José Álvarez Cubero portree

4 kulubumatamatum José Álvarez Cubero maali, galeriiselektsioon

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 4 teost José Álvarez Cubero meie kataloogis

Lühidalt

Kõigist José Álvarez Cubero jäetud originaalteostest on kõige kuulsam Isabel de Braganza, Queen of Spain (1826), mis kuulub Museo del Prado kogele linnas Madrid. Järgnevad sellest The Defence of Zaragoza (1823) ja Apollo (1808). Meie kataloogist löytyb 4 teost kunstnikult José Álvarez Cubero; galeriist on säilitatud 4 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.

1768 – 1827, Priego de Córdoba Neoclassicism Enamama teoseid: Museo del Prado

José Álvarez Cubero top 10 maalist: galeriis valitud teosed

1
Isabel de Braganza, Queen of Spain (1826) autor José Álvarez Cubero

Isabel de Braganza, Queen of Spain

1826 · Oil On Canvas · Museo del Prado, Madrid

To stand before José Álvarez Cubero’s depiction of Isabel de Braganza, Queen of Spain, is to step across the threshold of time and into an era defined by idealized beauty and profound classical ideals. This sculpture is not merely a likeness; it is a carefully sculpted meditation on power, piety, and enduring feminine grace. The figure, seated with an air of serene authority, embodies the zenith of Neoclassical taste—a style…

2
The Defence of Zaragoza (1823) autor José Álvarez Cubero

The Defence of Zaragoza

1823 · Acrylic On Canvas · Museo del Prado, Madrid

“The Defence of Zaragoza,” sculpted in 1823 by the Spanish artist José Álvarez Cubero, is more than just a marble depiction; it’s a potent distillation of Neoclassical ideals and a poignant reflection on civic duty and heroic sacrifice. This monumental work, measuring an impressive 280 x 200 cm, captures a pivotal moment in Spanish history – the city's courageous defense against Napoleon’s forces during the Peninsular War. The sculpture immediately…

3
Apollo (1808) autor José Álvarez Cubero

Apollo

1808 · Marble · Museo del Prado, Madrid

In the sculpture "Apollo" by José Álvarez Cubero, the figure represents the Greek deity associated with music, poetry, light, healing, and prophecy. Created about 1808, the work presents the god in a youthful form. The subject is rendered with a calm and contemplative expression. This specific depiction focuses on the physical presence of the deity through a centered, freestanding composition.

4
Bullfighter with a Calañés Hat (1870) autor José Álvarez Cubero

Bullfighter with a Calañés Hat

The figure represents a standing bullfighter at rest with his right hand on his hip whilst his left hand makes as though to hold the cape. He wares the classical suit of many Malaga clay figures: bright blue jacket with toggles and fringes, yellow waistcoat, white shirt and a red tie, black breeches and country boots. / European travellers arrived in Spain in search of the most exotic and folkloric…

Teemad, mis püüdisid José Álvarez Cubero pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud José Álvarez Cubero originaalteosed

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn José Álvarez Cubero teosid Selle nimekirja maalid
Museo del Prado, MadridMuseo del Prado Madrid 3 Isabel de Braganza, Queen of Spain, The Defence of Zaragoza, Apollo
Museo Nacional del Romanticismo, MadridMuseo Nacional del Romanticismo Madrid 1 Bullfighter with a Calañés Hat

José Álvarez Cubero aasta-aastaga: originaalteosed, mis defineerivad iga perioodi

Aastast 1808 aastat 1826 kuni 1826, töötas José Álvarez Cubero 19 aastat: valik järgneb selle pikale kareerile aasta-aastalt, esitledes selle parimaid originaalteoseid.

Teosed aasta kaupa

Vali aasta, et näha originaale.

Sammlajate küsimused José Álvarez Cubero maalide kohta

Millise teosega on José Álvarez Cubero kõige kuulsam?Paljasta vastus

Isabel de Braganza, Queen of Spain (1826), Museo del Prado, Madrid. Järgnevad The Defence of Zaragoza (1823) ja Apollo (1808).

Kui vana oli José Álvarez Cubero, kui teos Isabel de Braganza, Queen of Spain loodi?Paljasta vastus

58 aastat vanus: teos Isabel de Braganza, Queen of Spain on pärinev aastast 1826 ning José Álvarez Cubero sündis aastal 1768.

Kui palju maali José Álvarez Cubero jäeti?Paljasta vastus

Meie kataloogist leiate 4 teost kunstnikult José Álvarez Cubero, mis on pärinevad ajastust 1808 kuni 1826.

Mitteks muuseumides rihangavad José Álvarez Cubero meistriteosed?Paljasta vastus

Peamiselt Museo del Prado (Madrid) ja Museo Nacional del Romanticismo (Madrid) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mis on José Álvarez Cubero esimene ja viimane kuuls fama originaalteos?Paljasta vastus

Sellel lehel on kõige vanem teos Apollo (1808) ja kõige värskeim Isabel de Braganza, Queen of Spain (1826).

Milliseid teemasid José Álvarez Cubero kõige sagedamini valis?Paljasta vastus

Sculpture (2) ja Marble (2), kogu selle lehekülje 4 teose kohta.

Minge pihta kunstisuunasse, kuhu José Álvarez Cubero kuulub?Paljasta vastus

Neoclassicism, seda lähtudes selle lehe originaalteostest.

Millised José Álvarez Cubero teosed on Museo del Prado näituses?Paljasta vastus

Isabel de Braganza, Queen of Spain, The Defence of Zaragoza ja Apollo: Museo del Prado, Madrid säilitab 3 selle lehel olevat teost.

José Álvarez Cubero: elu ja looming

José Álvarez Cubero: A Life in Neoclassical Sculpture

Early Life and Education

  • Born: 23 April 1768, Priego de Córdoba, Spain.
  • José Álvarez Cubero began his artistic journey as the son of a stonemason, displaying an early aptitude for drawing and modeling.
  • He received formal training from the French sculptor Miguel Verdiguier in Cordova and later at the Academy of San Fernando in Madrid.

Career Development & Influences

  • Royal Patronage: In 1799, King Charles IV awarded Cubero a pension to study art in Paris and Rome – pivotal cities for Neoclassical sculpture.
  • Influences: While in these artistic hubs, he was profoundly influenced by the works of Antonio Canova, adopting and refining the principles of Neoclassicism.
  • His early work demonstrated a growing mastery of anatomical detail and classical forms.

Major Works & Artistic Style

  • “Ganymede” (1804): Executed in Paris, this sculpture brought Cubero immediate acclaim and established his reputation as a leading sculptor.
  • “Antilochus and Memnon” (1818): Commissioned by Ferdinand VII, this marble group is considered one of his most successful works and now resides in the Museum of Madrid.
  • Portrait Busts: He also created remarkable portrait busts of prominent figures like Ferdinand VII, Gioacchino Rossini, and the Duchess of Alba, noted for their vigor and fidelity.
  • “The Defence of Zaragoza” (1823): A significant work depicting a heroic scene from Spanish history.

Political Challenges & Later Life

  • Imprisonment: Cubero’s refusal to acknowledge Joseph Bonaparte as King of Spain led to his imprisonment in Rome, demonstrating his strong patriotic convictions.
  • Following his release, he briefly worked for Napoleon I decorating the Quirinal Palace.
  • Court Sculptor: In 1816, he was appointed court sculptor to Ferdinand VII, solidifying his position within Spanish artistic circles.
  • Upon returning to Madrid, Cubero dedicated himself to teaching at the Academy of San Fernando.

Legacy & Historical Significance

  • Mentorship: He mentored a new generation of Spanish sculptors, including Ponciano Ponzano, who became one of the most celebrated Neoclassical sculptors of his time.
  • Neoclassical Contribution: Cubero played a crucial role in establishing and promoting Neoclassical sculpture in Spain, bridging the gap between Italian and Spanish artistic traditions.
  • Death: José Álvarez Cubero died on 26 November 1827, in Madrid, leaving behind a legacy of refined craftsmanship and patriotic dedication.