Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 158 teost Mihhail Nesterov meie kataloogis
Lühidalt
Saint Russia on Mihhail Nesterov maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk Self-Portrait (1918) ja Saint Sergius' labours (right part of the triptych) (1896) suunas. Meie kataloogis olevatest Mihhail Nesterov 158 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
Saint Russia is an oil on canvas work by Mikhail Nesterov. The artist executed this piece between 1901 and 1905. It remains part of the permanent collection at the State Russian Museum in the Russian Federation.
The artwork is titled Self-Portrait and was created by the artist Mikhail Nesterov. This specific piece is a monochrome portrait that focuses on a self-representation of the artist. The work was produced in 1918.
A solitary figure moves through a landscape of winter. Dressed in a long coat and hat, a man resembling a monk or priest carries a child in his arms. The scene is set upon a street lined with buildings, where the urban architecture meets a heavy, white blanket of snow. In the background, the presence of a dog and other distant figures adds a sense of lived-in movement to the…
Mikhail Nesterov produced Solovki in 1917. The work provides a representation of the Solovki islands located in Russia. This landscape captures a specific geographic setting through a lens of quietude and natural scale.
In this 1940 work, titled Portrait of Vera Mukhina, the artist Mikhail Nesterov captures a moment of quiet intensity. The painting focuses on the likeness of Vera Mukhina, a woman who lived from 1889 to 1953. It is a study of character and presence, rendered during a period when the artist and his subject had recently become acquainted, having met in the autumn of 1939.
In the quietude of Mikhail Nesterov’s 1909 masterpiece, St. Mark the Apostle, we are invited into a moment of profound spiritual contemplation. The painting presents a striking portrait of the Apostle, depicted with deep, soulful features and a dignified beard, seated in a state of meditative repose upon a rugged rock. Set against a lush, natural backdrop that suggests a secluded garden or a sacred grove, the composition breathes with…
The scene before us is Autumn, a landscape that captures a specific, quiet moment in the changing seasons. Mikhail Nesterov, a painter who sought to translate the very essence of the Russian soul onto canvas, brings this seasonal transition to life through his unique vision. The work, created in 1906, invites a sense of stillness into the viewer's space, as if the air itself has paused to breathe.
The scene unfolds through the Portrait of Olga Nesterova (Woman in a Riding Habit), a work that captures a quiet, suspended moment in time. Mikhail Nesterov brings this figure to life, presenting a woman who exists within a landscape of soft light and natural textures. She stands poised, her presence defined by the elegant lines of her riding habit, a garment that speaks to a specific way of life and…
Youth of Saint Sergiy Radonezhsky is a painting by Mikhail Nesterov. The canvas captures a quiet moment of grace, a stillness held within the brushstrokes of a man who sought the essence of the Russian soul. Nesterov, born in Ufa, Russia, in 1862, spent his life translating the unseen into the visible. His hand moved between the heavy weight of realism and the light, ethereal touch of symbolism.
In "Old painter" by Mikhail Nesterov, the viewer enters a quiet studio where time seems to pause. The composition centers entirely on an elderly artist, whose intense focus anchors the scene as he works upon a large canvas. He sits at his easel, caught in a moment of profound concentration. In the background, a classical sculpture rests in the shadows, acting as a silent focal point that draws the eye…
Silence1888
12
Portrait of a Girl (Study for Youth of St. Sergiy Radonezhsky)1890
13
Blessing of Sergius of Radonezh and Dmitry Donskoy at the Battle of Kulikovo1897
14
Nuns1893 · Slovaki Riiklik Kunstigaleri
15
Adam and Eve1898
16
Prince Alexander Nevsky1895
17
Winter in Skit1904
18
A fresco by M. Nesterov from Akhali Zarzma monastery, Abastumani, Georgia1904
19
Nun1909 · Varssavi Rahvusmuuseum
20
By Volga1906
21
Elder (Abraham, the Servant of God)1914
22
Wayfarer1921
23
Alenushka1925
24
V.G.Chertkov1935
25
Girls on the bank of the river
26
Summer
27
Lel (Spring)
28
Silence
29
PhilosopherTretyakovi kunstgalerii
30
St.Olga
31
Entombment of Alexander Nevsky1900
32
Portrait of M. M. Nesterova, the artist's mother1875
33
A Girl with Kokoshnik (Woman's Headdress in Old Russia)1885
34
Small house in Ufa1884
35
Michael's vocation to the realm1885
36
The victim of his buddies1881
37
Snowballs1879
38
Resurrection1892
39
Spring1901
40
A Tree in Blossom1890
41
For the love potion1888
42
Tsar Alexei Mikhailovich1887
43
Saint Sergius' labours (central part of the triptych)1896
44
Ascension1895
45
Adriatic Sea1893
46
Descent into Hell1895
47
Saint Sergius' labours (left part of the triptych)1896
48
On the mountains1896
49
Portrait of Leo Tolstoy1907
50
Portrait of Maxim Gorky1901
51
St. George and Dragon1900
52
Thought1900
53
Portrait of Natalia Yashvil1905
54
Portrait of Ekaterina Nesterova1905
55
Portrait of O. M. Nesterova, the artist's daughter1905
56
By Volga1905
57
Tsarevich Dimitry1899
58
Harmony Concord1905
59
Silence1903
60
At the council. Sketch.
61
The Raising of Lazarus
62
Study to 'Harmony Concord'
63
Vesper
64
Sisters
65
Christ blesses Bartholomew
66
Portrait of Pavel Korin
67
Christ with Martha and Mary1911
68
Vision to Youth Bartholome
69
Portrait of Korin Brothers
70
On the Hills
71
Portrait of E. P. Nesterova1906
72
Pond1906
73
Capri. Entrance to Monastery.1908
74
Portrait of Vera Nesterova
75
Capri. Almond trees in blossom.1908
76
Portrait of Ekaterina Nesterova1909
77
The vision to Ivan Susanin Michael's image1906
78
Peonies1908
79
St. Jonh the Apostle1909
80
Portrait of V. M. Nesterova1908
81
St. Luke the Apostle1909
82
Intercession of Our Lady1914
83
A Litte Fox1914 · Armenia Riiklik Kunstimuuseum
84
Sasha1915
85
In a Secluded Monastery1915
86
Crucifixion1912
87
Sea view.1919 · Varssavi Rahvusmuuseum
88
Volga1922
89
Landscape study1919 · Varssavi Rahvusmuuseum
90
Spring1922
91
Thinker (Portrait of philisopher Ivan Ilyin)1921
92
The Legend of the Invisible City of Kitezh1920
93
Portrait of Victor Vasnetsov1925
94
Self-Portrait1928
95
Portrait of Sofia Tutcheva1927
96
Elegy. Blind Musician.1928
97
By a Monastery Entrance1925
98
A Sick Girl1928
99
Girl by a Pond (Portrait of Natalia Nesterova)1923
100
Lel1933
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Mihhail Nesterov teosid | Selle nimekirja maalid |
|---|---|---|---|
 Varssavi Rahvusmuuseum |
Varssavi | 3 | Nun, Sea view., Landscape study |
 Tretyakovi kunstgalerii |
Moskva | 7 | Philosopher |
 Slovaki Riiklik Kunstigaleri |
Bratislava | 1 | Nuns |
 Armenia Riiklik Kunstimuuseum |
Jerevan | 1 | A Litte Fox |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In "Old painter" by Mikhail Nesterov, the viewer enters a quiet studio where time seems to pause. The composition centers entirely on an elderly artist, whose intense focus anchors the scene as he works upon a large canvas. He sits at his easel, caught in a moment of profound concentration. In the background, a classical sculpture rests in the shadows, acting as a silent focal point that draws the eye…
A solitary figure moves through a landscape of winter. Dressed in a long coat and hat, a man resembling a monk or priest carries a child in his arms. The scene is set upon a street lined with buildings, where the urban architecture meets a heavy, white blanket of snow. In the background, the presence of a dog and other distant figures adds a sense of lived-in movement to the…
In the quietude of Mikhail Nesterov’s 1909 masterpiece, St. Mark the Apostle, we are invited into a moment of profound spiritual contemplation. The painting presents a striking portrait of the Apostle, depicted with deep, soulful features and a dignified beard, seated in a state of meditative repose upon a rugged rock. Set against a lush, natural backdrop that suggests a secluded garden or a sacred grove, the composition breathes with…
The artwork is titled Self-Portrait and was created by the artist Mikhail Nesterov. This specific piece is a monochrome portrait that focuses on a self-representation of the artist. The work was produced in 1918.
In Wayfarer, Mikhail Nesterov presents a quiet rural scene that invites a moment of stillness. Painted about 1921, the work centers on a subtle human connection set against a natural backdrop. An elderly woman and a young boy occupy the space, caught in a contemplative exchange that feels both private and significant. There is a sense of shared thought between them, a quietude that suggests the passing of experience from…
In this medium close-up portrait of V.G.Chertkov, Mikhail Nesterov captures the sitter reclining within the heavy embrace of a large, cushioned chair. The perspective is a direct, eye-level view that pulls the viewer into an intimate space with the man. His clothing is rendered in deep blacks and browns, anchoring the figure against a textured background of muted blues and teals. The arrangement is formal, yet the realistic and expressive…
In this 1940 work, titled Portrait of Vera Mukhina, the artist Mikhail Nesterov captures a moment of quiet intensity. The painting focuses on the likeness of Vera Mukhina, a woman who lived from 1889 to 1953. It is a study of character and presence, rendered during a period when the artist and his subject had recently become acquainted, having met in the autumn of 1939.
Saint Russia. Järgnevad Self-Portrait (1918) ja Saint Sergius' labours (right part of the triptych) (1896).
Saint Russia, Self-Portrait, Saint Sergius' labours (right part of the triptych), Solovki, Portrait of Vera Mukhina, St. Mark the Apostle, Autumn, Portrait of Olga Nesterova (Woman in a Riding Habit), Youth of Saint Sergiy Radonezhsky ja Old painter. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 158 teost kunstnikult Mihhail Nesterov, mis on pärinevad ajastust 1875 kuni 1940.
Peamiselt Varssavi Rahvusmuuseum (Varssavi), Tretyakovi kunstgalerii (Moskva) ja Slovaki Riiklik Kunstigaleri (Bratislava) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1900s: 29 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül St. Mark the Apostle.
Sellel lehel on kõige vanem teos Portrait of M. M. Nesterova, the artist's mother (1875) ja kõige värskeim Portrait of Vera Mukhina (1940).
Religious (18), Portraits (14) ja Women (13), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 12 teoseks 100 töödelt sellel lehel.
Symbolist painting, seda lähtudes selle lehe originaalteostest.
Nun, Sea view. ja Landscape study: Varssavi Rahvusmuuseum, Varssavi säilitab 3 selle lehel olevat teost.
Mihhail Vassiljevitš Nesterov, sündinud 31. mail 1862. aastal Ufas, Venemaal, ei olnud pelgalt maalikunstnik, vaid venelase hinge visuaalne poeet. Ta kasvas tugevalt patriarhaalses ja kaupmeeste perekonnas, kus kunstilisi kalduvusi üllatavalt toideti; isa armastus ajaloo ja kirjanduse vastu süütas temas soovi lugusid ja emotsioone lõuendile kanda. See varajane julgustus viis ta 1874. aastal Moskvasse, sissekirjutades Voskresenski Realschule’i – pöördeline samm tema teel saada üheks Venemaa olulisemaks sümboolikumaalijaks. Ametlik kunstiharidus algas 1877. aastal Moskva Maali-, Skulptuuri- ja Arhitektuurikoolis, kus ta õppis austatud kunstnike nagu Pavel Sorokini, Illarion Prjaninšnikovi ja Vassili Perovi juhendamisel – viimane osutus eriti mõjukaks figuuriks. Juba sel kujuneval perioodil oli Nesterovi talent ilmne, kuna ta hakkas oma töid koolis eksponeerima juba 1879. aastal. Lühike ja rahutu periood Keiserlikus Kunstiakadeemias viis tagasi Moskvasse ja edasijõudnud õpetuse juurde Alexei Savrasovi käe all, mis tugevdas tema kunstilist alust. Need varased kogemused andsid talle realistliku lähenemisviisi koos kasvava tundlikkusega atmosfääri ja emotsionaalse sügavuse suhtes, mis iseloomustaksid hilisemat loomingut.
Nesterovi murrang saabus 1889. aastal maaliga Eremiit, mis resoneeris koheselt nii publiku kui ka kriitikute seas. Pavel Trejakovi omandamine, tuntud kollektsionääri ja Trejakovi galeri asutaja, ei olnud pelgalt finantstehing, vaid kinnitus Nesterovi õitsvast kunstilisest hääle kohta. See ost võimaldas tal reisida laialdaselt Euroopas – Austrias, Saksamaal, Prantsusmaal ja Itaalias –, laiendades tema silmaringi ja tutvustades teda mitmekesiste kunstitraditsioonidega. Kuid just naastes Venemaale hakkas tema tõeline kutsumus kujunema. Ta süvenes monumentaalsesse projekti: seeria teoseid, mis olid pühendatud Püha Sergiuse Radonežski elule – vaimsele figuurile, kes domineeris tema loomeenergiat peaaegu poole sajandi jooksul. See pühendumine ei olnud lihtsalt kunstiline; see oli sügav uurimine vene vaimsuse ja asketismi kohta – tähenduse otsinguid, mis läbistasid tollast vene kultuuri. Samal ajal navigeeris Nesterov Venemaa kunstimaailma keerulistes hoovooludes, liitudes nii Peredvizhnikidega (Rändurid), tuntud oma realistlike sotsiaalsete probleemide kujutiste poolest, kui ka Mir Iskusstva’ga (Kunstimaailm), rühmaga, mis propageeris esteetikakultuuri ja sümboolikat. See kaheline seotus peegeldab tema töö sisemist pinget – realistliku lähenemisviisi segu vene elus ja eeterlikku kvaliteeti, mis vihjasid sügavamatele vaimsetele tõdedele.
1890. aastal Kiievis asuva Püha Vladimiri katedraali kaunistamise tellimus tähistas veel üht pöördepunkti, sukeldades Nesterovi Bütsantsi kunsti ja religioosse ikonograafia maailma. Kuigi ta täitis oma kohustusi, lisas ta sageli oma panustesse isiklikku kunstilist väljendust – tunnistus tema sõltumatust vaimust. See periood nägi teda võitlemas tellimustöö piirangute ja omaenda loomevisiooni vahel – võitlust, mis jätkus kogu tema karjääri jooksul. Religioossete teemade kõrval paistis Nesterov silma portreekunstis, jäädvustades tuntud isiksuste näod nagu Ivan Iljin, Ivan Pavlov ja Sergei Yudin. Tema Ivan Pavlovi (1935) portree, mille eest ta sai 1941. aastal Stalini preemia, on võimas tunnistus tema võimest edasi anda mitte ainult füüsilist välimust, vaid ka intellektuaalset sügavust ja iseloomu.
Mihhail Nesterov suri 18. oktoobril 1942. aastal Moskvas, jättes maha rikka kunstipärandi, mis jätkab aukartust ja peegeldust äratavat inspiratsiooni. Tema töö esindab ainulaadset sünteesi vene realismist, sümboolikast ja religioosest innustusest. Ta ei kujutanud lihtsalt stseene; ta püüdis tabada venelase hinge olemust – selle tähenduse otsinguid ja seotust maaga. Tema maalid ei ole pelgalt imetletavad pildid, vaid aknad usku, mõtisklusse ja sügavasse emotsionaalsesse sügavusse. Nesterovi mõju on näha järgnenud põlvkondade vene kunstnike töödes, kes otsisid sarnaseid vaimsuse ja rahvusliku identiteedi teemasid. Tema võime lisada igapäevastele stseenidele sümboolset kaalu ning tema meisterlik värvi- ja valguskeele kasutamine jätkab tänaseni publikut kõnetades.
Siin on mõned olulised teosed, mis määravad Nesterovi kunstilist teekonda:
Nesterovi kunstiline areng oli kujunenud mitmete võtmemõjutuste poolest: Vassili Perov, kelle realistlik lähenemisviis sotsiaalsete teemade suhtes resonantsi Nesterovi varajase tööga; Alexei Savrasov, kes juhendas teda oma tehnika täiustamisel ja maastikumaali mõistmisel; ning Pavel Trejakov, kelle patroonitseerimine andis olulise toe ja tunnustuse. Lõppkokku seisab Mihhail Vassiljevitš Nesterov kui silmapaistev figuur vene kunstiajaloo ajaloos – maalikunstnik, kes julges uurida inimvaimu sügavusi ja tõlkida need uuringud püsiva ilu ja jõu piltideks.
