Portrait of a GirlSzépművészeti Múzeum
55
The Virgin and Child with St FrancisStatens Museum For Kunst
56
Mary with the Child and four Saints in front of a LandscapeGemäldegalerie
57
La Sagrada Familia, con Santos
58
La Adoración de los pastores
59
St Mark
60
Madonna y niño con los Comisarios
61
La Resurrection de Lazare
62
St John the Baptist
63
Venus in a Landscape1520 · Courtauld Gallery
64
A Blonde WomanNational Gallery
65
A Blonde Woman1520 · National Gallery
66
Holy Family
67
Adoration
68
Portrait of a Man
69
Sacred conversation
70
Saint George and a Female SaintNational Gallery
71
Madonna and Child with Saints and Donor
72
Christ at the ColumnCampion Hall
73
Temperance
74
Portrait of a Young ManSzépművészeti Múzeum
75
The Three Sisters (detail)Gemäldegalerie
76
Portrait of a Woman (La Bella)1518 · Thyssen-Bornemisza Museum
77
Venus1520 · Gemäldegalerie
78
Adoration of the Shepherds with a Doonor1523 · Louvre'i muuseum
79
The Martyrium of Saint Peter1526
80
Salvator Mundi1519 · Musée des Beaux-Arts de Strasbourg
81
Madonna and Child with Saints1517 · Accademia Carrara
82
Trittico di sant'Elena1520 · Pinacoteca di Brera
83
Saints Mark, George and Nicholas free Venice from the Demons (Sea Storm)1528 · Gallerie dell'Accademia di Venezia
84
Assumption of Mary1512 · Gallerie dell'Accademia di Venezia
85
Adoration of the Magi with Saint HelenaPinacoteca di Brera
86
Madonna and Child with Donors
87
Holy Family with Saints Catherine of Alexandria and John the BaptistGallerie dell'Accademia di Venezia
88
La Vierge, l'Enfant Jésus, Saint Pierre, Saint Jérôme et un donateur - Musée Condé1508 · Musée Condé
89
Portrait of a Woman1512 · Musée des Beaux-Arts de Lyon
90
The Virgin and Child with Saints Catherine of Alexandria and John the Baptist1527 · Royal Collection
91
Madonna and Child with Saint John the Baptist and MagdaleneMusei di Strada Nuova
92
Portrait of a Poet1516 · National Gallery
93
La Virgen y el Niño con santos y donanteThyssen-Bornemisza Museum
94
Diana and Callisto, oil on canvas, Art H1525 · Kunsthistorisches Museum
95
Jacob and Rachel1515 · Gemäldegalerie
96
Venus and Cupid1524 · Fitzwilliam College
97
A Sibyl1520 · Royal Collection
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Palma Vecchio teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kunsthistorisches Museum |
Viin | 13 | Lucretia, John the Baptist, John the Evangelist |
 Gallerie dell'Accademia di Venezia |
Veneetsia | 6 | Sacred Conversation (detail), Sacred Conversation (detail), Sacred Conversation |
 Szépművészeti Múzeum |
Budapest | 5 | Madonna and Child with the Infant Saint John and a Bishop Saint, The Holy Family with a Female Saint and Saint Francis of Assisi, Portrait of a Young Woman |
 Gemäldegalerie |
Berliin | 4 | The Holy Family, The Virgin and Child, Portrait of a young woman with bare chest |
 National Gallery |
London | 4 | A Blonde Woman, A Blonde Woman, Saint George and a Female Saint |
 Philadelphia Museum of Art |
Philadelphia | 3 | Portrait of a Gentleman, The Raising of Lazarus, Allegory |
 Bavaria riiklikud maalidema kogumikud |
München | 3 | Saint Magdalene, Mary with Child and Saints Roch and Aurea, Daphnis |
 Gemäldegalerie |
Dresden | 3 | The Three Sisters (detail), Venus, Jacob and Rachel |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Saint Magdalene by Palma Vecchio is a bust-length portrait presented in a close-up composition. The female figure is positioned slightly off-center, her body angled toward the viewer while her gaze is directed upward toward a light source originating from above. She holds a wooden cross against her chest with both hands, pressing the object toward her draped, voluminous fabric. Her long, wavy hair flows over her shoulders, framing a face…
To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…
The painting titled Judith is a significant oil on panel work by the Venetian painter Palma Vecchio. Created between 1525 and 1528, this piece emerged during a period when the artist was establishing his presence within the artistic landscape of the Republic of Venice. The work reflects the specific technical approach of a painter who bridged the transition from the High Renaissance toward the burgeoning Mannerist style.
Madonna and Child (1515), Hermitage muuseum, Stiiitlinburg. Järgnevad Judith (1525) ja The Adoration of the Shepherds with a Donor.
35 aastat vanus: teos Madonna and Child on pärinev aastast 1515 ning Palma Vecchio sündis aastal 1480.
Madonna and Child, Judith, The Adoration of the Shepherds with a Donor, Lucretia, Portrait of a Gentleman, John the Baptist, John the Evangelist, The Holy Family with St Mary Magdalen, Young Woman in Profile ja The Fall of Man: Eve offers the apple to Adam. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 107 teost kunstnikult Palma Vecchio, mis on pärinevad ajastust 1502 kuni 1528.
Peamiselt Kunsthistorisches Museum (Viin), Gallerie dell'Accademia di Venezia (Veneetsia) ja Szépművészeti Múzeum (Budapest) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1520s: 37 97 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Judith.
Sellel lehel on kõige vanem teos The Virgin and Child (1502) ja kõige värskeim John the Evangelist (1528).
Woman (35), Man (25) ja Landscape (23), kogu selle lehekülje 97 teose kohta.
Oil On Panel, 20 teoseks 97 töödelt sellel lehel.
High renaissance, seda lähtudes selle lehe originaalteostest.
Lucretia, John the Baptist ja John the Evangelist: Kunsthistorisches Museum, Viin säilitab 13 selle lehel olevat teost.
Palma Vecchio sai kuulsaks oma võimetest imbueerida klassikalist mütoloogiat eriti selge Veneetsia tundekujul. Tema pastoralistsed stseenid ei ole pelgalt antiiksete lugude ümberleppimised; need on elavad ilu, armastuse ja maailmaviisilise nautingu tähistused, mis on paigutatud kargede ja elu täis loodusmustrite ette. Need teosed vastasid Veneetsia rikkaste mecenaste maitsele, kes otsisid kunstilt peegeldust oma sofisteeritud elustiilist ja aistlikust naudingu väärtustust. Samas vangitasid tema portreid – eriti naiste portreid – vaatajaid oma suurepärase detailirikkuse ja psühholoogilise sügavuse poolest. Ta lõi välja omaenda signatuuri: blondid ilukesed, kellel on kütkestav pilk ja peidetud salapõhja õhumood.
Nende portreteeritud naiste identiteet on suurel määral teada, mis on toidustanud spekulatsioone nende võimalikust seosest linna demimonde'iga ehk varjuliidiga. Tema värvimeistri oskus — läbipaistvad läbivärvitud kihid, mis lõid luminöösneid ning valgust valgust — oli eriti auustatud, kuigi kahjuks on paljud need delicate kihid ajaga häänonud. Tema värvi ja värvitooni käitlemise täiesti eriline maaliline võime on sageli toimetatud tema loominguliseks iseloomuks.
Sadmeid on Palma Vecchio looming olnud tema kuulsamate kaasaegsete kunstikate teoste varjus. Siiski on viimastel külastel toimunud pidev ja kasvav väärtustund tema unikaalsele panusele Veneetsia kunstile. Kunstiteadlased on uuesti läbinud ja uuesti hinnanud neid teoseid, mis on varem omistikku kuulunud Giorgione'ile või Tizianile, tuvastades samal ajal Palma omapärase stiili eristatavad kvaliteedid. Tema maalid on tänapäevastelt tunnustatud oma sensuaalse ilu, tehnilise täiuslikkuse ja võimekuse eest, mis suutsib vangistada renessansstilise Veneetsia vaimu. Ta esindab kunstiliste mõjete põnevat ristumist, üligavast esindades põlvkondade vahelist sildina ja pakkudes kaasahaarvat pilku oma ajastu kultuurilistele väärtustele ning esteetilistele eelduustele. Palma Vecchio seisab kui ennastaga väimatu Veneetsia maali kunstile — meistrina, kelle tööd suudavad vangistada ja inspireerida publikut ka täna.
