Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 27 teost Lazzaro Bastiani meie kataloogis
Lühidalt
Galleriist vaadatuna on Lazzaro Bastiani kõige kuulsam teos Bearded Man with a Falcon (1500), mille originaal ripub Courtauld Gallery-is, London. Joseph interpreting Pharoah's Dream (1485) ja St. Lucy and Kneeling Donor (1485) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Lazzaro Bastiani 27 teose põhjal esitleb galeriis allpool 27 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
Lazzaro Bastiani captures a moment of celestial intersection in this late 15th-century oil on wood panel. The composition centers on the verticality of Saint Lucy, whose presence dominates the pictorial space. She is flanked by two angels who crown her with a golden diadem, while below, a kneeling donor gazes upward in prayerful submission. The scene is set against a vast, detailed landscape where atmospheric perspective draws the eye toward…
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
The Mystical Marriage of Saint Catherine of Alexandria is a religious work by Lazzaro Bastiani. Painted about 1470, the image captures a moment of profound sanctity. It depicts a divine union through a vision, where a virgin saint enters into a mystical wedding ceremony with Christ. This sacred event is rendered with the quiet gravity of the late 15th-century Italian school.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
In this large-scale composition from 1470, Lazzaro Bastiani invites us into a quiet, solemn moment of devotion. The scene centers on St. Jerome, captured in a state of profound spiritual communion. He is not alone; he is supported by his disciple Eusebius and surrounded by a gathering of brethren, creating a sense of communal reverence. The setting is intimate, a cell that feels both physically enclosed and spiritually expansive. A…
St Veneranda Enthroned is a large panel painting by the Venetian artist Lazzaro Bastiani. Created about 1470, the work measures 325 x 217 cm. The composition centers on the figure of St Veneranda, who is depicted seated upon a throne. This central placement establishes her as the primary subject of the large-scale panel.
To stand before this depiction of the Funeral of St Jerome is to be enveloped in an atmosphere of profound, hushed reverence. Lazzaro Bastiani masterfully captures a moment suspended between earthly sorrow and divine promise. The scene unfolds as a somber procession, its weight palpable in the dark drapery of the mourners who gather around the central focus: the cross bearing the figure of Jesus Christ. This is not merely…
Lamentation of ChristGemäldegalerie
12
Madonna and Child enthroned with St. George and another male saint
13
Madonna of Humility1470 · Museo Poldi Pezzoli
14
The Death of St JeromePinacoteca di Brera
15
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail)1494 · Gallerie dell'Accademia di Venezia
16
Madonna and Child in Painted FrameBerliini Riigimuseumid
17
The Funeral Of St. Jerome -
18
Palace With Guards
19
Christ blessing
20
Joshua At The Walls Of Jericho
21
Madonna and Child with Cherubs
22
The Funeral Of St. Jerome
23
The Doge Francesco Foscari
24
The Relic of the Holy CrossGallerie dell'Accademia di Venezia
25
St Jerome in the DesertPinacoteca di Brera
26
St Jerome Bringing the Lion to the ConventPinacoteca di Brera
27
The Virgin and ChildNational Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Lazzaro Bastiani teosid | Selle nimekirja maalid |
|---|---|---|---|
 Gallerie dell'Accademia di Venezia |
Veneetsia | 6 | The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned |
 Pinacoteca di Brera |
Milano | 3 | The Death of St Jerome, St Jerome in the Desert, St Jerome Bringing the Lion to the Convent |
 Courtauld Gallery |
London | 1 | Bearded Man with a Falcon |
 Portland Art Museum |
Portland | 1 | St. Lucy and Kneeling Donor |
 The Frick Collection |
New York | 1 | Adoration of the Magi |
 National Trust Waddesdon Manor |
Waddesdon Manor | 1 | The Mystical Marriage of Saint Catherine of Alexandria |
 Santa Maria della Salute |
Veneetsia | 1 | Pentecost |
 Gemäldegalerie |
Berliin | 1 | Lamentation of Christ |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this 1470 tempera work, we find ourselves drawn into a dense, intimate scene of devotion. The composition is framed by a gentle arch, a structural choice that directs our gaze from the immediate presence of the Holy Family toward a receding, rugged landscape. Within this space, the Virgin Mary holds the Christ Child, surrounded by the Three Magi and their attendants. There is a profound sense of narrative depth…
In this oil on wood panel, we find ourselves within a highly structured, theatrical space that feels more like a stage than a mere setting. The scene captures the biblical moment where Joseph, having risen from his station of enslavement, stands before Pharaoh to interpret a dream. There is a profound sense of order here, dictated by the sharp lines of the architecture. Steps and columns create a hierarchy of…
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail) is a work by Lazzaro Bastiani. Painted in 1494, this piece captures a specific moment of sacred ritual. It focuses on a religious ceremony held within the walls of the church of San Giovanni Evangelista in Venice.
The portrait titled Bearded Man with a Falcon is an oil on canvas work attributed to the Venetian painter Lazzaro Bastiani. This piece, which dates to about 1500, offers a glimpse into the stylistic nuances of the late fifteenth and early sixteenth centuries. The subject is presented with a quiet dignity that reflects the social standing of the sitter. It is currently held within the collection of the Courtauld Gallery,…
Bearded Man with a Falcon (1500), Courtauld Gallery, London. Järgnevad Joseph interpreting Pharoah's Dream (1485) ja St. Lucy and Kneeling Donor (1485).
71 aastat vanus: teos Bearded Man with a Falcon on pärinev aastast 1500 ning Lazzaro Bastiani sündis aastal 1429.
Bearded Man with a Falcon, Joseph interpreting Pharoah's Dream, St. Lucy and Kneeling Donor, Adoration of the Magi, The Mystical Marriage of Saint Catherine of Alexandria, The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome, St Veneranda Enthroned, Funeral of St Jerome ja Pentecost. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 27 teost kunstnikult Lazzaro Bastiani, mis on pärinevad ajastust 1470 kuni 1500.
Peamiselt Gallerie dell'Accademia di Venezia (Veneetsia), Pinacoteca di Brera (Milano) ja Courtauld Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1470s: 6 27 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Adoration of the Magi.
Sellel lehel on kõige vanem teos Adoration of the Magi (1470) ja kõige värskeim Bearded Man with a Falcon (1500).
Woman (4), Saints (4) ja People (3), kogu selle lehekülje 27 teose kohta.
Oil On Canvas, 4 teoseks 27 töödelt sellel lehel.
Early renaissance ja Renaissance, seda lähtudes selle lehe originaalteostest.
The Relic of the Holy Cross is offered to the Scuola Grande di San Giovanni Evangelista (detail), Communion of St Jerome ja St Veneranda Enthroned: Gallerie dell'Accademia di Venezia, Veneetsia säilitab 6 selle lehel olevat teost.
Lazzaro Bastiani seisab XV ja XVI sajandi venetsia kunstimaastikul märkimisväärse, ehk et mõnevõrra salapärase figuurina. Paduast 1429. aastal sündinud kunstnik astus lavale perioodil, mida isutasid kasvav humanistlik idealism ja võrratu kunstiline uuendus—ajal, mil Venetsia valtsis üleval kui majanduslik jõud ja kultuuriline keskpunkt. Kuigi tema loomulised saavutused ei olnud nii rikkalikud ega kuulsad nagu tema kaaslaste, näiteks Tiziani või Bellini, panustas Bastiani siiski oluliselt venetsia maalikunstide stiililisse arengusse, eriti Scuola Grande di San Marco kogukonnas ja sellega seotud tööbaasides.
Bastiani kunstiline teekond algas Paduas, kus ta täisas oma oskusi Andrea Mantegna õppetööde all—meister, kelle mõju on hästi tunda Bastiani varajates teostes. See vundament Mantegnai rangusest ja skulpturaalsest stiilist andis talle tehnilise täpsuse, mis sulahenes hiljem sujuvalt venetsia kooli pehmemate ja atmosfäärilisemate omadustega. Ajaloolised andmed näitavad, et aastaks 1460 oli ta juba kiirelt kinnistanud oma positsiooni Venetsias maalidena, hankides tellimusi pühastatud altarilaudade jaoks San Marco prokuratoridelt, demonstreerides nii kohest arusaamist venetsia eliidi valitsevate kunstiliste maitsete ja ootuste kohta. Mitme важse detailina märata on ka seda, et tema tasustamine peegeldas tollal Giovanni Bellini tasemust, mis viitab tema tunnustusele tõlevana talentina mõjuva Bellini tööbaasi sees—ühendusel, mis kahtlemata kujundas tema stiililist arengut.
Bastiani panus Scuola Grande di San Marco tegevuses osales tema karjääri võtmetähtsusega. Alates 1480. aastatest tegid ta tihedat koostööd Gentile Belliniga, osaledes ambitsioossetes projektides, mille eesmärk oli Venetsia koduliku uhke ülistamine ja oluliste religioossete sageduste mälestamine. Nende partnerlus on klassikaline näide venetsia maalikunsti koostöölisest vaimust—traditsioonist, kus ühised tööbaasid ja kollektiivsed tellimused võimaldasid rikkalikku ideede ja tehnikate vahetust. Läbi nende laavamõõdus pingutuste aitas Bastiani kududa venetsia identiteedi loote otse oma religioossete ja kodulikud institutsioonide kanga.
Tema meistriklassis on kaugeimalt nähtav võimes, kuidas ta suutis tasakaalutada püha pühendumust ja inimlikku emotsiooni. Töödes nagu Püha Veneranda trooniil ja Alajaaduslik Madonna, saab nähata valgusest ja varjust peenud mängu, mis annab jumalaliktele teemadele elu. Tema religioossed kompositsioonid olid sageli enamak kui pelgalt dekoratsioon; need olid sügavad teoloogilised kättepaned, loodud pühendumuse tekitamiseks. See on eriti selgelt nähtav tema detailsetes püha tseremooniate kujutlustes, nagu Püha Risti relikvial pakutakse Scuola Grande di San Giovanni Evangelista kogukonnale, kus ta tabab ajastu keerukat rituaalsust ja kogukondlikku põletust hämmastavalt selgelt.
Kuna tema karjäär edenes, become Bastiani töö sild, mis ühendas varajase renessanssi struktureeritud, lineaarse traditsiooni ja fluidsema, värvikesksem lähenemise, mis määras hiljem Venetsia kõrge renessanssi. Tema võime integreerida Mantegnai monumentaalset kohvust Bellini pere algatatud luminatsiooniga ja atmosfäärilisusega võimaldas tal luua teoseid, mis olid nii füüsiliselt suurejoonelised kui ka vaimselt resonantsed.
Kuigi ajalugu keskendub sageli venetsia kooli hiigtele, on Lazzaro Bastiani panused asendamatu osa 15. sajandi kunsti ühtse liikumise mõistmisel. Tema pärand on leida järgmistest valdkondadest:
Aeg, mil ta 1512. aastal suri, oli Bastiani jätnud Väinetsias oma jälje mustastmustest tööbaasidest, tagades, et tema mõju leviks läbi põlvkonnadest kunstnikudest, kes järgnesid talle venetsia renessantsi kuldajal.
