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4 kulubumatamatum Johan Bokhorst maali, galeriiselektsioon
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 6 teost Johan Bokhorst meie kataloogis
Lühidalt
Kõigist Johan Bokhorst jäetud originaalteostest on kõige kuulsam Linen roll with putti (whites). (1890), mis kuulub Museum De Waag kogele linnas Deventer. Järgnevad sellest A Festoon of Fruit (1904) ja Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909). Meie kataloogist löytyb 6 teost kunstnikult Johan Bokhorst; galeriist on säilitatud 4 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
1865 – 1942, Deventer
Enamama teoseid: Museum De Waag
Johan Bokhorst top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Johan Bokhorst originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Johan Bokhorst teosid | Selle nimekirja maalid |
|---|---|---|---|
 Museum De Waag |
Deventer | 4 | Linen roll with putti (whites)., A Festoon of Fruit, Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle |
Johan Bokhorst aasta-aastaga: originaalteosed, mis defineerivad iga perioodi
Aastast 1890 aastat 1909 kuni 1909, töötas Johan Bokhorst 20 aastat: valik järgneb selle pikale kareerile aasta-aastalt, esitledes selle parimaid originaalteoseid.
Teosed aasta kaupa
Vali aasta, et näha originaale.
1909
Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle
Vanus 44
2 teost sel aastal
Veel 1909 teoseid
Sammlajate küsimused Johan Bokhorst maalide kohta
Millise teosega on Johan Bokhorst kõige kuulsam?Paljasta vastus
Linen roll with putti (whites). (1890), Museum De Waag, Deventer. Järgnevad A Festoon of Fruit (1904) ja Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909).
Kui vana oli Johan Bokhorst, kui teos Linen roll with putti (whites). loodi?Paljasta vastus
25 aastat vanus: teos Linen roll with putti (whites). on pärinev aastast 1890 ning Johan Bokhorst sündis aastal 1865.
Kui palju maali Johan Bokhorst jäeti?Paljasta vastus
Meie kataloogist leiate 6 teost kunstnikult Johan Bokhorst, mis on pärinevad ajastust 1890 kuni 1909.
Mitteks muuseumides rihangavad Johan Bokhorst meistriteosed?Paljasta vastus
Peamiselt Museum De Waag (Deventer) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millah aastades maalas Johan Bokhorst oma kuulsamaid teoseid?Paljasta vastus
Ajal 1909: 2 4 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle.
Mis on Johan Bokhorst esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos Linen roll with putti (whites). (1890) ja kõige värskeim Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle (1909).
Millised Johan Bokhorst teosed on Museum De Waag näituses?Paljasta vastus
Linen roll with putti (whites)., A Festoon of Fruit ja Decorative Band with Grapevines and Grapes with a Staff with a Bow in the Middle: Museum De Waag, Deventer säilitab 4 selle lehel olevat teost.
Johan Bokhorst: elu ja looming
A Life Rooted in Deventer
Johan Bokhorst was a man deeply connected to the soil and spirit of Deventer, Netherlands. Born in 1865, he belonged to a lineage of painters from this same city, a family of creators who understood the weight of tradition. His life was spent within these familiar streets, from his birth until his passing in 1942. He was a man of many hands, working as a painter, a decorator, and a designer. His work was not confined to a single medium; he moved between the delicate touch of watercolors and the structured precision of drawings. He also applied his vision to art industry products, blending the fine arts with the practical needs of decorative design.
His creative output reflected the changing tastes of his era. In his earlier years, his work leaned toward the flowing, organic lines of Jugendstil. As time passed, his aesthetic shifted toward the more geometric and streamlined sensibilities of Art Deco. This evolution allowed him to remain relevant as the visual language of Europe transformed around him.
The Language of Form and Nature
Bokhorst possessed a particular ability to find beauty in both the natural world and the built environment. He could capture the quiet dignity of a landscape or the intricate patterns found in flora. His technical skill was evident in how he handled various materials, from oil on canvas mounted on panel to the more fluid application of watercolor. His repertoire included a variety of subjects and formats:
- Decorative bands featuring grapevines and grapes
- Fruit arrangements and festoons
- Architectural views, such as the Bolwerksmolen and the Grote Kerktoren
- Studies of putti and classical motifs
His work often bridged the gap between fine art and functional decoration. Whether he was painting a mill or designing a pattern, there was a sense of craftsmanship that tied his various pursuits together. He did not merely observe his surroundings; he translated them into a visual language that spoke to the decorative needs of his time.
A Legacy in Color and Line
The marks left by Bokhorst remain in collections like Museum De Waag, where his depictions of local landmarks are preserved. His ability to capture the essence of Deventer, such as the Bolwerksmolen, ensures that his perspective on his home city remains accessible. He was a craftsman who understood that art could exist in a painting, a drawing, or a designed object. His life was a steady application of skill and vision, rooted firmly in the Dutch tradition of his birth.