Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 59 teost John Henry Lorimer meie kataloogis
Lühidalt
Kõigist John Henry Lorimer jäetud originaalteostest on kõige kuulsam Spring Moonlight (1896). Järgnevad sellest Conversation Piece, Hannah and Alice Lorimer (1879) ja The Flight of the Swallows (1906). Meie kataloogist löytyb 59 teost kunstnikult John Henry Lorimer; galeriist on säilitatud 59 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The room breathes with a gentle, hushed energy as a social gathering unfolds within its walls. A woman stands near a window, her long dress catching the pale glow of the moon, cradling a baby in her arms. This central figure anchors the scene, her presence a calm center amidst the subtle movement of others. Around her, people are scattered through the space—some seated in quiet conversation, others standing in…
The air in the room feels heavy with the scent of fresh blooms and the soft rustle of heavy fabric. Two women, Hannah and Alice, occupy the space with a quiet, shared purpose. Hannah stands to the left, her hand resting gently upon Alice's shoulder, a gesture that speaks of a deep, unspoken connection between sisters. They are framed by a table laden with flowers, their presence amidst the vases…
A family gathers within the quietude of a home, their attention drawn toward a large window. Through the glass, a group of swallows moves across the sky, marking a transition in the natural world. A woman holds a child close, while other figures—a man and two women—occupy the room, their postures reflecting a shared moment of observation. The scene is defined by the way natural light floods the interior, illuminating…
This oil painting, executed in 1877, presents a portrait of an elderly man contained within an oval-shaped frame. The subject is positioned centrally, his figure occupying the majority of the oval space. He is depicted from the upper body upwards, with his head and shoulders forming the primary focus. The man possesses a prominent, textured white beard and hair that catch the light, contrasting against the darker tones of his…
In this 1879 portrait, we encounter Antony Gibbs, a man whose presence fills the frame with a quiet, settled authority. He is depicted in the prime of his life, his face framed by a full, well-groomed beard and mustache that speak to the dignity of his station. Dressed in dark, heavy clothing, he holds a rifle with a practiced ease, suggesting a life defined by the outdoors and the disciplined…
In this portrait, we find ourselves in the presence of an elderly man, seated with a stillness that suggests a lifetime of contemplation. He holds a small dog, a gesture that softens the gravity of his expression and introduces a sense of companionship into the frame. The lighting is heavily directional, casting deep shadows that define the contours of his face and the heavy folds of his clothing. This chiaroscuro…
The composition centers on a domestic interior where three figures occupy a richly appointed room. An elderly woman sits in a chair, her form anchored within the space. A young girl kneels on the floor near her, while a younger boy sits nearby on the rug. The setting is defined by a fireplace and ornate furniture that frame the central interaction. Light enters from windows and the hearth, casting long…
Antony Gibbs (1841-1907)1879 · Tyntesfield
12
Andrew Vans Dunlop (1805–1880)1883
13
San Giovanni Crisogono Altarpiece (after Giovanni Bellini)1880 · The National Trust For Scotland
14
Charlotte M. Yonge (1823–1901)1882 · National Trust
15
Sir Thomas Sutherland (1834–1922), Chairman of P O Steamship Company1882 · Šoti Rahvusportreegalerii
16
Hannah Lorimer Embroidering a Bedcover1885 · The National Trust For Scotland
17
Charles Rampini (1840–1907)1883 · Lerwick Town Hall
18
John Muir (1810–1882)1889
19
Sir Samuel George Johnson (1831–1909), Kt1891 · Nottingham Castle Museum And Art Gallery
20
Sir Robert Stodart Lorimer (1864–1929), Architect1886 · Šoti Rahvusportreegalerii
21
T. W. Lorimer1890 · The National Trust For Scotland
22
Sir Robert Stodart Lorimer (1864–1929)1886 · RIBA Library Drawings And Archives Collections
23
The Ordination of Elders in a Scottish Kirk1891 · Scottish National Gallery
24
Sir Joseph Lister (1827–1912)1895
25
Lyon Playfair (1818–1898), 1st Baron Playfair of St Andrews1897
26
Charles George Shaw of Ayr1895 · The Baird Institute
27
Lord Lister (1827–1912), Professor of Surgery at the University of Glasgow1897
28
Lady Russell Cotes (1835–1920)1895
29
Reverend Peter H. Waddell1893
30
Sir Merton Russell Cotes (1835–1921)1895
31
Bishop Aeneas Chisholm (1836–1918)1900
32
Archibald Hamilton Charteris (1835–1908)
33
Alexander Lawson (1852–1921)
34
Professor John Gray McKendrick (1841–1926), Professor of Physiology at the University of Glasgow1908
35
Hush1906 · Touchstones Rochdale
36
The Finding of Moses (after Giovanni Battista Tiepolo)The National Trust For Scotland
37
Sunlight in the South Room, Kellie1913 · The National Trust For Scotland
38
The Long Shadows1918 · The National Trust For Scotland
39
A Beech Tree at Kellie1881 · The National Trust For Scotland
40
Walter John Francis ErskineNational Trust For Scotland
41
View of Kellie Castle
42
Le peintre des fleursThe National Trust For Scotland
43
A Still Life with a Vase of FlowersThe National Trust For Scotland
44
Woodhenge
45
Reconstruction Drawing of Richborough Roman Town
46
December RosesThe National Trust For Scotland
47
Ninian Patrick, Son of Lady and Lord Crichton StuartThe National Trust For Scotland
48
John Stuart Blackie (1809–1895)
49
A Gentleman Holding a Glove (after Titian)The National Trust For Scotland
50
Reconstruction Drawing of the Gateway to Britannia
51
Striped Roses in a Ship MugThe National Trust For Scotland
52
Interior Iona
53
A Room at Twilight Kellie CastleRoyal Scottish Academy of Art - Architecture
54
Sir John Scott, KCM, DCLCWigan Arts And Heritage Service
55
Sundown in Spring, Kellie Castle
56
Sir David ChalmersThe National Trust For Scotland
57
View through a WindowThe National Trust For Scotland
58
Sir Robert Christison (1797–1882), BtRoyal College of Physicians of Edinburgh
59
The Madonna and Child with Two Musical AngelsThe National Trust For Scotland
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | John Henry Lorimer teosid | Selle nimekirja maalid |
|---|---|---|---|
 The National Trust For Scotland |
Pittenweem | 15 | San Giovanni Crisogono Altarpiece (after Giovanni Bellini), Hannah Lorimer Embroidering a Bedcover, T. W. Lorimer |
 Šoti Rahvusportreegalerii |
Edinburgh | 3 | James Lorimer (1818–1890), Jurist and Political Philosopher, Sir Thomas Sutherland (1834–1922), Chairman of P O Steamship Company, Sir Robert Stodart Lorimer (1864–1929), Architect |
 National Trust |
Bristol | 2 | Antony Gibbs (1841–1907), Charlotte M. Yonge (1823–1901) |
 Royal Scottish Academy of Art - Architecture |
Edinburgh | 2 | Maternal Instinct, A Room at Twilight Kellie Castle |
 Tyntesfield |
2 | Charlotte M. Yonge (1823 - 1901), Antony Gibbs (1841-1907) | |
 Lerwick Town Hall |
Kirkwall | 1 | Charles Rampini (1840–1907) |
 Nottingham Castle Museum And Art Gallery |
Nottingham | 1 | Sir Samuel George Johnson (1831–1909), Kt |
 RIBA Library Drawings And Archives Collections |
London | 1 | Sir Robert Stodart Lorimer (1864–1929) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The air in the room feels heavy with the scent of fresh blooms and the soft rustle of heavy fabric. Two women, Hannah and Alice, occupy the space with a quiet, shared purpose. Hannah stands to the left, her hand resting gently upon Alice's shoulder, a gesture that speaks of a deep, unspoken connection between sisters. They are framed by a table laden with flowers, their presence amidst the vases…
The room breathes with a gentle, hushed energy as a social gathering unfolds within its walls. A woman stands near a window, her long dress catching the pale glow of the moon, cradling a baby in her arms. This central figure anchors the scene, her presence a calm center amidst the subtle movement of others. Around her, people are scattered through the space—some seated in quiet conversation, others standing in…
A family gathers within the quietude of a home, their attention drawn toward a large window. Through the glass, a group of swallows moves across the sky, marking a transition in the natural world. A woman holds a child close, while other figures—a man and two women—occupy the room, their postures reflecting a shared moment of observation. The scene is defined by the way natural light floods the interior, illuminating…
Spring Moonlight (1896). Järgnevad Conversation Piece, Hannah and Alice Lorimer (1879) ja The Flight of the Swallows (1906).
40 aastat vanus: teos Spring Moonlight on pärinev aastast 1896 ning John Henry Lorimer sündis aastal 1856.
Spring Moonlight, Conversation Piece, Hannah and Alice Lorimer, The Flight of the Swallows, Lord Patrick Allan Fraser, Advocate, Antony Gibbs (1841–1907), James Lorimer (1818–1890), Jurist and Political Philosopher, Maternal Instinct, Sir Robert Lorimer, ARA, as a Boy, James Lorimer (1818–1890) ja Charlotte M. Yonge (1823 - 1901). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 59 teost kunstnikult John Henry Lorimer, mis on pärinevad ajastust 1875 kuni 1918.
Peamiselt The National Trust For Scotland (Pittenweem), Šoti Rahvusportreegalerii (Edinburgh) ja National Trust (Bristol) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1890s: 13 59 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Spring Moonlight.
Sellel lehel on kõige vanem teos Sir Robert Lorimer, ARA, as a Boy (1875) ja kõige värskeim The Long Shadows (1918).
Victorian era (6), Portrait (4) ja Portraiture (4), kogu selle lehekülje 59 teose kohta.
Oil On Canvas, 4 teoseks 59 töödelt sellel lehel.
Contemporary realism, seda lähtudes selle lehe originaalteostest.
San Giovanni Crisogono Altarpiece (after Giovanni Bellini), Hannah Lorimer Embroidering a Bedcover ja T. W. Lorimer: The National Trust For Scotland, Pittenweem säilitab 15 selle lehel olevat teost.
Võõras late viktooriaaniku ja edwardiaanliku perioodi kuldajastu ajal on väheseid kunstnere, kes suutsid tabada nii koduse rahu ja väärikuse kui ka Šotlise arhitektuurse suurejoonulisuse samas graatsis nagu John Henry Lorimer. Lahutud Edinburghis 1856. aastal sügava intellektuaalse prestiižiga peres, oli Lorimer määratud elule, mida kujustasid nii akadeemiline rangus kui ka loov kannatus. Olles Edinburghi ülikooli märkimisaegse professori James Lorimeri poeg, veetis ta oma varajased aastad Šotlise peekapitoli teadliku ja õppekonksusliku atmosfääri sarmis. See disipliini ja tähelepanelduse alus müudus hiljem tema kunstilise tehnika vundamendiks, võimaldades tal läheneda oma teemadele täpsese detailide silma ja sügava austusega oma ümbrusti ajaloolise tähenduse vastu.
Lorimeri ametlik harjutus oli sama palju traditsiooni läbi minekuna kui ka kaasaegse valguse avastamine. Haridus kogunenud Edinburgh Academy's ja hiljem Edinburghi ülikoolis, otsis ta täiuslikkust Royal Scottish Academy'i prestiižsetes saalides. Masterite, nagu Frank McTaggart ja William Chalmers, juhendamisel õppis Lorimer valdama delicate tasakaalu klassikilise realismipõhise ja algava impressionismiga. Tema pintlajäljed õppisid valgusega tantsima, püüdes kinni mitte ainult objekti füüsilist kuju, vaid ka seda atmosfääri, mis seda ümbrusid. Seda arenguet aega rikastas veelgi tema laialiad reised üle Euroopa; alates Hispaania ja Itaalia päikeseloojangutavast maastikust kuni Alžeeria vibratilste ja kultuuriliselt mitmekorralistest vaadest, absorbeeris Lorimer globaalset visuaalset keeledust, mille ta hiljem Šotlise stseenide kuduki sisse sooti.
Üks Lorimeri karjääri lummavamaid aspekte oli sügav loov sünergia, mida ta jagas oma venna, kuulsa arhitekti Robert Lorimeriga. Nende suhe läbis pelgama pereseid sidust, arenenes koostöolistikuks pärandiks, mis aitas defineerida nende ajastu esteetikat. See on kõige selgemalt nähtav Kellie Castle'i suurepärasel restaureerimisel. Kui Robert töötas, et muuta rümaliis ruin triumfi arhitektuurilisest pärandist, oli John seal, et püüda oma maalidega selle seinade sisse elu. Tema kirjeldused lossist ja selle ümbrivast omanikust ei olnud pelgalt kivi ja Mörtri rekordsid, vaid uuenenud Šotlise identiteedi poeetilised tähistused.
See partnerlus võimaldas John Henry Lorimeril uurida püsivuse ja nostalgia teemasid. Tema silmad läbi näeme inimlikult loodud suurejoonulisuse ja looduse vahelist ristumist. Tema võime esitada antiikse ehitustööde tekstuurid koos pehme ja ajutliku kodase sisemuse valuga lõi ajatuse tundet, mis on tänapäevaste vaatajate jaoks endiselt lummav. See unikaalne positsioon — nii arhitektuurilise taassünni kui ka žanrimaalide südames — tagas tema koha ajaloos Šotlise kunstis.
Lisaks suurepärastele maastikele ja arhitektuuriuuringutele oli Lorimer inimlikku narratiivi meister. Ta omandas haruldast võimet tabada oma portreeditavate psühholoogilist sügavust, tehes temast ühe oma aja märkimispere figurele otsitava portretisti. Tema portreedid, sealhulgas Lyon Playfairi ja pioneerliku kiruriga Joseph Listeri portreedid, on iseloomustatud sügava iseloomu ja väärikusega. Ta ei måjatanud vaid näod; ta måjandus pärandid.
Omas žanrimaalides pöörduks Lorimer tähelepanu igapäevase elu intiimsetele rütmidele. Need teosed sisaldavad sageli:
Tema panus kunstiväljale on tõestatud tema sagedaste näitlustega Royal Scottish Academy's ja Londoni Royal Academy's. Esimesel näidati üle sada teost, mis kinnitas Lorimeri positsiooni Šotlise kunstikogukonna tulbal. Tema surm 1936. aastal märkis ühe ajastu lõppu, kuid tema mõju püsib tema linaimide igavesti kauni ilu kaudu, mis toimivad jätkuvalt akenidena kadunud elegantsuse, traditsiooni ja sügava kunstilise pühendumuse maailma.
