Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 61 teost John Vanderlyn meie kataloogis
Lühidalt
Kõigist John Vanderlyn jäetud originaalteostest on kõige kuulsam The Death of Jane McCrea (1804). Järgnevad sellest Oliver Wolcott, Jr. (1760-1833), B.A. 1778, LL.D. 1819 (1820) ja Theodosia Burr (Mrs. Joseph Alston, 1783-1813) (1802). Meie kataloogist löytyb 61 teost kunstnikult John Vanderlyn; galeriist on säilitatud 58 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The Death of Jane McCrea is a history painting by John Vanderlyn. Created in 1804, the oil on canvas captures a violent fracture in the American Revolutionary War. The scene focuses on the abduction and killing of Jane McCrea by two Native American warriors. It is a moment frozen in the shadow of the Saratoga campaign of 1777.
The portrait depicts a middle-aged man positioned in a bust-length composition. He is oriented slightly off-center, facing toward the left of the frame, while his gaze is directed toward the viewer. He wears a dark, double-breasted coat and a crisp white cravat. A small gold button is visible on his lapel. The background consists of dark, somber tones, including deep blacks, browns, and muted ochre. Light enters from the upper…
The silhouette of a young woman cuts through a dark, atmospheric void. She faces left, her profile a sharp, rhythmic line against the gloom. Light falls from the upper left, catching the curve of her forehead, the bridge of her nose, and the soft swell of her cheek. It is a study of quietude. The skin appears smooth, almost translucent, contrasting with the deep, heavy shadows that define the nape…
In this 1802 portrait, we encounter Roger Strong, a man whose presence is felt through a deliberate, Neoclassical restraint. He is presented in a bust-length composition, positioned slightly off-center as he turns his head toward the right, yet his gaze remains fixed upon us. There is a certain stillness here, a sense of dignity that comes from the muted, somber palette. His dark charcoal coat absorbs the light, creating a…
The gaze of Henry Vanderlyn meets the viewer from within this 1815 oil on canvas. Painted by John Vanderlyn, the work captures the likeness of the subject, Henry Vanderlyn, in a moment of quiet, formal presence. This portrait exists now in the public domain, preserved for those who seek to encounter the man behind the name. The sitter, a brother to the artist, occupies the space with a steady, direct…
The air in the room feels heavy, stilled by the weight of a single, dignified gaze. A man sits in profile, his silhouette cutting a sharp, clean line against a background of deep, somber tones. The light catches the ridge of his forehead and the bridge of his nose, casting the rest of his features into a soft, intentional shadow. He wears a dark coat that seems to absorb the…
Bacchante and Satyr is a Neoclassical oil painting by the American artist John Vanderlyn. Created about 1806, this work depicts a mythological scene centered on the interaction between a Bacchante and a Satyr. The subject matter draws from classical antiquity, focusing on these specific mythological figures within a tightly packed composition. The arrangement of the figures is concentrated in the foreground, creating an intimate and crowded visual field.
In this portrait of James Madison, John Vanderlyn captures the statesman in a moment of quiet gravity. Painted about 1816, the work presents the subject in a bust-length view. He faces forward, though his gaze drifts slightly toward the viewer's right. A dark, heavy drapery hangs in the background, its deep red tones providing a somber weight to the composition. This shadow-filled space pushes the figure toward the light, isolating…
In this portrait of Elias Boudinot, artist John Vanderlyn presents a single male figure in a three-quarter view. The composition focuses on the subject from the chest up, set against a dark and indistinct background. This lack of environmental detail directs all attention toward the man's presence. The perspective is eye-level, establishing an intimate connection between the viewer and the sitter.
This oil on canvas portrait depicts James Madison. Executed by the artist John Vanderlyn, the work dates to about 1816. The painting measures 66.04 x 56.36cm. The subject is presented in a bust-length composition, positioned with a slight three-quarter turn toward the viewer. He wears a dark coat and a white cravat, set against a background containing muted red drapery and dark, indistinct architectural elements.
Theodosia Burr (Mrs. Joseph Alston, 1783-1813)1817 · New York Historical Society
12
Dominick Lynch (1754-1824)1817 · New York Historical Society
13
Ariadne Asleep on the Island of Naxos1821 · New York Historical Society
14
Eugene Aaron Vail (ca. 1792-1843)1830 · New York Historical Society
15
The Landing of Columbus1840 · Smithsonian American Art Museum
16
Samuel Ringgold1825 · National Portrait Gallery
17
Portrait of a Man1820 · Detroit Institute of Arts
18
Panoramic View of the Palace and Gardens of Versailles1818 · Metropolitan Museum of Art
19
James MonroeNational Portrait Gallery
20
Horseshoe Falls from below the High Bank (Niagara Falls)Fine Arts Museums of San Francisco
21
Theodosia Burr (Mrs. Joseph Alston) (1783-1812)Yale University Art Gallery
22
A Muse
23
Aaron BurrNew York Historical Society
24
Robert Fulton (1765–1815)1798
25
Niagara and the Rapids1801 · Crystal Bridges Museum of American Art
26
A Distant View of the Falls of Niagara1803 · Albany Institute of History - Art
27
Panoramic View of the Palace and Gardens of Versailles1818 · Metropolitan Museum of Art
28
Francis Lucas Waddell1837 · Metropolitan Museum of Art
29
John A. Sidell1830 · Metropolitan Museum of Art
30
John Armstrong, Class of 1776 (didn't graduate)
31
James Madison, Class of 1771 (1751-1836)
32
Portrait of the Artist 1
33
Elizabeth Maria Church
34
Mrs. Daniel Strobel, Jr. (Anna Church Strobel) and Her Son, George
35
John SudamNational Gallery of Art
36
Portrait of the Artist1800 · Metropolitan Museum of Art
37
Mary Scott Swann1815
38
The Palace and Gardens of Versailles
39
The caluny of apellesMetropolitan Museum of Art
40
Daniel Strobel, Jr.
41
The Cape of Pinzon
42
Ariadne of Naxos (study)
43
Crouching Male Figure Holding Staff
44
Sarah Russell Church (daughter of Edward Church)
45
Zachariah SchoonmakerNational Gallery of Art
46
Egbert BensonMetropolitan Museum of Art
47
Chancellor Robert R. LivingstonNew York Historical Society
48
Mrs marinus willet and her son marinus jr
49
Alexander Hamilton
50
Sampson Vryling Stoddard WilderWorcester Art Museum
51
Francis Lucas Waddell
52
Mrs. Marinus Willett and Her Son Marinus, Jr.Metropolitan Museum of Art
53
Adriadne Abandoned on the Island of Naxos
54
Mary Ellis Bell (Mrs. Isaac Bell)National Gallery of Art
55
Study for the Landing of Columbus
56
Study forBirminghami kunstimuuseum
57
Columbus Landing at Guanahani, 14921837
58
Caius Marius amid the Ruins of CarthageFine Arts Museums of San Francisco
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | John Vanderlyn teosid | Selle nimekirja maalid |
|---|---|---|---|
 New York Historical Society |
New York City | 10 | Theodosia Burr (Mrs. Joseph Alston, 1783-1813), Roger Strong (1762–1836), Aaron Burr (1756–1836) |
 Metropolitan Museum of Art |
New York | 8 | Panoramic View of the Palace and Gardens of Versailles, Panoramic View of the Palace and Gardens of Versailles, Francis Lucas Waddell |
 Yale University Art Gallery |
New Haven | 3 | Oliver Wolcott, Jr. (1760-1833), B.A. 1778, LL.D. 1819, Elias Boudinot, Theodosia Burr (Mrs. Joseph Alston) (1783-1812) |
 National Gallery of Art |
Washington | 3 | John Sudam, Zachariah Schoonmaker, Mary Ellis Bell (Mrs. Isaac Bell) |
 National Portrait Gallery |
Washington, D.C. | 2 | Samuel Ringgold, James Monroe |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Horseshoe Falls from below the High Bank (Niagara Falls), Caius Marius amid the Ruins of Carthage |
 Saint Louis Art Museum |
Saint Louis | 1 | Henry Vanderlyn |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Landing of Columbus |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this evocative portrait of Robert Fulton, we are transported back to the turn of the nineteenth century, an era defined by the rapid pulse of industrial transformation. Captured through the lens of history in 1798, the work presents a man whose very presence commands respect and contemplation. The subject, dressed in the formal attire of a gentleman—a structured suit and tie—exudes a gravity that speaks to his prominence. There…
The Death of Jane McCrea is a history painting by John Vanderlyn. Created in 1804, the oil on canvas captures a violent fracture in the American Revolutionary War. The scene focuses on the abduction and killing of Jane McCrea by two Native American warriors. It is a moment frozen in the shadow of the Saratoga campaign of 1777.
The gaze of Henry Vanderlyn meets the viewer from within this 1815 oil on canvas. Painted by John Vanderlyn, the work captures the likeness of the subject, Henry Vanderlyn, in a moment of quiet, formal presence. This portrait exists now in the public domain, preserved for those who seek to encounter the man behind the name. The sitter, a brother to the artist, occupies the space with a steady, direct…
The portrait depicts a middle-aged man positioned in a bust-length composition. He is oriented slightly off-center, facing toward the left of the frame, while his gaze is directed toward the viewer. He wears a dark, double-breasted coat and a crisp white cravat. A small gold button is visible on his lapel. The background consists of dark, somber tones, including deep blacks, browns, and muted ochre. Light enters from the upper…
In Eugene Aaron Vail (ca. 1792-1843) by John Vanderlyn, the subject is presented in a bust-length portrait. Positioned slightly off-center, the figure achieves a sense of dynamic poise within the frame. The color palette relies on a sophisticated arrangement of muted tones, where the earthy ochre and brown of the background provide a neutral stage for the subject. This backdrop contrasts sharply against the stark white of the cravat and…
This monochromatic, sepia-toned preparatory sketch captures a pivotal moment of contact on a distant shoreline. Executed with fluid, gestural lines, the work functions as a preliminary study, prioritizing composition and the arrangement of human forms over finished detail. The palette is restricted to shades of ochre, tan, and deep brown, lending the scene an aged, archival quality. Figures in the foreground are rendered with varying degrees of definition; some possess…
The Death of Jane McCrea (1804). Järgnevad Oliver Wolcott, Jr. (1760-1833), B.A. 1778, LL.D. 1819 (1820) ja Theodosia Burr (Mrs. Joseph Alston, 1783-1813) (1802).
29 aastat vanus: teos The Death of Jane McCrea on pärinev aastast 1804 ning John Vanderlyn sündis aastal 1775.
The Death of Jane McCrea, Oliver Wolcott, Jr. (1760-1833), B.A. 1778, LL.D. 1819, Theodosia Burr (Mrs. Joseph Alston, 1783-1813), Roger Strong (1762–1836), Henry Vanderlyn, Aaron Burr (1756–1836), Bacchante and Satyr, James Madison, Elias Boudinot ja James Madison. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 61 teost kunstnikult John Vanderlyn, mis on pärinevad ajastust 1798 kuni 1840.
Peamiselt New York Historical Society (New York City), Metropolitan Museum of Art (New York) ja Yale University Art Gallery (New Haven) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1800s: 8 58 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Death of Jane McCrea.
Sellel lehel on kõige vanem teos Robert Fulton (1765–1815) (1798) ja kõige värskeim The Landing of Columbus (1840).
Man (14), Portrait (12) ja Dark background (9), kogu selle lehekülje 58 teose kohta.
Oil On Canvas, 19 teoseks 58 töödelt sellel lehel.
Neo-classicism, seda lähtudes selle lehe originaalteostest.
Theodosia Burr (Mrs. Joseph Alston, 1783-1813), Roger Strong (1762–1836) ja Aaron Burr (1756–1836): New York Historical Society, New York City säilitab 10 selle lehel olevat teost.
