Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 21 teost Marie Bashkirtseva meie kataloogis
Lühidalt
Kõigist Marie Bashkirtseva jäetud originaalteostest on kõige kuulsam Georgette (1881). Järgnevad sellest Jean and Jacques (1883) ja In the Studio (1881). Meie kataloogist löytyb 21 teost kunstnikult Marie Bashkirtseva; galeriist on säilitatud 20 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The portrait titled Georgette is an oil painting executed by the artist Marie Bashkirtseva. This specific work was created in 1881. The piece functions as a portrait, focusing on the likeness of a single female subject. It belongs to the period of the artist's training and early professional activity in Paris.
In this 1883 portrait, we find ourselves observing two young boys, Jean and Jacques, caught in a moment of unstudied stillness. They stand together against the backdrop of a brick wall, an urban setting that grounds the scene in the reality of the street. The boy, appearing to be seven, carries himself with a certain gravity, his attire consisting of a suit and tie that suggests a formal intention, yet…
In In the Studio, Marie Bashkirtseva presents a bustling scene that captures a specific moment of artistic creation and learning. Painted about 1881, the work invites us into a lively environment where the quiet intensity of study meets the organized chaos of a working space. The atmosphere is one of focused energy, as the figures within the frame are deeply immersed in the shared labor of their craft.
In Paul Bashkirtseff, Marie Bashkirtseva employs a close-up, bust-length composition to establish an intimate connection with the subject. The single male figure, characterized by dark hair and a mustache, is positioned in a standard eye-level portrait view. He gazes off-canvas toward the left, his expression settled into a contemplative or melancholic state. This averted gaze directs the viewer's attention toward the psychological weight of his silent reflection.
Young Lady Wearing a Hat with a Blue Feather is a portrait of a young woman executed by Marie Bashkirtseva. The work dates to 1878, a period during which the artist was developing her technical proficiency through formal training in Paris.
We are looking at The Parisian, Portrait of Irma, Model at the Académie Julian, a work painted by Marie Bashkirtseva. This piece was created about 1882, a period when the artist was deeply immersed in the creative atmosphere of Paris. The portrait captures a specific individual, a model at the Académie Julian, providing us with a glimpse into the daily life and social circles of that era.
In "At a book" by Marie Bashkirtseva, a solitary woman sits caught in a quiet moment of deep thought or melancholy. The composition pulls the viewer into a close-up portrait, centering entirely on her figure against a dark, minimalist background. This void of detail ensures that nothing distracts from her presence. She rests her head upon her hand, her gaze cast downward toward the pages of an open book. The…
Marie Bashkirtseva presents a quiet moment of solitude in Spring, a work dating from about 1884. The scene centers on a solitary figure resting amidst a blooming landscape. This subject, positioned near a narrow dirt path, invites a sense of introspection and peace. The figure is framed by the natural architecture of a large, blossoming tree, its white flowers creating a soft canopy over the resting individual.
A solitary young girl stands under the heavy canopy of an umbrella in this oil portrait by Marie Bashkirtseva. Painted about 1883, the work captures a quiet moment of stillness. The subject holds her umbrella close, creating a dark frame around her pale face. She exists in a space of soft shadows and muted tones. The atmosphere feels heavy with a sense of solitude.
Self-portrait with Palette is a work by Marie Bashkirtseva. Created about 1880, this oil on canvas functions as a formal self-portrait, a genre the artist frequently utilized to explore identity and emotion. The piece belongs to the realism movement, reflecting the stylistic influences of the late 19th century.
Portrait of the artist's cousin Dina Toulouse-Lautrec1883 · Musée d'Orsay
12
Girl Reading by a Waterfall1984
13
Autumn1883 · Venemaa Riiklik Muuseum
14
In the Mist1882
15
Myrrh bearing women1883
16
Lilacs1880
17
The Meeting1884 · Musée d'Orsay
18
Portrait of a Young Woman Reading
19
L'orientale
20
The Artist"s Sister-in-law, Marie Constantine Bashkirtseff, 18811881 · Rijksmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Marie Bashkirtseva teosid | Selle nimekirja maalid |
|---|---|---|---|
 Venemaa Riiklik Muuseum |
Stiiitlinburg | 2 | The Umbrella, Autumn |
 Musée d'Orsay |
Pariis | 2 | Portrait of the artist's cousin Dina Toulouse-Lautrec, The Meeting |
 Ukraina Riiklik Kunstimuuseum |
Kiiev | 1 | In the Studio |
 Petit Palais |
Pariis | 1 | The Parisian, Portrait of Irma, Model at the Académie Julian |
 Fine Arts Museum Kharkiv |
Kharkiv | 1 | At a book |
 Musée des Beaux-Arts Jules Chéret |
Nice | 1 | Self-portrait with Palette |
 Rijksmuseum |
Amsterdam | 1 | The Artist"s Sister-in-law, Marie Constantine Bashkirtseff, 1881 |
Ainult kümnend aastat, 1876 kuni 1884, on andnud maailmale iga kuupäevaga Marie Bashkirtseva originaalte selles valikus: siin on need, aasta-aastalt.
Vali aasta, et näha originaale.
In Paul Bashkirtseff, Marie Bashkirtseva employs a close-up, bust-length composition to establish an intimate connection with the subject. The single male figure, characterized by dark hair and a mustache, is positioned in a standard eye-level portrait view. He gazes off-canvas toward the left, his expression settled into a contemplative or melancholic state. This averted gaze directs the viewer's attention toward the psychological weight of his silent reflection.
Young Lady Wearing a Hat with a Blue Feather is a portrait of a young woman executed by Marie Bashkirtseva. The work dates to 1878, a period during which the artist was developing her technical proficiency through formal training in Paris.
Self-portrait with Palette is a work by Marie Bashkirtseva. Created about 1880, this oil on canvas functions as a formal self-portrait, a genre the artist frequently utilized to explore identity and emotion. The piece belongs to the realism movement, reflecting the stylistic influences of the late 19th century.
Veel 1880 teoseid
The portrait titled Georgette is an oil painting executed by the artist Marie Bashkirtseva. This specific work was created in 1881. The piece functions as a portrait, focusing on the likeness of a single female subject. It belongs to the period of the artist's training and early professional activity in Paris.
Veel 1881 teoseid
We are looking at The Parisian, Portrait of Irma, Model at the Académie Julian, a work painted by Marie Bashkirtseva. This piece was created about 1882, a period when the artist was deeply immersed in the creative atmosphere of Paris. The portrait captures a specific individual, a model at the Académie Julian, providing us with a glimpse into the daily life and social circles of that era.
Veel 1882 teoseid
In this 1883 portrait, we find ourselves observing two young boys, Jean and Jacques, caught in a moment of unstudied stillness. They stand together against the backdrop of a brick wall, an urban setting that grounds the scene in the reality of the street. The boy, appearing to be seven, carries himself with a certain gravity, his attire consisting of a suit and tie that suggests a formal intention, yet…
Veel 1883 teoseid
Marie Bashkirtseva presents a quiet moment of solitude in Spring, a work dating from about 1884. The scene centers on a solitary figure resting amidst a blooming landscape. This subject, positioned near a narrow dirt path, invites a sense of introspection and peace. The figure is framed by the natural architecture of a large, blossoming tree, its white flowers creating a soft canopy over the resting individual.
Veel 1884 teoseid
Georgette (1881). Järgnevad Jean and Jacques (1883) ja In the Studio (1881).
21 aastat vanus: teos Georgette on pärinev aastast 1881 ning Marie Bashkirtseva sündis aastal 1860.
Georgette, Jean and Jacques, In the Studio, Paul Bashkirtseff, Young Lady Wearing a Hat with a Blue Feather, The Parisian, Portrait of Irma, Model at the Académie Julian, At a book, Spring, The Umbrella ja Self-portrait with Palette. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 21 teost kunstnikult Marie Bashkirtseva, mis on pärinevad ajastust 1876 kuni 1884.
Peamiselt Venemaa Riiklik Muuseum (Stiiitlinburg), Musée d'Orsay (Pariis) ja Ukraina Riiklik Kunstimuuseum (Kiiev) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1883: 5 20 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Jean and Jacques.
Sellel lehel on kõige vanem teos Paul Bashkirtseff (1876) ja kõige värskeim Spring (1884).
Woman (7), Dark background (5) ja Portrait (4), kogu selle lehekülje 20 teose kohta.
Oil On Canvas, 6 teoseks 20 töödelt sellel lehel.
The Umbrella ja Autumn: Venemaa Riiklik Muuseum, Stiiitlinburg säilitab 2 selle lehel olevat teost.
Sündides 1858. aastal Ukraina Gavronski laialdastes maastikudes Maria Konstantinovna Bashkirtsevina, oli Marie Bashkirtseffi elu põnev segu aristokraatlikust privileegiist ja ägedast, sõltumatust armastavast vaimust. Tema pere, Vene ühiskonnas sügavate juurtel olevid maavaldikud, pakkus talle kultuuriliselt rikkast täisväärtuslikku kasvatuskeskkonda – tema ema, andekas pianist Elena Baschkirtzeff ja isa, sõjaväeinsener Nikolai Baschkirtsev, tagasid talle laia hariduse. See hõlivas mitmes keeles ja pakkus avastusi erinevates kultuurides, kuna pere liikus isa ametikohtade tõttu Venemaa, Šveitsri ja Prantsuse vahel. Siiski varjutas seda näibuvalt idüllikat eksistentsi ühiskondlik ootus, et tema seisukohas olevad noored naised kohaneksid traditsiooniliste rollidega – ootustega, millele Bashkirtseff astus lõpuks vastu nii pintsliga kui ka sulg. Väikesest ajast peale näitas ta kunstiline andekus, mida pidas ennast areenitud privaatõlked ja hiljem ametlik koolitus Pariisis, mis oli 19. sajandi lõpu kunstilise innovatsiooni epicentrum. See varajane avastus pani aluse kareerile, mis jäi traagiliselt haiguse tõttu lühikeseks, kuid jäi siiski märkimisväärselt mõjuvadks.
