Lühidalt
Kõigist Jean Vignaud jäetud originaalteostest on kõige kuulsam Death of Eustache Lesueur among the Carthusians (1812), mis kuulub Musée des Beaux-Arts et d'Archéologie kogele linnas Besançon. Järgnevad sellest Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) ja Abelard and Heloise Surprised by the Abbot Fulbert (1819). Meie kataloogist löytyb 4 teost kunstnikult Jean Vignaud; galeriist on säilitatud 4 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Jean Vignaud top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Jean Vignaud originaalteosed
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jean Vignaud teosid | Selle nimekirja maalid |
|---|---|---|---|
| Besançon | 1 | Death of Eustache Lesueur among the Carthusians | |
| Pariis | 1 | Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus | |
| Omaha | 1 | Abelard and Heloise Surprised by the Abbot Fulbert | |
| Nîmes | 1 | The Abbot Bonhomme (1759-1844) |
Jean Vignaud aasta-aastaga: originaalteosed, mis defineerivad iga perioodi
Ainult kümnend aastat, 1812 kuni 1821, on andnud maailmale iga kuupäevaga Jean Vignaud originaalte selles valikus: siin on need, aasta-aastalt.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus
Veel 1819 teoseid
Sammlajate küsimused Jean Vignaud maalide kohta
Millise teosega on Jean Vignaud kõige kuulsam?Paljasta vastus
Death of Eustache Lesueur among the Carthusians (1812), Musée des Beaux-Arts et d'Archéologie, Besançon. Järgnevad Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus (1819) ja Abelard and Heloise Surprised by the Abbot Fulbert (1819).
Kui vana oli Jean Vignaud, kui teos Death of Eustache Lesueur among the Carthusians loodi?Paljasta vastus
38 aastat vanus: teos Death of Eustache Lesueur among the Carthusians on pärinev aastast 1812 ning Jean Vignaud sündis aastal 1774.
Kui palju maali Jean Vignaud jäeti?Paljasta vastus
Meie kataloogist leiate 4 teost kunstnikult Jean Vignaud, mis on pärinevad ajastust 1812 kuni 1821.
Mitteks muuseumides rihangavad Jean Vignaud meistriteosed?Paljasta vastus
Peamiselt Musée des Beaux-Arts et d'Archéologie (Besançon), Petit Palais (Pariis) ja Joslyn Art Museum (Omaha) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millah aastades maalas Jean Vignaud oma kuulsamaid teoseid?Paljasta vastus
Ajal 1819: 2 4 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Sketch for the Church of Saint-Nicolas-du-Chardonnet: Jesus resurrecting the daughter of Jairus.
Mis on Jean Vignaud esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos Death of Eustache Lesueur among the Carthusians (1812) ja kõige värskeim The Abbot Bonhomme (1759-1844) (1821).
Jean Vignaud: elu ja looming
The Life and Career of Jean Vignaud
Born in Beaucaire, France, Jean Vignaud was the son of a tailor. Rather than following his father's trade, he dedicated himself to the passion of painting. After beginning his journey as a self-taught artist, he served as a drawing teacher at the École Centrale de Nîmes. In 1796, he moved to Paris, where he worked for a engraver, using his leisure time to copy old masters in the Louvre and modern masters in the Luxembourg. His growing talent led to financial support from the Dutchman Wander Wold and eventually brought him into the studio of Jacques-Louis David. Supported by the Prefect of Police Dubois, who provided him with a studio and portrait commissions, Vignaud became a recognized figure at the Salon between 1806 and 1824.
Artistic Legacy and Notable Works
Vignaud was a history painter and portraitist whose works were frequently acquired by the State for museums and churches. His notable achievements include receiving a gold medal for La Mort de Lesueur chez les Chartreux, which is held at the Palace of Versailles. Other significant works include:
In 1820, he returned to Nîmes to serve as the first director of the newly opened school of drawing. He was also a collector of paintings, a collection that was acquired by the city of Nîmes in 1827 to enrich the newly founded Musée des Beaux-Arts.
