Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 214 teost John Linnell meie kataloogis
Lühidalt
Kõigist John Linnell jäetud originaalteostest on kõige kuulsam Mrs Clare (1834), mis kuulub Art Gallery of South Australia kogele linnas Adelaide. Järgnevad sellest William Collins, R.A. (1831) ja Miss Jane Puxley (1826). Meie kataloogist löytyb 214 teost kunstnikult John Linnell; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
In this 1831 oil portrait, we encounter William Collins, R.A., presented in a manner that emphasizes his professional standing and personal gravity. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a profound sense of stillness here. The lighting is handled with a deliberate chiaroscuro effect, where a soft light falls across his pale skin and light…
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
We are looking at Shepherd Boy Playing a Flute, a work painted by John Linnell in 1831. This piece captures a quiet moment in the life of a young shepherd boy as he plays a fipple flute. It is a delicate study of rural existence, rendered with a focus on the simplicity of the subject's task.
In this intimate portrait, titled Mr Clare, the artist John Linnell captures a quiet moment of introspection. Painted in London in 1834, the work presents a dignified subject through a focused, bust-length composition. The sitter gazes directly forward, his expression composed and steady, creating a sense of immediate presence between the subject and the viewer.
A Member of the Puxley Family is a portrait by John Linnell. Painted in 1826, the oil on canvas captures Jane Susanna Puxley, who lived from 1809 to 1829. She was the daughter of John Lavallin Puxley, a copper magnate from Dunboy Castle, County Cork, Ireland. The commission was requested by her father to preserve her likeness.
A Woman, Probably Lydia Price (née Rose)1835 · Yale Center for British Art
12
Sir Robert Peel (1788–1850), 2nd Bt, Prime Minister1838
13
The Reverend Edward Thomas Daniell (1804–1842)1840
14
The Fishing Party1851 · Auckland Art Gallery Toi o Tāmaki
15
Wheat1860 · National Gallery of Victoria
16
Mr Hooper, Confectioner of Holborn1837 · Temple Newsam House
17
Wayfarers
18
John Varley1830 · The Ashmolean Museum of Art And Archaeology
19
Harvest Home, Sunset - The Last Load
20
Sun behind Clouds
21
In Dovedale1814 · Yale Center for British Art
22
In Dovedale1814 · Yale Center for British Art
23
Study of a Tree ('Study from Nature')1806
24
Study from Nature At Twickenham1806
25
Evening, Bayswater1818 · Yale Center for British Art
26
Evening, Storm Clearing Off1818 · Minneapolis Institute of Art
27
Richard Trevithick (1771–1833)1816
28
The Rest on the Flight into Egypt1827 · Yale Center for British Art
29
Noon1839 · Yale University Art Gallery
30
Sheep Grazing1835 · Yale Center for British Art
31
Lady King1832
32
Charles Norris (1779–1858)1837
33
Peter King, 7th Baron King of Ockham1832 · National Portrait Gallery
34
Abraham Entertaineth Three Angels1846 · Kanada Rahvusgalerii
35
Katherine Georgina Fonnereau1846
36
Thomas Carlyle (1795–1881), Historian and Essayist1844 · Šoti Rahvusportreegalerii
37
The Rise of the River. Around 18571850
38
Harvest Home, Sunset The Last Load1853
39
The Prophet Balaam and the Angel1859 · Museum of Fine Arts
40
A Finished Study for 'Reaping'1858 · Yale Center for British Art
41
A River Landscape, Sunset1860 · Yale Center for British Art
42
Contemplation1864
43
Gethsemane1849 · The Stirling Smith Art Gallery - Museum
44
At The Cottage Gate
45
Portrait of William Collins (1788-1847), ArtistNational Gallery of Ireland
46
Portrait of a LadyNational Gallery of Ireland
47
Unknown womanNationalmuseum
48
The CornfieldTe Whare O Rehua Sarjeant Gallery
49
The Timber Waggon
50
Driving The Flock
51
A Forest Road
52
View Of Southampton
53
Richard Trevithick
54
The Sandpits
55
Landscape
56
The Traveller's Rest
57
UntitledNational Portrait Gallery
58
Captain Holland Lecky
59
Landscape With Harvesters
60
Doctor Robert Walker
61
Samuel Rogers
62
Job Offering A Sacrifice On His Return To ProsperityFitzwilliam Museum
63
Katherine Georgina Fonnereau
64
Feeding The Chicks
65
John Leifchild (1780–1862)The Congregational Memorial Hall
66
Kensington Gravel Pits1849 · Harris Museum - Art Gallery
67
The Assumption of the Virgin1820 · The Ashmolean Museum of Art And Archaeology
68
Sir Humphry Davy (1778–1829), Ühispärandus Sir Thomas Lawrence' müüki1837 · Government Art Collection
69
Hanson Toot, View in DovedaleYale Center for British Art
70
Evening
71
Leading A Barge
72
Landscape With Sheep
73
A Cottage In A Wooded Landscape
74
A Surrey Lane
75
The Timber Wagon
76
Storm In Harvest
77
Windsor Forest
78
Boy Fishing
79
Woods And Forests
80
Study Of Buildings ('study From Nature')
81
James Mcmahon
82
Contemplation
83
Ploughing At Shoreham
84
Landscape In Surrey
85
Rocky Promontory
86
A Coast Scene
87
Sunset Over A Moorland LandscapeFitzwilliam Museum
88
Woody Landscape
89
On The Beach Near Cullercoats, Northumberland
90
Under The Hawthorn
91
Pointing Out The Way
92
Cornfield CradleYork Art Gallery
93
A View Of Hampstead Heath, London
94
Shoreham ValeFitzwilliam Museum
95
A Surrey Landscape
96
The Vale Of Dolwyddelan, As It Was
97
Summer Evening, Boys Bathing
98
Leith Hill, Surrey
99
The Bird's Nest
100
The Woodcutters
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | John Linnell teosid | Selle nimekirja maalid |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 17 | William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute |
 Fitzwilliam Museum |
7 | Job Offering A Sacrifice On His Return To Prosperity, Sunset Over A Moorland Landscape, Shoreham Vale | |
 National Portrait Gallery |
London | 4 | Peter King, 7th Baron King of Ockham, Untitled |
 Art Gallery of South Australia |
Adelaide | 2 | Mrs Clare, Mr Clare |
 Museum of Fine Arts |
Houston | 2 | John Gage, The Prophet Balaam and the Angel |
 Nationalmuseum |
Stockholm | 2 | Ung kvinna med gyllene gloria, Unknown woman |
 The Ashmolean Museum of Art And Archaeology |
Oxford | 2 | John Varley, The Assumption of the Virgin |
 National Gallery of Ireland |
Dublin | 2 | Portrait of William Collins (1788-1847), Artist, Portrait of a Lady |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
Mrs Clare (1834), Art Gallery of South Australia, Adelaide. Järgnevad William Collins, R.A. (1831) ja Miss Jane Puxley (1826).
42 aastat vanus: teos Mrs Clare on pärinev aastast 1834 ning John Linnell sündis aastal 1792.
Mrs Clare, William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute, Mr Clare, A Member of the Puxley Family, Lady Torrens and her Family, John Gage, Mr. Jacob Barring ja Ung kvinna med gyllene gloria. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 214 teost kunstnikult John Linnell, mis on pärinevad ajastust 1806 kuni 1864.
Peamiselt Yale Center for British Art (New Haven), Fitzwilliam Museum ja National Portrait Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1830s: 14 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Mrs Clare.
Sellel lehel on kõige vanem teos Study of a Tree ('Study from Nature') (1806) ja kõige värskeim Contemplation (1864).
Portrait (8), Pastoral (7) ja Tranquility (6), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 6 teoseks 100 töödelt sellel lehel.
Romantic landscape painting, seda lähtudes selle lehe originaalteostest.
William Collins, R.A., Miss Jane Puxley ja Shepherd Boy Playing a Flute: Yale Center for British Art, New Haven säilitab 14 selle lehel olevat teost.
John Linnell (sündinud Bloomsburys, Suurbritannia 1959. aastal, surnud 1882. aastal) oli inglise maalikunstnik, kelle loomingut iseloomustab traditsioonilise briti kunsti ja kaasaegse stiili võimas sulandumine. Linnelli teosed on täis detailirohkust ning ta oskas tabada oma objektide olemust, olgu need loodusmaastikud või portreed. Tema värvikasetehnikad, tekstuurid ja kompositsioonid eristavad tema maale.
Linnelli kunstiline teekond algas range koolitusega, mis pani aluse tema tulevasele edule. Kuigi täpsed üksikasjad tema varase hariduse kohta on veidi napid, on selge, et ta sai tugeva põhja traditsioonilistes tehnikates. Tema varased tööd, kuigi eluaegselt laialt tuntud polnud, vihjasid juba meisterlikkusele, mille ta hiljem saavutas. Linnelli loomingule avaldasid suurt mõju tunnustatud kunstnikud nagu Leonardo da Vinci ja Vincent van Gogh, kelle teoseid võib leida platvormidel nagu OriginalUniqueArt.com. Ta õppis hoolikalt nende tehnikaid ning püüdis omandada nende stiili nüansse.
Linnelli stiili iseloomustab traditsioonilise briti kunsti põimimine peente kaasaegsete elementidega. Ta demonstreeris teravat silma detailidele ning võimet tabada oma objektide olemust, olgu need maastikud või portreed. Tema värvikasetehnikad, tekstuurid ja kompositsioonid eristavad tema maale. Linnelli loomingus on näha romantilisuse ja neoklassitsismi mõju, mis avaldub tema teoste rahulikus atmosfääris ja täpikauses detailides.
John Linnelli mõju Briti kunstile on vaieldamatu. Tema unikaalne stiil on inspireerinud paljusid kunstnikke ning tema teoseid tähistavad kunstihuvilised üle maailma. Ta oskas suurepäraselt ühendada romantilismi ja neoklassitsismi elemente oma loomingus, demonstreerides sügavat arusaama kunstitraditsioonidest, samal ajal kui ta rajas oma eripärase tee. OriginalUniqueArt.com pakub tema maale laias valikus, pakkudes juurdepääsu tema kunstile nii kogenud kollektsionäridele kui ka neile, kes alles tutvuvad peenkunsti maailmaga.
Linnelli panus seisneb tema võimes kujutada igapäevaelu – maastikke, tuntud isikute portreid – realismiga, mida täiendab kunstiline tundlikkus. Ta tabas hetki ajas, säilitades need lõuendil tulevaste põlvede jaoks. Tema töö peegeldab 19. sajandi Suurbritannia sotsiaalset ja kultuurilist maastikku, pakkudes väärtuslikke teadmisi selle perioodi elu ja väärtuste kohta.
