Lühidalt
Galleriile on Lawrence Weiner kõige kuulsam teos Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) ja A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Lawrence Weiner 11 teose põhjal esitleb galeriis allpool 11 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
Galeria 10 parimat Lawrence Weiner maali
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Lawrence Weiner maalid, järjestus 11 kuni 11
Muuseumid, kus on säilitatud Lawrence Weiner originaalteosed
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | Lawrence Weiner teosed | Selle nimekirja maalid |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, iga kümnendiga üks signatuurpilt
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Lawrence Weiner maalid: galerii vastused
Milline Lawrence Weiner maal on kõige kuulsam?Paljasta vastus
Turf, Stake and String from S.M.S. No. 5 (1968). Järgnevad Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) ja A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
Kui vana Lawrence Weiner oli teose Turf, Stake and String from S.M.S. No. 5 valmimisel?Paljasta vastus
26 aastat vanus: teos Turf, Stake and String from S.M.S. No. 5 on pärinev aastast 1968 ning Lawrence Weiner sündis aastal 1942.
Millised on Lawrence Weiner top 10 maali?Paljasta vastus
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By ja Wind and the Willows What's Our Hero To Do. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Kui palju teoseid Lawrence Weiner lõi?Paljasta vastus
Meie kataloogist leiate 11 teost kunstnikult Lawrence Weiner, mis on pärinevad ajastust 1968 kuni 2004.
Kust leiad Lawrence Weiner kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Serralvesi Fond (Porto), Art Institute of Chicago (Chicago) ja Museu d'Art Contemporani (Barcelona) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millal lõi Lawrence Weiner oma kuulsamad maalid?Paljasta vastus
Ajal 1970s: 3 11 sellel lehel olevat teost on sellel perioodil loodud, sellest The Level of Water.
Millised on Lawrence Weiner varased ja hilised kuulsad teosed?Paljasta vastus
Sellel lehel on kõige vanem teos Turf, Stake and String from S.M.S. No. 5 (1968) ja kõige värskeim Some Objects of Desire (2004).
Lawrence Weiner: kunstnik
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: