Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 240 teost John Frederick Kensett meie kataloogis
Lühidalt
Trout Fisherman (1852) on John Frederick Kensett maalide kõige silmapaistvam teos; originaal kuulub museumi Thyssen-Bornemisza Museum, Madrid. Pärast seda suunatakse pilk Newport Rocks (1872) ja The Old Pine, Darien, Connecticut (1872) suunas. Meie kataloogis olevatest John Frederick Kensett 240 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In this 1852 oil on canvas, a solitary figure occupies the center of a quiet river scene. The man stands near the edge of a watercourse, his fishing pole extended toward the surface of the stream. Surrounding him is a dense arrangement of trees that form a vertical frame around the central subject. Several rocks are positioned throughout the foreground and middle ground, some resting near the fisherman's feet while…
In the quietude of 1872, John Frederick Kensett captured a moment of profound stillness that continues to resonate with the modern soul. Newport Rocks is not merely a depiction of a Rhode Island coastline; it is an invitation into the heart of Luminism, a movement defined by its pursuit of the transcendental through light. As the viewer gazes upon the jagged, ancient stones rising from the sea, there is an…
The Old Pine, Darien, Connecticut is a work by John Frederick Kensett, executed in 1872. The artist was a central figure in the Hudson River School and the Luminist movement, movements characterized by their focus on the atmospheric qualities of the American landscape. This specific composition was painted during Kensett's final summer on Long Island Sound, near Darien, Connecticut.
In this work, titled Sunset over Lake George, the artist John Frederick Kensett captures a quiet moment of transition. Painted in 1867, the scene focuses on the specific atmosphere of a sunset over Lake George. The composition centers on the interplay between the sky and the water during this particular hour of the day.
Newport is a landscape painting by John Frederick Kensett, executed in 1870. The artist, born in Cheshire, United States, produced this work during the final years of his life, which concluded in 1872.
In this oil on canvas, titled Sunset, John Frederick Kensett captures a quiet moment of transition. Completed in 1872, the work presents a coastal sunset, focusing on the interplay between the sky and the sea. It is a piece that reflects the artist's refined approach to the American landscape during the final year of his life.
The painting titled October Day in the White Mountains was created in 1854. This work is an oil on canvas by the artist John Frederick Kensett. The scene depicts a landscape featuring mountains in the background with trees and grassy fields, capturing a moment on an October day as the sun sets behind the peaks. Several people are positioned throughout the composition, some in the foreground and others further away,…
The artwork titled Shrewsbury River is a painting by the artist John Frederick Kensett. Created in 1856, this oil on canvas depicts a serene coastal landscape and nature. The scene focuses on the river and its surrounding environment, capturing a specific moment of quietude along the water's edge.
The painting titled Lake George, Free Study was created by the American artist John Frederick Kensett in 1872. This work focuses on the landscape of Lake George, situated within the Adirondack Mountains. The composition centers on a large body of water, with a range of mountains positioned in the background of the scene.
In View from Richmond Hill, John Frederick Kensett presents a serene landscape that invites a quiet moment of contemplation. A winding river meanders through a deep valley, its path guided by the natural contours of the earth. Above the water, a hazy sunset sky casts a soft, diffused light across the horizon, blurring the line between the heavens and the land. Towering trees frame the entire scene, their heavy branches…
View of the Beach at Beverly, Massachusetts1860
12
Untitled (D2XALP)1872 · Metropolitan Museum of Art
13
Cascade in the Forest1852 · Detroit Institute of Arts
14
A View of Lake George
15
The Walking Tour1847 · Detroit Institute of Arts
16
Sunrise among the Rocks of Paradise, Newport1859 · Fine Arts Museums of San Francisco
17
On the St. Vrain, Colorado Territory
18
A Peep in Windsor Forest1845 · Anglesey Abbey
19
An Ilex Tree on Lake Albano, Italy1846
20
European Landscape1845 · New York Historical Society
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The Shrine - A Scene in Italy1847
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The Mountain Stream1845
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Raven Hill, Elizabethtown, Essex County, N.Y.: A Study from Nature1848
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White Mountains from Shelburne, NH1850 · SCAD Museum of Art
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Niagara Falls1852
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Distant View of the Mansfield Mountain, Vermont1849 · Museum of Fine Arts
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Landscape1854 · Pennsylvania Academy of Fine Arts
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Bash-Bish Falls, Massachusetts1855 · Museum of Fine Arts
29
Landing at Sabbath Day Point1853 · National Gallery of Art
30
Autumn on the Hudson River1854 · New Britain Museum of American Art
31
Coast Scene1855
32
View of Mount Washington1852 · Crystal Bridges Museum of American Art
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Coast Scene1854
34
Valley Landscape, Trenton Falls, NY1853
35
New Hampshire and School's Out1850
36
New England Scenery1852
37
A Woodland Waterfall1855
38
Nahant1850
39
Landscape (also known as A Reminiscence of the White Mountains)1852
40
View of the Shrewsbury River1853 · Zimmerli Art Museum at Rutgers University
41
Mountain Landscape1850
42
Reminiscences of the Catskill Mountains1853
43
Entrance to Newport Harbor1855
44
Niagara Falls1851
45
Path over the Field - A Reccollection of the Hudson1852
46
Hudson River Looking towards Haverstraw1850
47
Waterfall in the Woods with Indians1850
48
Camels Hump from the Western Shore of Lake Champlain1852 · High Museum of Art
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Upper Mississippi1855 · Saint Louis Art Museum
50
Conway Valley, New Hampshire1854 · Worcester Art Museum
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Catskill Mountain Scenery1852
52
Hunters on a Riverbank1850
53
Along the Hudson1852 · Smithsonian American Art Museum
54
Landscape, Genesee River1857 · Rhode Island School of Design Museum of Art
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View on the Genesee near Mount Morris1857 · National Gallery of Art
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Almy's Pond, Newport, Rhode Island1859
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Cliffs at Newport, Rhode Island1858 · Museum of Fine Arts
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Rocky Coast1860 · Art Institute of Chicago
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Overlooking the River From the Cliffs1860 · Birminghami kunstimuuseum
60
Rondout Creek1862 · New Britain Museum of American Art
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Pulpit Rock, Nahant (Nahant Rock and Seashore)1859 · New York Historical Society
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Shrewsbury River, New Jersey1859 · New York Historical Society
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Mountain and Lake (Lake George)1860 · Harvard Art Museums
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Seascape1862
65
The Catskills1859
66
Paradise Rocks, near Newport1859
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The Langsdale Pike1860
68
Eagle Rock, Manchester, Massachusetts1859
69
View of Rhode Island1858
70
Forty Steps, Newport, Rhode Island1860
71
On the Beverly Coast, Massachusetts1863
72
Lake with Boaters1858
73
New England Sunrise1859
74
Lakes of Killarney1857
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Shrewsbury River, New Jersey1859
76
View from Cozzens Hotel near West Point1863 · New York Historical Society
77
Hudson River Scene1857 · Metropolitan Museum of Art
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White Mountain Scenery1859 · New York Historical Society
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Storm, Western Colorado1870 · Toledo Museum of Art
80
Coast Scene1865 · Buffalo AKG Art Museum
81
Lake George, Black Mountain1869 · Rhode Island School of Design Museum of Art
82
Rocky Pool, Bash-Bish Fall1865 · Yale University Art Gallery
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Lake George1870 · Brooklyn Museum
84
Smith's Point, Beverly, Massachusetts1867 · Museum of Fine Arts
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Lake George1870
86
Mount Chocorua1864
87
Newport Coast1865
88
New England Coastal View with Figures1864
89
On the Coast1870
90
Narragansett Coast1865
91
In the Colorado Rockies1870
92
Eastern Mountain Lake1869
93
The Hemlock1870
94
Summer Day on Conesus Lake1870 · Metropolitan Museum of Art
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Newport Harbor and the Home of Ida Lewis1871
96
Mountain Lake1866
97
Marine off Big Rock1864
98
An Inlet of Long Island Sound1865 · Los Angeles County Museum of Art
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Coast Scene with Figures1869
100
Lily Pond, Newport, Rhode Island1865
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | John Frederick Kensett teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 31 | Newport Rocks, The Old Pine, Darien, Connecticut, Sunset |
 New York Historical Society |
New York City | 6 | European Landscape, Pulpit Rock, Nahant (Nahant Rock and Seashore), Shrewsbury River, New Jersey |
 Museum of Fine Arts |
Boston | 7 | Bash-Bish Falls, Massachusetts, Cliffs at Newport, Rhode Island, Smith's Point, Beverly, Massachusetts |
 National Gallery of Art |
Washington | 4 | Landing at Sabbath Day Point, View on the Genesee near Mount Morris |
 Detroit Institute of Arts |
Detroit | 2 | Cascade in the Forest, The Walking Tour |
 New Britain Museum of American Art |
New Britain | 2 | Autumn on the Hudson River, Rondout Creek |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Landscape, Genesee River, Lake George, Black Mountain |
 Smithsonian American Art Museum |
Washington, D.C. | 4 | Along the Hudson |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In View from Richmond Hill, John Frederick Kensett presents a serene landscape that invites a quiet moment of contemplation. A winding river meanders through a deep valley, its path guided by the natural contours of the earth. Above the water, a hazy sunset sky casts a soft, diffused light across the horizon, blurring the line between the heavens and the land. Towering trees frame the entire scene, their heavy branches…
In this 1852 oil on canvas, a solitary figure occupies the center of a quiet river scene. The man stands near the edge of a watercourse, his fishing pole extended toward the surface of the stream. Surrounding him is a dense arrangement of trees that form a vertical frame around the central subject. Several rocks are positioned throughout the foreground and middle ground, some resting near the fisherman's feet while…
In this work, titled Sunset over Lake George, the artist John Frederick Kensett captures a quiet moment of transition. Painted in 1867, the scene focuses on the specific atmosphere of a sunset over Lake George. The composition centers on the interplay between the sky and the water during this particular hour of the day.
In the quietude of 1872, John Frederick Kensett captured a moment of profound stillness that continues to resonate with the modern soul. Newport Rocks is not merely a depiction of a Rhode Island coastline; it is an invitation into the heart of Luminism, a movement defined by its pursuit of the transcendental through light. As the viewer gazes upon the jagged, ancient stones rising from the sea, there is an…
Trout Fisherman (1852), Thyssen-Bornemisza Museum, Madrid. Järgnevad Newport Rocks (1872) ja The Old Pine, Darien, Connecticut (1872).
36 aastat vanus: teos Trout Fisherman on pärinev aastast 1852 ning John Frederick Kensett sündis aastal 1816.
Trout Fisherman, Newport Rocks, The Old Pine, Darien, Connecticut, Sunset over Lake George, Newport, Sunset, October Day in the White Mountains, Shrewsbury River, Lake George, Free Study ja View from Richmond Hill. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 240 teost kunstnikult John Frederick Kensett, mis on pärinevad ajastust 1843 kuni 1872.
Peamiselt Metropolitan Museum of Art (New York), New York Historical Society (New York City) ja Museum of Fine Arts (Boston) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 50 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Trout Fisherman.
Sellel lehel on kõige vanem teos View from Richmond Hill (1843) ja kõige värskeim Newport Rocks (1872).
Mountains (16), Landscape (13) ja Scenes (8), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 12 teoseks 100 töödelt sellel lehel.
Hudson river school, seda lähtudes selle lehe originaalteostest.
Newport Rocks, The Old Pine, Darien, Connecticut ja Sunset: Metropolitan Museum of Art, New York säilitab 6 selle lehel olevat teost.
John Frederick Kensett sündis 22. märtsil 1816 Connecticutis asuvus Cheshire'is. Tema varajased eluaastad said vormisid tema isa, inglise pärev Thomas Kensett, täpne ja järjepidev graveerimistöö. Juuni 12. aasta jooksul töötas poiss juba isa graveerimistuubas, õppides joone täiskujundamist ja tööriistade hoolikat käitlemist. See varane süvenemine reprodutseerimise mehaanikasse pakkus talle tehnilise täpsuse alustala, mis jäi temaga veel kaua pärast seda, kui ta suunas oma talendi maalikunsti poole.
Tema kunstiline haridus jätkus nii isa kui ka uncle Alfred Daggetti juhendisel. Need aastad pöödiid graveerimise keerukuste meistrumdamisele, käsitlusele, mis nõudis kannatlikku silma detailidele ja kindlat kätt. Ta viibis New Haveni piirkonnas, töötades graveerijana kuni umbes 1838. aastani. See töölavastuse periood keskendus piltide kontrollitud reprodutseerimisele, mis oli terav vastand atmosfäärilistele maastikudele, mida ta hiljem pursuitis, kuid graveerija töölaua täpne ja hoolikas olemus mõjutas selgelt tema hiljemast lähenemist valule ja vormile.
Aastal 1840 lahkus John Frederick Kensett Euroopas õppima maalikunsti. Ta ei rümmisid reisi üksinda; tema kaaslased olid Asher Durand ja John William Casilear. Välismaal kohtus ta Benjamin Champneyman ning nad veetasid koos aega rändel, avades uusi kunstilisi horisontte. Need kodust eemal viidud aastad võimaldasid tal oma kunstilist silma täiendavalt lihvida, enne kui ta 1847. aastal taas Ameerika Ühendustesse naasid.
Pärast kodikukkumist suunas ta tähelepanu kontinentaalsete maastikude mitmekujulisusele. Ta veetis suure osa oma ajast Põhja-Ida osariikides rändlates, uurides New Englandi ja New Yorki looduse vorme ja detailid. Tema otsingud viisid teda veel kauem lääks, Colorado mägivõrkudesse, kus ta püüdis tabada maali unikaalset valgust ja vormi. Just needid spetsiifilised asukohad olid tema jaoks olulised, et vangustada looduse tõelist olemust.
John Frederick Kensett’i pintslitöö viis kunsti eemale traditsioonilise Hudsoni joo koolkonna rasketest ja dramaatilisest kompositsioonidest. Selle asemel leidis tema hilisem looming peenema ja rafineeritumpa luministliku lähenemise, kus esile tõsteti vaikus ja rahu. Ta eelistas staatilisi ja lühikeste geomeetriliste vormidega määratletud rahustavat loodusmaastikku. Selle asemel, et püüda tabama grandioosseid ja laiemaid topograafiaid, otsis ta maastiku üle toimivat peenelt muutuvat valgust ja värvi vaheldust. See eelistus jätkekuse ja kontrollitud vormi vastu võimaldas tal keskenduda atmosfääri kulumisele, luues vaataja jaoks sügava rahu tunde peenete toonide ja pehmete, loomulike pintslitrajadega.
Selle eristuva valgusmaailma saavutamiseks kasutas John Frederick Kensett spetsiifilist tehnikat, kus ta kilethinne ja läbipaistva läbivärviga (glaze) korduvalt oma lerratid üle kanga paardas. See pärtuva ja täpsne protsess võimaldas valgusel läbida värvikihi ja peegelduda tagasi pindast, andes teosele säraga, mis näib tulenevat otse maastiku sügavast. See tehnika oli vältimatu, et tabada måodilist viisi, kuidas päikeselight filtrerub läbi lehtede vahelt või restsab peegeldava veepinnale. Tema tähelepanu pühendus alati neile peenetele ja ajutistele valgushetidele, mis määratlevad Ameerika maastiku täieliku olemuse.
John Frederick Kensett'i mõju ulatus kaugele tema maalistatud vaiksete stseenide piiridest. Ta oli sügavalt seotud Ameerika kunsti toetavate struktuuridega, aidates luua aluseid selle riigi peamisi kunstiinstitutsioone. Ta oli Metropolitan Museum of Arti asutaja ning teenis seal juurutajana aastal 1870. Tema pühendumus kunstikolleegide vastu oli selgelt nähtav läbi tema juhtrolekku Artists' Fund Society's, kus ta tegutses presidentina aastatel 1865 kuni 1870. Lisaks oli ta ametnik U.S. Capitol Art Commissionis, kuhu ta anti aastal 1859.
Tema professionaalne staatus kinnituks valimisel National Academy of Designi täispanuse liikseks aastal 1849. See tunnustus tuli hetkel, mil ta suunas oma uuendusliku tähelepanu eemale oma esidastajate draamatilistest maastikudest, keskendudes selle asemel peenetule, selgele lähenemisele valgus ja kompositsiooni suhtes. See muutus måne Ameerika maastiku tajus alevas alevitas maastikumaaliku suunad neile, kes tema jalgades järgnesid.
John Frederick Kensettti maalid on laialt laiali spetsiaalselt valitud suuretes kollektsioonides, olles sageli pealkonnas, mis on pühendatud Ameerika maastikumaaliku arengule. New Yorkis asub kõige suurem kogum, kus Metropolitan Museum of Art hoolepidel on kolmteist tema teost. Seal, püsivates galeriides, võib näha tema sügavuti uuritud valguse mängu veepindadel või peeneid rannikumaastikke. Teised olulised teosed on säilitatud Madrildi Thyssen-Bornemisza Muuseumis ja Detroit Institute of Arts galeriis, kus kummaski on säilitatud kaks maali.
Ameerika Ühendites ulatub tema kunstiline pärand ka Atlantasse, High Museum of Art kollektsioonides, mis sisaldab kahte tema teost. Lisaks on üks tema maalid säilitatud San Francisco Fine Arts Museums kogumikus. Need asukohad pakuvad võimalust vaatleda lähedalt, kuidas ta suutis tabada atmosfääri peeneid muutumisi ja Ameerika looduse vaikset rahu. Tema loomingulist mitmekorralisust iseloomustavad paljud teemad, sealhulgas:
