Julie Morrow Deforest portree

1 kulubumatamatum Julie Morrow Deforest maali, galeriiselektsioon

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 2 teost Julie Morrow Deforest meie kataloogis

Lühidalt

Kõigist Julie Morrow Deforest jäetud originaalteostest on kõige kuulsam Golden Mules, mis kuulub Cincinnati Art Museum kogele linnas Cincinnati. Meie kataloogist löytyb 2 teost kunstnikult Julie Morrow Deforest; galeriist on säilitatud 1 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.

1882 – 1979, New York City Enamama teoseid: Cincinnati Art Museum

Julie Morrow Deforest top 10 maalist: galeriis valitud teosed

Muuseumid, kus on säilitatud Julie Morrow Deforest originaalteosed

Muuseum, milles on kõige rohkem sellel lehel esitatud teoseid.

Muuseum Linn Julie Morrow Deforest teosed Selle nimekirja maalid
Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 1 Golden Mules

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Golden Mules

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Meie kataloogist leibab 2 teost kunstnikult Julie Morrow Deforest.

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Peamiselt Cincinnati Art Museum (Cincinnati) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Julie Morrow Deforest: elu ja looming

A Life in Color and Letters

Julie Mathilde Morrow Deforest began her life in New York City, born to Rev. Cornelius Wortendyke Morrow and Rosalie Lippmann Morrow. Her early years were shaped by academic pursuits, earning a bachelor's degree in English from Wellesley College in 1904 and later a master's degree in literature from Columbia University in 1906. For two decades, she spent her days teaching English at Irving High School and Wadleigh High School within New York City. During these years, painting remained a quiet companion to her classroom duties.

In 1929, her life shifted when she married Cornelius Wortendyke DeForest. This union led her to Cincinnati, Ohio, where the demands of teaching were left behind. In this new setting, she found the space to devote herself fully to her brushes and pigments. Her work took on a specific focus, looking toward the light and color of landscapes.

The Brush and the Landscape

Her approach to the canvas was shaped by the guidance of several instructors, including Jonas Lie, Charles Webster Hawthorne, and John F. Carlson. Through their influence, she developed an impressionist style that favored bright colors. She often looked toward the Western United States for her subjects. After traveling through California and Colorado, her paintings in the 1930s began to capture the ruggedness of the Rocky Mountains.

The textures of her work reflected a deep observation of the natural world:

  • Brightly colored impressionist landscapes.
  • Studies of the Western US terrain.
  • Detailed depictions of the Rocky Mountains.

Later Years and Written Words

As time passed, her focus remained on the visual and the lyrical. In Glendale, Ohio, where she spent her final years, she found a different way to express herself through poetry. At the age of 92, she released a book titled Belfry Chimes and Other Rimes in 1974. This collection of poems showed a continuation of the observant spirit she had applied to her paintings throughout her life.