Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 76 teost José Jiménez Aranda meie kataloogis
Lühidalt
Una desgracia (1890) on José Jiménez Aranda maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk El Quijote 4 ja Small naturalists suunas. Meie kataloogis olevatest José Jiménez Aranda 76 teosest on need 75 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
We are looking at Una desgracia, a work from 1890 by the Spanish painter José Jiménez Aranda. This piece represents a significant moment in the artist's career, marking a shift toward the costumbrismo style that would define much of his later output. It is a somber, black and white depiction of a group of people gathered before a building under construction. The scene, set in the 19th century, captures a…
The artwork titled El Quijote 4 is a creation by the Spanish painter José Jiménez Aranda. It captures a specific, restless moment drawn from the literary world of Miguel de Cervantes. Within the frame, the knight Don Quixote and his companion Sancho Panza are mounted upon their horses. They move through a landscape of sudden motion, caught in the midst of an encounter or a skirmish involving several other figures.…
Three children crouch upon the earth, their bodies forming a soft triangle of curiosity. They are bent low, eyes fixed on the small, moving lives hidden among the stones and dirt. A large barrel and several terracotta pots sit in the background, grounding the scene in a lived-in, unmanicured space. The light is diffused, as if filtered through a heavy, overcast sky, casting no harsh shadows upon the ground. Everything…
The afternoon sun spills across a dusty street, casting soft shadows that dance against the weathered plaster of a building. In front of a doorway, life unfolds in a quiet, rhythmic pulse. A man sits with a guitar, his fingers coaxing melodies from the strings, while others gather around a table, lost in the easy gravity of conversation. There is a sense of a world caught in mid-breath. A woman’s…
A single man stands amidst a silent assembly of taxidermied birds. He is dressed in the heavy, structured attire of the 18th century, wearing a tricorne hat and a long frock coat that anchors him to the floorboards. His mouth is open, caught in a sudden gasp or a sharp intake of breath. Around him, the stillness of the museum room is broken only by the presence of these preserved…
The Hato emerges from the brush of José Jiménez Aranda, a painter who carries the spirit of Seville, Spain, within his work. Born in 1837, Aranda brings a deep understanding of light and shadow to this scene. The painting, created about 1896, captures a quiet, suspended moment in a sun-dappled woodland. It is a scene of rest where a large, reclining hunting dog and a sleeping infant share a peaceful…
Spring in Seville by José Jiménez Aranda presents a large-scale oil on canvas composition created about 1903. The subject matter focuses on the various festivities and traditions associated with the season in Seville, Spain. The painting incorporates specific cultural references, including elements of bullfighting, known as corridas de toros. These elements are integrated into a dense arrangement of figures and objects that characterize the local customs of the period.
The work suggests a mythological or historical narrative, focusing on the fundamental bonds of family and the vulnerability of new life. The interplay of light across the subjects creates a sense of privacy, as if the viewer has stumbled upon a sacred, secluded moment. There is a palpable tension between the serenity of the sleeping infant and the watchful, slightly anxious energy of the adults. This duality captures a fleeting…
The composition centers on two figures mounted on horses, moving along a dirt road. To the left, a man sits atop a horse, while to the right, another man follows on a separate mount. These two figures, Don Quixote and Sancho Panza, occupy the primary space of the canvas. In the middle ground, a dog is positioned near the center-right area. Several other people are scattered throughout the background, some…
A Pass in the Bullring is an oil painting by the Spanish artist José Jiménez Aranda. This work dates to about 1870. The artist was born in Seville, Spain, in 1837 and lived until 1903.
Un lance en la Plaza de Toros1880
12
The Dancing Lesson1888
13
The painter's family
14
Couple
15
Study for ''La murga''
16
Sketch illustration for''Captain Montoya
17
Study for ''Un sermón en el patio de los naranjos''
18
El Quijote
19
Academical study 1
20
the drunk
21
El Quijote 1
22
El Quijote 6
23
Preparatory drawing for a painting
24
The jump of the bull
25
El Quijote 7
26
Figure
27
El Quijote 9
28
Study for ''Los dulces del santo''
29
Portrait of the artist's father
30
Study of dogs
31
El Quijote 5
32
Fruit seller
33
Study for ''Tartarín sur les Alpes''
34
El Quijote 3
35
Study of a soldier
36
Nude
37
Study of a soldier 1
38
Study for ''Galanterías''
39
small talk
40
El Quijote 2
41
Retrato de Emilio Sala
42
El Quijote 8
43
Retrato de Mujer
44
Juez
45
Good night
46
Fugure studies
47
The old canary
48
Study
49
The sweet saint
50
Portrait (Studio)
51
A gourmet
52
Retrato
53
Portrait of the artists mother
54
Tocando el violin
55
Study of horses
56
Study of horses 1
57
Paisaje boscoso
58
Study of a horse
59
Paisaje
60
Landscape in Alcalá de Guadaira
61
Academical study
62
Landscape with rocks
63
En la iglesiaMuseo del Prado
64
Birds Corner
65
Hombre de color
66
Hombre Sentado
67
Woman turning off the light (Good Night)
68
Study for ''Un concierto ante su Eminencia''
69
Dos Mujeres
70
Retrato de SorollaMuseo del Prado
71
The morning in Alcalá de Guadaira
72
The departure of Christ's Passion during Holy Week in Seville
73
El violinista
74
Pine-trees at Alcalá de Guadaira
75
La esclavaMuseo del Prado
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseum | Linn | José Jiménez Aranda teosed | Selle nimekirja maalid |
|---|---|---|---|
 Museo del Prado |
Madrid | 3 | En la iglesia, Retrato de Sorolla, La esclava |
 Walters Art Museum |
Baltimore | 1 | Figaro's Shop |
 Fundación Banco Santander |
Madrid | 1 | Spring in Seville |
 Museo Carmen Thyssen Málaga |
Málaga | 1 | A Pass in the Bullring |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The afternoon sun spills across a dusty street, casting soft shadows that dance against the weathered plaster of a building. In front of a doorway, life unfolds in a quiet, rhythmic pulse. A man sits with a guitar, his fingers coaxing melodies from the strings, while others gather around a table, lost in the easy gravity of conversation. There is a sense of a world caught in mid-breath. A woman’s…
A single man stands amidst a silent assembly of taxidermied birds. He is dressed in the heavy, structured attire of the 18th century, wearing a tricorne hat and a long frock coat that anchors him to the floorboards. His mouth is open, caught in a sudden gasp or a sharp intake of breath. Around him, the stillness of the museum room is broken only by the presence of these preserved…
We are looking at Una desgracia, a work from 1890 by the Spanish painter José Jiménez Aranda. This piece represents a significant moment in the artist's career, marking a shift toward the costumbrismo style that would define much of his later output. It is a somber, black and white depiction of a group of people gathered before a building under construction. The scene, set in the 19th century, captures a…
Spring in Seville by José Jiménez Aranda presents a large-scale oil on canvas composition created about 1903. The subject matter focuses on the various festivities and traditions associated with the season in Seville, Spain. The painting incorporates specific cultural references, including elements of bullfighting, known as corridas de toros. These elements are integrated into a dense arrangement of figures and objects that characterize the local customs of the period.
Una desgracia (1890). Järgnevad El Quijote 4 ja Small naturalists.
53 aastat vanus: teos Una desgracia on pärinev aastast 1890 ning José Jiménez Aranda sündis aastal 1837.
Una desgracia, El Quijote 4, Small naturalists, Figaro's Shop, The old naturalist, The Hato, Spring in Seville, The first child, Don Quixote and Sancho Panza ja A Pass in the Bullring. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 76 teost kunstnikult José Jiménez Aranda, mis on pärinevad ajastust 1870 kuni 1903.
Peamiselt Museo del Prado (Madrid), Walters Art Museum (Baltimore) ja Fundación Banco Santander (Madrid) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 3 75 sellel lehel olevat teost on sellel perioodil loodud, sellest The old naturalist.
Sellel lehel on kõige vanem teos A Pass in the Bullring (1870) ja kõige värskeim Spring in Seville (1903).
People (6), Portrait (5) ja Landscape (4), kogu selle lehekülje 75 teose kohta.
Oil, 6 teoseks 75 töödelt sellel lehel.
Costumbrista ja Contemporary realism, seda lähtudes selle lehe originaalteostest.
En la iglesia, Retrato de Sorolla ja La esclava: Museo del Prado, Madrid säilitab 3 selle lehel olevat teost.
