Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 202 teost Sir John Watson Gordon meie kataloogis
Lühidalt
Kõigist Sir John Watson Gordon jäetud originaalteostest on kõige kuulsam Sir Walter Scott, 1771 - 1832. Novelist and poet (1830), mis kuulub Šoti Rahvusportreegalerii kogele linnas Edinburgh. Järgnevad sellest Mr Kippen (1810) ja Roderick Gray (1788 - 1858) (1854). Meie kataloogist löytyb 202 teost kunstnikult Sir John Watson Gordon; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The oil on canvas work titled Sir Walter Scott, 1771 - 1832. Novelist and poet was executed by the artist John Watson Gordon in 1830. This portrait depicts the subject, Sir Walter Scott, who was a novelist and poet. The painting was commissioned by Robert Cadell for the 'Magnum Opus' edition of the Waverley Novels, which was produced between 1829 and 1833.
To stand before Mr Kippen is to step directly into the refined drawing rooms of early nineteenth-century Britain. Painted in 1810 by Sir John Watson Gordon, this portrait transcends a mere likeness; it is a carefully constructed document of status, intellect, and quiet assurance. The gentleman depicted sits with an air of composed gravity, his presence commanding yet utterly natural. Gordon masterfully captures the essence of the era’s gentry—a class…
A formal mid-19th-century oil portrait, this work presents an elderly man in a three-quarter length composition. The subject is positioned slightly off-center, lending a sense of physical weight to his presence. Dark browns, blacks, and deep umbers dominate the palette, creating a monochromatic environment that allows the warm flesh tones of the face and hands to emerge from the shadows. Directional lighting from the upper left casts much of the…
A young man sits in the quiet gravity of 1860. He is draped in a military tunic of saturated red, a color that pulls the eye away from the surrounding gloom. A blue sash cuts a sharp, diagonal path across his chest, slicing through the warmth of the fabric. Light falls heavily upon his face and the gold embroidery of his collar, leaving the edges of his figure to dissolve…
The portrait depicts a woman seated in a controlled environment. She wears a dark, black dress that absorbs much of the light, contrasted by a white hat positioned upon her head. In her hands, she holds a single piece of paper, her fingers positioned to grip its edges. The background is composed of heavy red curtains that hang in vertical folds, providing a deep color field behind the subject. The…
In "An English gentleman" by John Watson Gordon, the viewer meets a figure captured in a three-quarter length portrait. The subject sits slightly off-center, his body angled in a way that suggests a moment of quiet pause. He gazes toward the right of the frame, his eyes directed away from the viewer toward an unseen point in the distance. This eye-level perspective creates an intimate connection, as if one is…
The portrait captures a moment of intellectual repose. There is a sense of the man's inner life held within the tension of his gaze and the stillness of his posture. The shadows do not hide him; they define the contours of his character. He exists in a space of quiet contemplation, where the weight of the book and the darkness of the room suggest a life dedicated to the mind.…
The oil on canvas painting titled Mrs Campbell was executed by the artist John Watson Gordon. This portrait, which dates to 1819, depicts a seated woman presented in a formal manner. The subject is shown from the upper body and shoulders, positioned against a dark, indistinct drapery that provides a subtle contrast to her attire.
In the quiet, commanding presence of Sir William Molesworth, 8th Bt, we encounter more than just a likeness; we enter the structured, dignified world of the mid-19th century. Painted in 1854 by the esteemed Scottish master Sir John Watson Gordon, this portrait serves as a profound window into an era defined by social hierarchy and the meticulous cultivation of character. The subject sits with a poised, centered gravity, his form…
The portrait presents a man of significant social standing, captured in a moment of formal composure. He is rendered in a traditional oil style, his figure centered against a dark, indistinct background that directs all attention to the subject's face and upper body. The lighting is directional, descending from the upper left to define the contours of his features and the heavy folds of his attire. His expression is one…
Sir Walter Scott, 1771 - 1832. Novelist and poet1830 · Šoti Rahvusportreegalerii
12
Elizabeth Galloway (or Grieve), of Sandyhills1829
13
John Wilson1829 · National Portrait Gallery
14
Henry Stephens, Agricultural Writer1835
15
Admiral Sir Peter Halkett of Pitferrane (1765–1839)1837
16
Samuel Smith (1805–1873), Mayor of Bradford (1851–1854)1854
17
Sir William Fergusson (1808–1877), Surgeon1850 · Šoti Rahvusportreegalerii
18
David Macbeth Moir (1798–1851), Physician and Author1850 · Šoti Rahvusportreegalerii
19
Thomas Babington (1800–1859), 1st Baron Macaulay, Historian and Statesman1850 · Šoti Rahvusportreegalerii
20
Roderick Gray (1788–1858)1853 · The Merchant's Hall
21
John Cruickshank, LLD1861 · University of Aberdeen
22
James Frederick Ferrier1863 · University of St Andrews muuseum
23
Mrs George Baird of Strichen1862
24
James David Forbes, FRSE1861 · The Royal Society of Edinburgh
25
Henry Philpott, Master1859 · Cambridge'i Ülikooli muuseumid
26
Sir William Brown (1784–1864)1857 · Walker Art Gallery
27
Henry Stephens (1795–1874), Agricultural Writer1860 · Šoti Rahvusportreegalerii
28
Hon. James Wilson1858 · National Portrait Gallery
29
The Honourable Mrs Alexander Macalister1843
30
Thomas de Quincey, 1785 - 1859. Author and essayist1846 · Šoti Rahvusportreegalerii
31
Henry Pelham Fiennes Pelham Clinton (1811–1864), 5th Duke of Newcastle under Lyne1855 · The University of Nottingham
32
John Inglis1854 · University of Edinburgh Fine Art Collection
33
Sir William Allan (1782–1850)1844
34
John Conolly, M.D. (1794-1866)Auckland Art Gallery Toi o Tāmaki
35
William Wood (1783–1858), FRCSEd (1805), PRCSEd (1822–1824), (1828–1830)The Royal College of Surgeons of Edinburgh
36
Dr James HamiltonNhs Lothian
37
The Flood Gate1901 · Kanada Rahvusgalerii
38
Portrait of John Sanderson1814 · Kanada Rahvusgalerii
39
Mr Kippen1810 · Scottish National Gallery
40
John HunterUniversity of St Andrews muuseum
41
The Laird of Cockpen and Mistress JeanMcmanus: Dundee's Art Galleries And Museums
42
Reverend William Bagshaw (1763–1847), of Ford Hall1815 · Buxton Museum - Art Gallery
43
Carolina Oliphant (1766–1845), Lady Nairne, Songwriter1818 · Šoti Rahvusportreegalerii
44
A Grandfather's Lesson1831
45
James Hogg, Poet The Ettrick Shepherd1830
46
Henry Scott, 3rd Duke of Buccleuch and 5th Duke of Queensberry, FRSE1830 · The Royal Society of Edinburgh
47
John Hope, 4th Earl of Hopetoun1824
48
Alexander Dunlop of Keppoch (1766–1840)1825
49
Thomas Allan (1777–1833)1824
50
Professor John Wilson (1785–1854), Author and Moral Philosopher (Nom de Plume Christopher North)1829 · Šoti Rahvusportreegalerii
51
Sir Walter Scott (1771–1832), Novelist and Poet1830 · Šoti Rahvusportreegalerii
52
A Grandfather's Lesson1831 · Royal Scottish Academy of Art - Architecture
53
Return from a Foray1827 · Scottish National Gallery
54
Peter Spalding (c.1758–1826)1826 · Scottish National Gallery
55
John Hope (1765–1823), 4th Earl of Hopetoun1824 · Abbotsford House
56
Henry Scott (1746–1812), 3rd Duke of Buccleuch and 5th Duke of Queensberry, FRSE (after Thomas Frank Heaphy)1830 · The Royal Society of Edinburgh
57
Sir Daniel Keyte Sandford (1798–1838), Professor of Greek at the University of Glasgow (1821–1838)1837 · The Hunterian Museum and Art Gallery
58
Major General Sir Patrick Lindsay, Soldier1835
59
Mrs Keith of Usan House, Montrose1834
60
David Cox (1783–1859), Landscape Painter1835 · Šoti Rahvusportreegalerii
61
The Honourable Sir Alexander Hope1835 · West Lothian Council
62
Reverend Thomas Chalmers (1780–1847), Preacher and Social Reformer1838 · Šoti Rahvusportreegalerii
63
Anne Grant of Laggan (1755–1838)1837
64
Sir Arthur Farquhar (1772–1843), Rear Admiral1837 · Šoti Rahvusportreegalerii
65
Major General Sir Patrick Lindsay (1778–1839), Soldier1835 · Šoti Rahvusportreegalerii
66
Robert Haldane (1772–1854)1841
67
Sir Hugh Lyon Playfair1847
68
Reverend Alexander Brunton (1772–1854)1846
69
George Thomson (1759–1851)1842
70
Adam Black (1784–1874), Lord Provost of Edinburgh (1843–1848)1847
71
The Honourable Mrs Alexander Macalister1843
72
Patrick Fraser Tytler (1791–1849), Historian1840 · Šoti Rahvusportreegalerii
73
Reverend William Cunningham (1805–1861), Theologian1844 · Šoti Rahvusportreegalerii
74
Portrait of a Lady1840 · Scottish National Gallery
75
Sir Thomas Makdougall Brisbane (1773–1860), Bt, FRSE1848 · The Royal Society of Edinburgh
76
Thomas de Quincey (1785–1859), Author and Essayist1846 · Šoti Rahvusportreegalerii
77
Thomas de Quincey1845 · National Portrait Gallery
78
James Andrew Broun Ramsay, 1st Marquess of Dalhousie1847 · National Portrait Gallery
79
Very Reverend Edward Bannerman Ramsay (1793–1872), Dean of Edinburgh1841 · Šoti Rahvusportreegalerii
80
David Cox (1783–1859)1855 · Birmingham Museum and Art Gallery
81
John Inglis (1810–1891)1854
82
Thomas Babington (1800–1859), Lord Macaulay1849 · The Hunterian Museum and Art Gallery
83
George (1784–1860), 4th Earl of Aberdeen1851
84
William Foreman Home1851
85
Andrew Rutherfurd (1791–1854), Lord Rutherfurd, Judge1851 · Šoti Rahvusportreegalerii
86
John Smith, Master of Trinity House1850 · Historic Scotland
87
Sir William Gibson Craig (1797–1878), Lord Clerk Register1852 · Šoti Rahvusportreegalerii
88
Charlotte Elizabeth, Wife of Sir John Forbes, 7th Bt of Craigievar, Daughter of the 18th Lord Forbes1850 · The National Trust For Scotland
89
David Boyle (1772–1853), Lord Boyle, Lord President of the Court of Session1852 · Šoti Rahvusportreegalerii
90
Professor John Wilson (1785–1854), Author and Moral Philosopher (Nom de Plume Christopher North)1852 · Šoti Rahvusportreegalerii
91
Auld Lang Syne1851
92
Mrs George Baird of Strichen1862
93
James Abercromby, 1st Baron Dunfermline, Speaker of the House of Commons1859
94
Albert Edward (1841–1910), Prince of Wales (later Edward VII)1861 · Examination Schools
95
Hon. James Wilson1858
96
James Andrew Ramsay (1812–1860), 10th Earl and 1st Marquess of Dalhousie, Governor General of India1859 · Šoti Rahvusportreegalerii
97
HRH Edward, Prince of Wales1859 · University of Edinburgh Fine Art Collection
98
Sir John Archibald Murray (1779–1859), Lord Murray, Judge1856 · Šoti Rahvusportreegalerii
99
James David Forbes (1809–1868), FRSE1861 · The Royal Society of Edinburgh
100
The Right Honourable Sir William Gibson Craig (1797–1878), 2nd Bt of Riccarton1863 · Heriot-watt University
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Sir John Watson Gordon teosid | Selle nimekirja maalid |
|---|---|---|---|
 Šoti Rahvusportreegalerii |
Edinburgh | 31 | Sir Walter Scott, 1771 - 1832. Novelist and poet, Fox Maule (1801–1874), 11th Earl of Dalhousie, 2nd Baron Panmure, Parliamentarian, Sir Walter Scott, 1771 - 1832. Novelist and poet |
 Scottish National Gallery |
Edinburgh | 6 | Mr Kippen, Roderick Gray (1788 - 1858), Mr Kippen |
 National Portrait Gallery |
London | 6 | Sir William Molesworth, 8th Bt, John Wilson, Hon. James Wilson |
 The Royal Society of Edinburgh |
Edinburgh | 6 | James David Forbes, FRSE, Henry Scott, 3rd Duke of Buccleuch and 5th Duke of Queensberry, FRSE, Henry Scott (1746–1812), 3rd Duke of Buccleuch and 5th Duke of Queensberry, FRSE (after Thomas Frank Heaphy) |
 The Hunterian Museum and Art Gallery |
Glasgow | 3 | William Ramsay; (1806-1865), Sir Daniel Keyte Sandford (1798–1838), Professor of Greek at the University of Glasgow (1821–1838), Thomas Babington (1800–1859), Lord Macaulay |
 University of Edinburgh Fine Art Collection |
Edinburgh | 4 | John Inglis, HRH Edward, Prince of Wales |
 University of St Andrews muuseum |
St Andrews | 3 | James Frederick Ferrier, John Hunter |
 Kanada Rahvusgalerii |
Ottawa | 2 | The Flood Gate, Portrait of John Sanderson |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The portrait captures a moment of intellectual repose. There is a sense of the man's inner life held within the tension of his gaze and the stillness of his posture. The shadows do not hide him; they define the contours of his character. He exists in a space of quiet contemplation, where the weight of the book and the darkness of the room suggest a life dedicated to the mind.…
To stand before Mr Kippen is to step directly into the refined drawing rooms of early nineteenth-century Britain. Painted in 1810 by Sir John Watson Gordon, this portrait transcends a mere likeness; it is a carefully constructed document of status, intellect, and quiet assurance. The gentleman depicted sits with an air of composed gravity, his presence commanding yet utterly natural. Gordon masterfully captures the essence of the era’s gentry—a class…
The portrait presents a man of significant social standing, captured in a moment of formal composure. He is rendered in a traditional oil style, his figure centered against a dark, indistinct background that directs all attention to the subject's face and upper body. The lighting is directional, descending from the upper left to define the contours of his features and the heavy folds of his attire. His expression is one…
The oil on canvas work titled Sir Walter Scott, 1771 - 1832. Novelist and poet was executed by the artist John Watson Gordon in 1830. This portrait depicts the subject, Sir Walter Scott, who was a novelist and poet. The painting was commissioned by Robert Cadell for the 'Magnum Opus' edition of the Waverley Novels, which was produced between 1829 and 1833.
In the quiet, commanding presence of The Honourable Mrs Alexander Macalister, we encounter more than just a portrait; we step into the refined atmosphere of 1843. Painted by the esteemed Scottish master Sir John Watson Gordon, this work serves as a breathtaking window into the height of Victorian elegance. The subject sits with an air of dignified composure, her form anchored by the weight of tradition and social standing. Every…
A formal mid-19th-century oil portrait, this work presents an elderly man in a three-quarter length composition. The subject is positioned slightly off-center, lending a sense of physical weight to his presence. Dark browns, blacks, and deep umbers dominate the palette, creating a monochromatic environment that allows the warm flesh tones of the face and hands to emerge from the shadows. Directional lighting from the upper left casts much of the…
A young man sits in the quiet gravity of 1860. He is draped in a military tunic of saturated red, a color that pulls the eye away from the surrounding gloom. A blue sash cuts a sharp, diagonal path across his chest, slicing through the warmth of the fabric. Light falls heavily upon his face and the gold embroidery of his collar, leaving the edges of his figure to dissolve…
Sir Walter Scott, 1771 - 1832. Novelist and poet (1830), Šoti Rahvusportreegalerii, Edinburgh. Järgnevad Mr Kippen (1810) ja Roderick Gray (1788 - 1858) (1854).
42 aastat vanus: teos Sir Walter Scott, 1771 - 1832. Novelist and poet on pärinev aastast 1830 ning Sir John Watson Gordon sündis aastal 1788.
Sir Walter Scott, 1771 - 1832. Novelist and poet, Mr Kippen, Roderick Gray (1788 - 1858), The Prince of Wales (King Edward VII), Anne Sherriff (1866–1781) (later Mrs Charles Young), An English gentleman, William Ramsay; (1806-1865), Mrs Campbell, Sir William Molesworth, 8th Bt ja Fox Maule (1801–1874), 11th Earl of Dalhousie, 2nd Baron Panmure, Parliamentarian. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 202 teost kunstnikult Sir John Watson Gordon, mis on pärinevad ajastust 1800 kuni 1863.
Peamiselt Šoti Rahvusportreegalerii (Edinburgh), Scottish National Gallery (Edinburgh) ja National Portrait Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 29 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Roderick Gray (1788 - 1858).
Sellel lehel on kõige vanem teos William Ramsay; (1806-1865) (1800) ja kõige värskeim James Frederick Ferrier (1863).
Man (20), Portrait (14) ja 19th century (9), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 35 teoseks 100 töödelt sellel lehel.
Sir Walter Scott, 1771 - 1832. Novelist and poet, Fox Maule (1801–1874), 11th Earl of Dalhousie, 2nd Baron Panmure, Parliamentarian ja Sir Walter Scott, 1771 - 1832. Novelist and poet: Šoti Rahvusportreegalerii, Edinburgh säilitab 25 selle lehel olevat teost.
Sir John Watson Gordon (1788–1864) astus esile as oluline tegelaskuju üleminekust neoklassitsistlikust portreimaalistumistest atmosfäärilisema tonalismi poole, mis määras suuri osi 19. sajandi Briti kunstile. Sündinud kunstipärandega peresse — tema isa, kapten James Watson, oli osav joonistaja ning ammaga George Watson lugupidatud portreemaalist — Gordon ei valinud oma teed kunstnikuna ette määritult, vaid see muutus läbi teadliku otsuse omastada maali maailma kasvav hõlmestus. Algul koolitud sõjaliseks karjääriks, tunnistas ta lõpuks oma tõelise kutsutja: tabada inimliku iseloomu olemust ja Šoti maastiku peenust läbi oma kunsti.
Gordoni varajase kunstilise arengu mõjutas sügavalt tema õpilikkus Edinburghi Trustees' Academy kohal John Grahami juures. See kujundav periood sisaldas temasse alustunnet tehnikast, kuid olulisem oli see, et see avas talle uue fenomenni — kasvava avaliku huvi kunstinäituside vastu. Tema esimene märkimisväärne näitus aastal 1808, mis kujutas Sir Walter Scotti eepilist luulet "The Lay of the Last Minstrel", tähistas tema debüüt Edinburghi kunstimaastikul ning demonstreeris varajast oskust edastada narratiivi ja emotsioone visuaalsete vahendite abil. See edu järel eksperimenteeris ta edasi ajalooliste ja religioossete teemadega, teravustades oma oskusi ja arendades eripärase stiili, mida iseloomustasid imetlusväärne pehedus ja vabadus pintoonimisel.
Gordoni kunstilise teekonna määrav eripära oli järgitud muutus neoklassitsistliku portreemaali rangetest piirangutest tonaalse maali ekspressiivsemate ja atmosfäärilisemate omaduste poole. Alguses järgnesid tema portreid kehtivate konventsioonidele — selged jooned, hoolikalt detailne tähendus ja täpsus sarnaisuuse tabamisel. Kuid kunstnikuna täitumisel hakkas ta eelistama meeleolu ja atmosfääri üle ranguse realismile järgimise. See transformatsioon on eriti nähtav tema hilisemas tootmis, kus naha toonid pehmenevad, taustad muutuvad üha vaiksemad ning üldine efekt on vaikiv mõtlemine ja emotsionaalne kaja.
See stiililine areng ei olnud pelgalt tehnika küsimus; see peegeldas sügavamat seost muutuva kunstimaastikuga. Olles mõjutatud kunstnikest nagu John Constable ja J.M.W. Turner, püüdis Gordon tabada mitte ainult oma teema välist välimust, vaid ka nende siseelulud — nende iseloomu, temperamenti ja suhet ümbritseva maailmaga. Näiteks tema Sir Walter Scotti portreedit on täidetud luuletaja intellektuaalse sügavuse ja romantilise vaimuga, samuti tema kujutused nagu professor John Wilson ja dr Chalmers edastavad sarnast psühholoogilist selgust.
Gordoni stuudio muutus Šoti juhtivate isikute magnetiks — see on tunnistus tema mainale oskusa portreemaalist ja meeldiva külaliskujuna. Mitmed kõige märkimistavamaid modeleid olid Sir Walter Scott, kelle varajased portreedit laid fundament Gordoni eripärasele stiilile; JG Lockhart, professor Wilson, Sir Archibald Alison, dr Chalmers, De Quuley ja Sir David Brewster. Tema võime tabada nende inimeste olemust — nende intellekti, iseloomu ja kohta Šoti ühiskonnas — kinnitas tema positsiooni ühe oma aja enimniootatud portreemaali kunstnikuna.
Portreedit, mida maalis ajast 1835 kuni 1864, esindavad Gordoni kunstilise arengu äärmust. Neid teoseid iseloomustab värvi imetlusväärne peidus, valgus ja vari meisterlik käsitlemine ning võrratu tundlikkus oma teema psühholoogiliste nüansside suhtes. Tema hilisem stiil, mida iseloomustavad lihtsus ja askeetlikkus, on eriti väärtuslik — naha toonid muutuvad peaaegu helendavaks, taustad hävanevad halliโทnidesse ning fookus liigub täielikult näojulge, paljastades teema sisemaailma suurepärasel selgusega. Sir John G. Shaw-Lefevre ja Peterheedi praegaja Roderick Gray portreedit on selle hilisstiili esinemud, võides temalt esmaklassilise medali 1855. Pariisi Salongil.
Gordoni kunstilised saavutused tunnustati Kunlikus Akadeemias, mis valis ta assotsieeritud liikmeks aastal 1841 ja hiljem täiskujuliseks akadeemikuks aastal 1851. Tema nimetamine Šoti riigimaaliku (H.M. Limner) ametisse aastal 1850 tõstis veelgi tema staatust kunstimaailmas, kinnistades tema rolli riigi ametliku portreemaali kunstnikuna. Tema pärand ulatub kaugemale üksikupõhistest portreetidest; ta mängis olulist rolli Šoti kunstilise arengu edendamisel ja panustas Kunliku Šoti Akadeemia asutamisel. Sir John Watson Gordon surmas Edinburghis aastal 1864, jättes järele suurepärase teostuskogumi, mis jätkub vaatajates kõnetama oma ilu, tundlikkuse ja inimvaimu sügava arusaatusega.
