Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 93 teost Michelangelo Morlaiter meie kataloogis
Lühidalt
Galleriist vaadatuna on Michelangelo Morlaiter kõige kuulsam teos Pieta (1499), mille originaal ripub St Peter’s Basilica-is, Roma. Study for Haman (1508) ja Design for a statue of Henry II of France (1559) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Michelangelo Morlaiter 93 teose põhjal esitleb galeriis allpool 35 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The composition centers on the intimate, physical connection between Mary and her son. In this close-up view, the focus remains entirely on the Virgin Mary as she cradles the body of Jesus in her arms. The arrangement of the figures emphasizes a quiet moment of maternal comfort, capturing the weight of the body against her form. This central grouping is elevated upon a pedestal, which provides a sense of prominence…
To gaze upon this preparatory study is to step directly into the intense, focused crucible of artistic genius. It is not a finished narrative, but rather a profound meditation—a skeleton rendered in pigment—that speaks volumes about the mind wrestling with form and divine proportion. The subject matter itself, though titled Study for Haman, transcends any single story; it becomes an exhaustive exploration of the human vessel. Here, the artist has…
In this exquisite pen and ink drawing, we are transported back to the mid-16th century, witnessing a moment of profound artistic preparation. The work, titled Design for a statue of Henry II of France, serves as a meticulous blueprint for a monument intended to immortalize a monarch. At its heart lies an equestrian figure, a powerful composition of horse and rider that commands the viewer's attention through sheer anatomical precision.…
In Battle of Cascina (Copy by Michelangelo's pupil Aristotele da Sangallo), Michelangelo Morlaiter presents a monochromatic scene defined by chaos and violent movement. The composition is densely packed with figures engaged in combat upon a rocky outcrop. This arrangement creates a shallow perspective that draws the viewer into the immediate struggle. The color palette is restricted to shades of gray, establishing a somber and intense atmosphere that emphasizes the gravity…
The composition centers entirely upon the reclining male nude. He lies on his back, a solitary figure occupying the space. Minimal background elements exist, leaving the eye to rest solely on the weight of the body. Every line is an anatomical map, tracing the tension of muscle and the underlying architecture of bone. The focus remains fixed on this singular, organic presence.
In Sistine Chapel Ceiling: God Dividing Land and Water by Michelangelo Morlaiter, a complex arrangement of figures unfolds in a state of constant, rhythmic motion. The central figure of God commands the entire scene, his presence heavy and absolute as he extends a hand to divide the primordial waters. This singular, decisive gesture sets the momentum for the entire composition. Below this divine action, the narrative continues with Noah and…
A single male nude occupies the center of the page, caught in a moment of sudden, heavy movement. The figure is a study of tension, a collection of diagonal lines that pull the eye across the paper. Beside this form, the arm of a bearded man enters the frame, adding a layer of anatomical complexity to the composition. The charcoal is applied with a raw, gestural energy, leaving behind a…
The composition is complex and crowded, presenting a dense arrangement where multiple figures overlap and interact within a shallow space. This layering creates a sense of immediate, kinetic energy. The color palette is dominated by warm hues of red, pink, and gold, which establish an intense atmosphere. These tones work in tandem with organic shapes that reflect the underlying human anatomy of the figures.
The composition is vertically oriented, focusing the viewer's attention on the singular nude male figure. This arrangement emphasizes the verticality of the body and the specific contours of the anatomy. The figure is captured in a dynamic pose, suggesting a moment of physical exertion or movement. The perspective is limited to a close-up study, providing a detailed view of the subject while maintaining minimal background detail. This lack of environmental…
The ceiling is a vast expanse of organized rows. Each panel holds a specific biblical narrative, a fragment of Genesis unfolding across the stone. The perspective remains largely flat, mirroring the gaze of a viewer looking directly upward into the vault. It is a complex architecture of stories, where the scale of the figures follows a strict hierarchy. Larger forms dominate the central scenes, anchoring the eye amidst the intricate…
Sistine Chapel Ceiling: The Prophet Joel1512
12
The Ancestors of Christ: Asa1509
13
Moses1515 · San Pietro in Vincoli
14
Ideal head of a woman1525 · British Museum
15
Study for a risen Christ1533 · British Museum
16
The Resurrection of Christ1533 · British Museum
17
Portrait of Andrea Quaratesi1532 · Ashmoleani muuseum
18
The Fall of Phaeton1533 · British Museum
19
Design for Julius II tomb (first version)1540 · Galleria degli Uffizi
20
Crucifixion1540
21
Studies for a double tomb wall1520 · British Museum
22
The Entombment1501 · National Gallery
23
Sistine Chapel Ceiling: The Delphic Sibyl1509
24
Study to ^quot;Battle of Cascina^quot;1504
25
Sistine Chapel Ceiling: The Punishment of Haman1512
26
Sistine Chapel Ceiling: David and Goliath1509
27
Sketch of fortifications of Porta del Prato in Florence (ground floor plan)1525
28
Design for Laurentian library doors and an external window1526 · British Museum
29
Studies for "Pieta" or "The Last Judgement"1530
30
Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;1554 · Louvre'i muuseum
31
Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;1556 · British Museum
32
Decoration of the grand staircase1766 · Palazzo Grassi
33
Venetian Reception (detail)1766 · Palazzo Grassi
34
Kristuse ÜlesastumineStuudiil1533 · Louvre'i muuseum
35
Mitmeid uurimusi1505 · Louvre'i muuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Michelangelo Morlaiter teosid | Selle nimekirja maalid |
|---|---|---|---|
 British Museum |
London | 9 | Study for Haman, Sketch of a Nude Man (study for the "Battle of Cascina"), Ideal head of a woman |
 Louvre'i muuseum |
Pariis | 4 | Male nude and arm of bearded man, Study of ^quot;Christ on the Cross between the Virgin and St. John the Evangelist^quot;, Kristuse ÜlesastumineStuudiil |
 Palazzo Grassi |
Veneetsia | 2 | Decoration of the grand staircase, Venetian Reception (detail) |
 St Peter’s Basilica |
Roma | 1 | Pieta |
 Rijksmuseum |
Amsterdam | 1 | Design for a statue of Henry II of France |
 San Pietro in Vincoli |
Rooma | 1 | Moses |
 Ashmoleani muuseum |
Oxford | 1 | Portrait of Andrea Quaratesi |
 Galleria degli Uffizi |
Firenze | 1 | Design for Julius II tomb (first version) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The composition centers on the intimate, physical connection between Mary and her son. In this close-up view, the focus remains entirely on the Virgin Mary as she cradles the body of Jesus in her arms. The arrangement of the figures emphasizes a quiet moment of maternal comfort, capturing the weight of the body against her form. This central grouping is elevated upon a pedestal, which provides a sense of prominence…
To gaze upon this preparatory study is to step directly into the intense, focused crucible of artistic genius. It is not a finished narrative, but rather a profound meditation—a skeleton rendered in pigment—that speaks volumes about the mind wrestling with form and divine proportion. The subject matter itself, though titled Study for Haman, transcends any single story; it becomes an exhaustive exploration of the human vessel. Here, the artist has…
In Sistine Chapel Ceiling: God Dividing Land and Water by Michelangelo Morlaiter, a complex arrangement of figures unfolds in a state of constant, rhythmic motion. The central figure of God commands the entire scene, his presence heavy and absolute as he extends a hand to divide the primordial waters. This singular, decisive gesture sets the momentum for the entire composition. Below this divine action, the narrative continues with Noah and…
In this exquisite pen and ink drawing, we are transported back to the mid-16th century, witnessing a moment of profound artistic preparation. The work, titled Design for a statue of Henry II of France, serves as a meticulous blueprint for a monument intended to immortalize a monarch. At its heart lies an equestrian figure, a powerful composition of horse and rider that commands the viewer's attention through sheer anatomical precision.…
Pieta (1499), St Peter’s Basilica, Roma. Järgnevad Study for Haman (1508) ja Design for a statue of Henry II of France (1559).
Pieta, Study for Haman, Design for a statue of Henry II of France, Battle of Cascina (Copy by Michelangelo's pupil Aristotele da Sangallo), The Study of Adam, Sistine Chapel Ceiling: God Dividing Land and Water, Male nude and arm of bearded man, Sistine Chapel Ceiling: God Dividing Light from Darkness, Sketch of a Nude Man (study for the "Battle of Cascina") ja Sistine Chapel Ceiling. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 93 teost kunstnikult Michelangelo Morlaiter, mis on pärinevad ajastust 1499 kuni 1766.
Peamiselt British Museum (London), Louvre'i muuseum (Pariis) ja Palazzo Grassi (Veneetsia) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1500s: 11 35 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Study for Haman.
Sellel lehel on kõige vanem teos Pieta (1499) ja kõige värskeim Decoration of the grand staircase (1766).
Man (5), People (3) ja Figures (3), kogu selle lehekülje 35 teose kohta.
Fresco, 5 teoseks 35 töödelt sellel lehel.
High renaissance ja Renaissance, seda lähtudes selle lehe originaalteostest.
Study for Haman, Sketch of a Nude Man (study for the "Battle of Cascina") ja Ideal head of a woman: British Museum, London säilitab 9 selle lehel olevat teost.
