Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 73 teost Mather Brown meie kataloogis
Lühidalt
Galleriist vaadatuna on Mather Brown kõige kuulsam teos Sir Francis Buller, 1st Bt (1792), mille originaal ripub National Portrait Gallery-is, London. Master Charles William Park (1785) ja Untitled (D2X2CK) (1790) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Mather Brown 73 teose põhjal esitleb galeriis allpool 72 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
A Commanding Presence: Mather Brown’s Portrait of General Cornwallis This large-scale oil painting (249 x 164 cm), created in 1790 by American artist Mather Brown, offers a compelling and dramatic portrayal of British General Charles Cornwallis – a key figure in the American Revolutionary War. More than just a likeness, this is a carefully constructed statement about power, military leadership, and the lingering echoes of conflict. Brown, who spent much…
The William Temple Franklin painting by Mather Brown utilizes a three-quarter view to establish the subject's presence. Positioned slightly off-center, the gentleman is seated at a desk cluttered with papers and books, a configuration that emphasizes literacy and intellectual status. This Neoclassical portraiture employs an eye-level perspective to create an intimate connection between the sitter and the viewer. Depth is constructed through a deliberate layering of elements: the subject occupies…
A middle-aged man is positioned in a three-quarter length portrait, oriented slightly to the left of the center. He wears a dark navy or black military coat, accented by gold embroidery on the lapels. Beneath the coat, a white waistcoat and a powdered wig provide a sharp contrast to the darker tones of his uniform. The lighting originates from the upper left, casting shadows across the right side of his…
This formal 18th-century portrait, painted in 1786, presents a three-quarter view of a young man positioned slightly off-center. Facing towards the right while looking directly at the viewer, the subject exudes an air of elegance and aristocratic poise. The composition utilizes a deep brown background to create a strong chiaroscuro effect, which serves to highlight the subject's face and his white powdered wig.
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
In this 1787 oil on canvas, a young man is positioned in a three-quarter view from the chest upward. He wears a dark black coat that contrasts against a crisp white cravat wrapped around his neck. A powdered wig with soft, defined curls frames his face. Behind him, a heavy red drapery falls in deep folds, providing a saturated backdrop to the figure. The lighting is directional, casting one side…
This oil on canvas presents Sir George Augustus Elliott, Baron Heathfield, as rendered by the American-born painter Mather Brown. The work was executed between 1788 and 1791, a period during which Brown was establishing his presence within the London art scene. The portrait captures the likeness of a man whose military career was defined by service in three major eighteenth-century wars.
Portrait of Augustin Prevost in Uniform (for pair see - (109326))1723
12
Thomas Dawson, Viscount Cremorne1788 · National Gallery of Art
13
George, Prince of Wales (1762-1830), later George IVBuckinghami palee
14
Portrait of a ManMuseum of Fine Arts
15
Portrait Of Sir George Yonge
16
Portrait Of Charles Bulfinch
17
Sir John Colpoys
18
Sir John Eamer, Lord Mayor Of London
19
Thomas Fitzherbert
20
Rear Admiral Sir Home Popham
21
Henry Blundell
22
Portrait Of Major John Norton As Mohawk Chief TeyoninhokarawenYale Center for British Art
23
Lord Cornwallis Receiving The Sons Of Tipu As Hostages
24
Romeo And Juliet
25
Lady with a Dog1786 · Metropolitan Museum of Art
26
Portrait of a Young Woman1801 · Metropolitan Museum of Art
27
Portrait Of Sir John Eamer, Lord Mayor Of London
28
Lord Loughborough
29
Richard Clark
30
William Thomas
31
Peter Mellish, Sheriff
32
Ohn Williams A.K.A. Anthony Pasquin
33
John Bridge Aspinall
34
Sir William Dolben
35
Captain George Miller BlighRahvuslik Mereväemuuseum
36
Thomas Hugh Clifford Of Tixall
37
Anne Watts, Wife Of The 11th Earl Of Cassillis
38
Thomas Lowton
39
Portrait Of George Fermor
40
Frederick Augustus
41
Anne Brunton And Joseph Holman As Romeo And Juliet In 'romeo And Juliet'
42
Portrait of Hon. Harrison Gray
43
Sir John William Anderson
44
Portrait of Sir Richard ArkwrightNew Britain Museum of American Art
45
Captain The Honourable Archibald Kennedy
46
The Reverend Alban Thomas GwynneThe Homewood
47
Mary Anne Vevers), Mrs Alban Thomas Jones GwynneThe Homewood
48
Sir Christopher Wray
49
Thomas Howard, Earl Of Surrey, Defending His Allegiance To Richard Iii Before Henry Vii After The Ba
50
Henry AngeloNational Portrait Gallery
51
Viscount Mount Stuart, Provost Of Rothesay
52
Portrait Of An Unknown Man
53
Portrait Of Joseph Bologne De Saint-georgeMetropolitan Museum of Art
54
Susannah Jones, Mrs Alban Thomas GwynneThe Homewood
55
John Smeaton
56
Colonel Alban Thomas Jones GwynneThe Homewood
57
John Adams
58
Miss Mary Barbara, Miss Mary Isabella, And Master Thomas Aston Clifford
59
Lord Mountstuart
60
John HowardNational Portrait Gallery
61
Alexander WedderburnŠoti Rahvusportreegalerii
62
Garrick Between Tragedy And Comedy
63
A Girl At A HarpsichordPollok House
64
Sir Charles Morgan
65
Purveyor, Army Medical Department
66
Lord George Augustus Cavendish
67
Franz Joseph Haydn
68
Sir Francis Buller, 1st Bt
69
The Baptism Of Henry Viii
70
The Battle Of The Nile - Destruction Of 'l'orient'Rahvuslik Mereväemuuseum
71
Lord Howe On The Deck Of The 'queen Charlotte'Rahvuslik Mereväemuuseum
72
Thomas Jefferson1786 · National Portrait Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Mather Brown teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Portrait Gallery |
London | 4 | Sir Francis Buller, 1st Bt, Henry Angelo, John Howard |
 Metropolitan Museum of Art |
New York | 4 | Untitled (D2X2CK), Lady with a Dog, Portrait of a Young Woman |
 The Homewood |
4 | The Reverend Alban Thomas Gwynne, Mary Anne Vevers), Mrs Alban Thomas Jones Gwynne, Susannah Jones, Mrs Alban Thomas Gwynne | |
 Rahvuslik Mereväemuuseum |
London | 3 | Captain George Miller Bligh, The Battle Of The Nile - Destruction Of 'l'orient', Lord Howe On The Deck Of The 'queen Charlotte' |
 Detroit Institute of Arts |
Detroit | 2 | Master Charles William Park, Sir George Augustus Elliott, Baron Heathfield |
 Museum of Fine Arts |
Boston | 2 | A Commander in the East India Company, Portrait of a Man |
 National Gallery of Art |
Washington | 2 | William Vans Murray, Thomas Dawson, Viscount Cremorne |
 Gilcrease Museum |
Tulsa | 1 | William Temple Franklin painting |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
Mather Brown’s “Portrait of a Young Woman,” painted in 1801, is more than just a likeness; it's a carefully constructed tableau of Neoclassical grace and burgeoning Romantic sentiment. Born in Boston to a family steeped in New England intellectual history – tracing back to the influential Cotton and Increase Mather – Brown’s artistic journey led him from itinerant portraiture across New England to the vibrant, cosmopolitan world of London, where…
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
Sir Francis Buller, 1st Bt (1792), National Portrait Gallery, London. Järgnevad Master Charles William Park (1785) ja Untitled (D2X2CK) (1790).
31 aastat vanus: teos Sir Francis Buller, 1st Bt on pärinev aastast 1792 ning Mather Brown sündis aastal 1761.
Sir Francis Buller, 1st Bt, Master Charles William Park, Untitled (D2X2CK), William Temple Franklin painting, A Commander in the East India Company, William von Freytag (1711-1798), Charles Bulfinch (1763-1844), Self-portrait, William Vans Murray ja Sir George Augustus Elliott, Baron Heathfield. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 73 teost kunstnikult Mather Brown, mis on pärinevad ajastust 1782 kuni 1812.
Peamiselt National Portrait Gallery (London), Metropolitan Museum of Art (New York) ja The Homewood muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1780s: 9 72 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Master Charles William Park.
Sellel lehel on kõige vanem teos William Temple Franklin painting (1782) ja kõige värskeim Self-portrait (1812).
Portrait (10), Man (9) ja Men (9), kogu selle lehekülje 72 teose kohta.
Oil On Canvas, 10 teoseks 72 töödelt sellel lehel.
Neoclassicism, seda lähtudes selle lehe originaalteostest.
Sir Francis Buller, 1st Bt, Henry Angelo ja John Howard: National Portrait Gallery, London säilitab 4 selle lehel olevat teost.
Mather Brown seisab kui lummav sild kahe ajastu vahel – maalidena, kelle elu ja loomingu sündmused peegeldasid 18. sajandi lõpu ja 19. sajandi alguse muutuvaid voolu. Olles sündinud Bostonis aastal 1761, kujunes tema kunstiline identiteet koloniaalne Amerika intellektuaalses sulatusahjus, enne kui leidis see oma lõpliku väljendusvormi Londoni suurepärades stuudiotes. Tema teekond on olnud palju rohkem kui lihtsalt isiklik karjäär; see peegeldab kunstiliste ideaalide liikumist rangete ja struktureeritud neoklassitsimi printsiipidest suunates emotsionaalsema ja dramatiseeritumema romantismi vaimu poole. See üleminek võimaldas Brownil muutuda mitmekülgseks looastajaks, kes suutas vangistada nii iseloomuliku portree vaikset väärikust kui ka ajalooliste konfliktide kaoslikku hiilguslikkust.
Browni meistripalat on ulatuma tema varajase õpetuse juurde legendaarse John Singleton Copley juures. Copleyi hoolival silma all õppis Brown täpsuse olulisust ja klassikalise vormi sügavat mõistmist. See ettevalmistus andis talle tehnilise distsipliini, mis oli vajalik konkurentsitihedal Euroopa kunstimaailmal navigeerimiseks. Kui ta 1790. aastal Londoni asustas, ei saabunud ta sinna pelgalt väljatõuditud, vaid valmis professionaalina, saades kiiresti osa prestiižsest Kunstiakadeemiast. See liikmeskus oli tema elu määrav saavutus, mis tähistas tema vastuvõtmist Briti kunstimaailma kõrgeimatesse tippkihtidesse ning pakkus talle platvormi suhelda oma ajastu mõjuimatega inimestega.
Browni laia loomuloomu iseloomustab eriline võime kohandada oma tehnikat teema vajadustega. Portreetide looma maalis ta omandanud imetlusväärse oskuse kujundada isikupära ja sotsiaalset staatust peenete nüanssidega. Tema portreed sellistest suurvendidest nagu Thomas Jefferson ja Benjamin West näitavad teravat pilku ajastu poliitilistele ja sotsiaalsetele vooludele, andes oma kujutistele püsivuse ja autoriteedi tunnet. Olgu siis tegemist peenelt elegantsiga teoses Naine koega või väärikas olemusega tema portreetil Thomas Lowtonist, kasutas Brown valgust ja tekstuuri, et luua liaisad, hingavad kujundid kangisele.
Lisaks portreetide intiimsele skaalale püüdis Brown tabada ka eepilist. Ta oli suure ambitsiooniga maalari, kes suunas oma tähelepanu sageli ajaloolistele maalidestile, mis nõudsid keeruliste kompositsioonide ja dramatiseeritud liikumise valdust. Tema teos Niili lahing on selle lähenemisi tipppunkt, kus ta lahutas end staatilisest klassikalisest vormist, et omakatsuda meresõja keerutavat energiat ja viskeraalset intensiivsust. Nendes suuremates teostes on nähtav romantilise tundlikkuse teke – fookus sublimeeritud, võimsale ja ajalooliste sündmuste transformatiivsele olemusele.
Mather Browni kunstiline väärtus peitub tema rollis kultuurina kandaajana. Segades oma Ameerika-stiilis täpsuse Londoni kunstimaailma stiilsete uuendustega, aitas ta kujundada ajastut, mida isutasid revolutsioon ja üleminekud. Tema võime navigeerida tellimusportreedi vormiliste nõuete ja ajaloolise maali narratiivsete vajaduste vahel võimaldas tal jätta püsiva jälje nii Briti kui ka Ameerika kunstiteadvusele.
Tänapäeval on tema teosed endiselt olulised sildid Lääne kunsti arengu mõistmiseks. Tema maalidest saab olla jälgi järgmistel aladel:
