Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 43 teost Josef Danhauser meie kataloogis
Lühidalt
Kõigist Josef Danhauser jäetud originaalteostest on kõige kuulsam Liszt Fantasizing at the Piano. Järgnevad sellest The Scholars' Room (1842) ja Portrait of the Piano-Manufcturer Konrad Graf (1840). Meie kataloogist löytyb 43 teost kunstnikult Josef Danhauser; galeriist on säilitatud 42 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
In the heart of 19th-century Vienna, where the air was often thick with the scent of coffee and the echoes of burgeoning Romanticism, Josef Franz Danhauser captured a moment of pure, unadulterated musical transcendence. His masterpiece, Liszt Fantasizing at the Piano, is far more than a mere depiction of a social gathering; it is a window into a vanished era of elegance and artistic fervor. As we gaze upon the…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
The artwork is titled Portrait of the Piano-Manufcturer Konrad Graf. It was painted by the artist Josef Danhauser. The subject of this oil painting is Konrad Graf, a man who was one of Vienna's most outstanding piano-manufacturers during the early nineteenth century. This portrait was commissioned by Graf in 1840, a year when he acted as a patron to contemporary artists such as Josef Danhauser.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene unfolds within the chaotic confines of an artist's workspace in Funny Scene in the Studio. Painted by Josef Danhauser, this oil on canvas captures a sudden, humorous mishap that disrupts the quiet order of the room. A person, a dog, and a large easel find themselves caught in a moment of unexpected disorder, freezing a split second of comedy in time. The energy of the accident ripples through…
A young man is captured in a three-quarter view, his gaze directed toward the viewer with a composed, steady expression. The portrait, rendered in a realistic academic style, emphasizes the quiet refinement of the Biedermeier era. Light enters from the upper left, casting soft shadows across the contours of the face and creating a sense of three-dimensional form through a controlled chiaroscuro effect. The subject is positioned against a dark,…
The portrait painting titled 'Portrait of a Young Woman' was created by the artist Josef Danhauser. This work dates to 1830. The subject is presented in a bust-length composition, positioned centrally within the frame. The figure faces slightly toward the viewer's left, while the gaze is directed forward toward the observer.
In Poor (young) Painter in a Cottage Studio, Josef Danhauser presents a melancholic and intimate monochrome scene set within a cluttered, dimly lit attic studio. The composition centers on the seated figure of the painter, positioned slightly off-center amidst the remnants of his craft. A grayscale palette defines the space, utilizing a wide range of tones from deep blacks in the shadows to bright whites where light enters through a…
This oil on canvas painting, titled Portrait of a Woman, was executed by the Austrian artist Josef Danhauser in 1836. It is a quiet study of a female subject, presented in a profile view that emphasizes the stillness of the moment. The work belongs to the genre of portraiture, capturing a specific presence through the careful application of pigment on the canvas.
The Shipwrecked Woman1837
12
Wine women and singing1839
13
Abraham Rejects Hagar and Ishmael1835
14
The Monastery Soup1838
15
The Opening of the Will1839
16
Head of an old Man1838
17
The Little Virtuosos1843
18
Social Scene1844
19
Newspaper Readers1840
20
Interior with hand-organist + dancer1844
21
Scene in an Inn1844
22
Literature in the Studio1842
23
Liszt at the Piano
24
The game of chess
25
Siesta (The Sleepers)1831 · Szépművészeti Múzeum
26
Mother Love (also known as Mutterliebe)1839 · Österreichische Galerie Belvedere
27
The Widow's Offering1838 · Residenzgalerie
28
The Gottscheer Boy1844
29
Beethoven1890 · Beethoven-Haus Bonn
30
Boy lying on Rokoko chair and books. Sleeping dog and toys
31
Austrian author Friedrich Halm.
32
Portrait of austrian violonist Ignaz Schuppanzigh
33
The rich man
34
Portrait of Josef Danhauser
35
The Lady from the Sea
36
The village politicians
37
Profile Portrait of a Lady with lace collar and white stitch
38
Funny scene in the studio
39
Mother's love
40
Karl Ludwig von Littrow and his wife
41
Beethoven1827 · Beethoven-Haus Bonn
42
Liszt at the PianoAlte Nationalgalerie
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 6 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Josef Danhauser teosid | Selle nimekirja maalid |
|---|---|---|---|
 Österreichische Galerie Belvedere |
Viin | 2 | The Scholars' Room, Mother Love (also known as Mutterliebe) |
 Beethoven-Haus Bonn |
Bonn | 2 | Beethoven, Beethoven |
 Academy of Fine Arts Vienna |
Vienna | 1 | Portrait of the Piano-Manufcturer Konrad Graf |
 Szépművészeti Múzeum |
Budapest | 1 | Siesta (The Sleepers) |
 Residenzgalerie |
Salzburg | 1 | The Widow's Offering |
 Alte Nationalgalerie |
Berliin | 1 | Liszt at the Piano |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In Wallstein's Grave, Josef Danhauser captures a moment of profound stillness following the chaos of conflict. The scene unfolds in a pastoral landscape where the weight of tragedy hangs heavy in the air. A fallen soldier lies prone in the foreground, his white, shroud-like clothing stark against the earthy tones of the terrain. Over him, a chestnut horse stands in a posture of quiet mourning, nudging the fallen man in…
Created in 1830, this piece reflects the Biedermeier spirit through its focus on the beauty of the everyday and the quietude of domestic or private life. It moves away from the grandiosity of historical portraiture to find meaning in a simple, unposed moment. The painting avoids the theatrical, opting instead for a realistic approach that captures the subtle nuances of human existence. There is a certain gravity in this repose,…
The scene captured in this evocative depiction, "The Scholars' Room," invites the viewer into an intimate moment suspended outside the rush of time. It is a tableau vivant of intellectual pursuit, where the weight of accumulated knowledge seems to mingle with the gentle murmur of conversation. One cannot help but feel the palpable atmosphere of deep contemplation emanating from the gathering. The composition centers around a table laden not just…
Liszt Fantasizing at the Piano. Järgnevad The Scholars' Room (1842) ja Portrait of the Piano-Manufcturer Konrad Graf (1840).
Liszt Fantasizing at the Piano, The Scholars' Room, Portrait of the Piano-Manufcturer Konrad Graf, Wallstein's Grave, The Sleeping Painter in the Studio, Funny Scene in the Studio, Self-portrait, Portrait of a Young Woman, Poor (young) Painter in a Cottage Studio ja Portrait of a Woman. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 43 teost kunstnikult Josef Danhauser, mis on pärinevad ajastust 1827 kuni 1844.
Peamiselt Österreichische Galerie Belvedere (Viin), Beethoven-Haus Bonn (Bonn) ja Academy of Fine Arts Vienna (Vienna) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1830s: 14 42 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Sleeping Painter in the Studio.
Sellel lehel on kõige vanem teos Beethoven (1827) ja kõige värskeim Social Scene (1844).
Man (10), Woman (8) ja People (6), kogu selle lehekülje 42 teose kohta.
Oil On Canvas, 10 teoseks 42 töödelt sellel lehel.
Biedermeier, seda lähtudes selle lehe originaalteostest.
The Scholars' Room ja Mother Love (also known as Mutterliebe): Österreichische Galerie Belvedere, Viin säilitab 2 selle lehel olevat teost.
Wienis sündinud Josef Danhauser tõus esile Austerria Imperiumi märkimispäras figureerijana, jättes endast maha pärandi, mis peegeldab sügavalt Biedermeieri perioodi. Skulpturi ja mööbliproduktsiooni omaniku, Joseph Ulrich Danhauseri pojana said tema algased kunstilised kalduvad kasvatada tema isa enda käte all. See käsitöö ja disaini alus on tõenäoliselt laidund tema hilisemate teoste täiuslikule täpsusele. Tema teekond Viini Kunstakadeemia hallide vahel võimaldas tal täiendada oma oskusi selliste meistrite juures nagu Johann Peter Krafft, luues nềni karjäärile, mis kõikus koduste stseenide vaiksel intiimsusel ja ajaloolise portreekunsti sügaval tõsidusel.
Tema elu ei olnud pelgalt üksildine loomine, vaid oli sarnases ajastul toimiva töörindliku vaimuga seotud. Pärast oma isa surma leidis Danhauser end koos vendadega pere mööblitehaset juhtimas. See kaasaarvav periood kaasaegse disaini valdkonnas teenis lühiajalise vahealaena tema maaliandekarrääris, kuid see ahelas ka iljasetult oma esteetilisele tundlikusele, mis määrkas hiljem tema žanriteasid. Tema reisid läbi Veneetsia ja Praagi rikastasid tema visuaalset keelekannust veelgi, võimaldades tal imelda itaalsete meistrite mõju ja integreerida laiem Euroopa perspektiiv oma Austerria juurtele.
Danhauseri kunstilist meistriildu lüüakse ehk kõige rohkem tunnustama tema võimet yakata inimolu eksistentsi peenid nüanssid. Ta spetsialiseeris žanriteasid, imbides sageli igapäevaste stseenidega moraalset alusmotiive ja narratiivset sügavust, mis meenutab William Hogarthi stiili. Tema maalid kutsuvad vaatajat tihti sisse vaiklikesse, mõtlevatesse pühakodadesse — olgu see siis intellektuaalne varba The Scholars' Room või rahulik, päikeseloojanguga täidetud rahu Siesta (The Sleepers) juures. Need teosed kasutasid pehmeid värvipalette ja meistlikku toonide varjustamist, et tekitada sooja, kaaslasliku ja aegade liikumise tundlikkuse atmosfäär.
Põhjalikult läbivõiduna kodust sfäärist positsioonis Danhauseril oli eriline võime vangistada suuruse olemust. Tema portree Beethovenist seisib kui tunnistuskunstniku oskusest romantilises impressionismis, liikudes kaugemale pelagast sarnasest välimusest, et edasi anda efsalendava heliluuliku psühikoostisust ja solemnilist väärikust. Täpselt kasutatud valguse ja varjoga skulptureeris ta vormi ja emotsiooni, luues teoseid, mis resoneerivad introspektiooni aura koos. Olgu see siis muusikalise transsendentsuse kujutamine teoses Liszt Fantasizing at the Piano või surmapeo koledus, Danhauseri pintsel pidi kinni 19. sajandi romantismis südänepulsiga.
Kuigi paljud tema töödest jäid oma elu jooksul täienvähese tähelepanu alla, peitub Josef Franz Danhauseri ajalooline tähendus tema rollis oma ajastu esittäja rollis. Tema panus Biedermeieri liikumisse aitas määratleda ajastut, mida iseloomustas tagasihoidlik elegants ja keskendumine igapäevase kaebuse iljale. Tema saavutused, sealhulgas Viini akadeemia preemia võitmine teose Die Verstoßung der Hagar eest ning ametikoht akadeemia allaõppinud rektorina, rõhutavad tema positsiooni Viini kunstiringkonnas.
Tema teosmu kogu püsiv atraktiivsus leiab mitme olulise elemendi kaudu:
