Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 27 teost Jean-Baptiste Van Loo meie kataloogis
Lühidalt
Kõigist Jean-Baptiste Van Loo jäetud originaalteostest on kõige kuulsam Frederick, Prince of Wales (1707-51) (1742), mis kuulub Buckinghami palee kogele linnas London. Järgnevad sellest Robert Walpole (1740) ja The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire (1740). Meie kataloogist löytyb 27 teost kunstnikult Jean-Baptiste Van Loo; galeriist on säilitatud 27 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The Prince stands in a quiet, vertical command. He is draped in heavy velvet, a deep blue that absorbs the light, trimmed with the stark, soft white of ermine. To his side, a table holds a crown, its gold catching a single, sharp light. The background is a dark, indistinct void, pushing his figure forward into the viewer's space. Every fold of his satin clothing carries the weight of his…
This portrait of Robert Walpole, 1st Earl of Orford, was executed by the French artist Jean-Baptiste van Loo in 1740. It was originally painted for Lord Bessborough, capturing a man of significant political weight during a period of stability in Britain. The sitter is presented in his official capacity, wearing the robes of the Chancellor of the Exchequer. This specific depiction by Jean-Baptiste van Loo offers a direct look at…
The portrait depicts The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire, in a three-quarter length pose. He is positioned slightly off-center, facing the viewer with a direct gaze. The subject wears a powdered wig and a blue velvet frock coat over a cerulean blue waistcoat. Gold embroidery traces the edges of the waistcoat and the cuffs. A white lace cravat and delicate lace cuffs provide a sharp contrast to the…
In this 1740 oil on canvas, we encounter Sir Robert Walpole not as a man of action, but as a man of profound influence. The composition is a vertical three-quarter length portrait, positioning the subject slightly off-center to create a sense of monumental presence. He is draped in the heavy, luxurious fabrics of the 18th century, where the stiffness of the embroidered coat meets the softness of a lace cravat.…
Augusta, Princess of Wales (1719-72) emerges from the canvas through the brush of Jean-Baptiste van Loo. This formal portrait captures the Princess in a moment of quiet, regal poise. The French portrait painter Jean-Baptiste van Loo brings a sense of high social status to her likeness, utilizing a composition that emphasizes her nobility. Every detail of her ceremonial attire speaks to a life of immense wealth and importance within the…
In this 1720 oil painting, we witness a scene of profound spiritual movement. The composition is built upon a strong diagonal, pulling the eye from the celestial heights down into the heavy, shadowed confines of a prison. An angel descends through a rift of golden light, breaking the gloom to reach for Saint Peter. The light is not merely a visual element; it is the primary actor in the scene,…
The sky is a heavy, swirling mass of grey and muted blue. From this celestial weight, Diana descends. She moves in a sweeping upward arc, her body twisting with a grace that defies the gravity of the rocky landscape below. Her skin holds a luminous quality, catching a light that seems to fall from a realm beyond the clouds. She is draped in fabric of deep blue and dark green,…
In this portrait, Jean-Baptiste van Loo presents Catherine Opalińska, Queen of Poland. Painted about 1725, the work captures a woman of significant historical standing. Catherine held the position of Queen consort and Grand Duchess consort of the Polish–Lithuanian Commonwealth on two separate occasions. Her life was defined by the complex political landscapes of the eighteenth century, moving between the courts of Europe as a figure of high nobility.
Created about 1730, Apollo and Daphne by Jean-Baptiste van Loo captures the precise moment of metamorphosis. The scene follows the nymph Daphne as she attempts to escape the pursuit of Apollo. This mythological transformation marks the origin of the laurel tree and its enduring connection to the god.
The Portrait of Marie Leszczyńka. is an oil on canvas work executed by the French portrait painter Jean-Baptiste van Loo. Dated 1725, the painting depicts Marie Leszczyńska, who held the position of Queen of France as the wife of King Louis XV. The subject was born at the Château de Fontainebleau. She was the daughter of Stanislaus I Leszczyński and Catherine Opalińska.
Love Leaving Psyche1744 · Opera House
12
Portrait Of 4th Earl Of Chesterfield (1694-1773)1740 · Birmingham Museum and Art Gallery
13
Portrait Of Sir Richard Temple, 4th Viscount of Birmingham1740 · Birmingham Museum and Art Gallery
14
John Hervey, 1st Earl of Bristol (1665-1751)1742 · Ickworth
15
Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743) holding his Purse of Office as Lord Privy Seal1741 · Ickworth
16
Horatio Walpole, 1st Baron Walpole of Wolterton (1678-1757)1739 · Hardwick Hall
17
Augusta, Princess of Wales with Members of her Family and Household1739 · Royal Collection
18
Young Louis XV, in Cuirass1750
19
Portrait of Louis XV1750
20
Louis XV, king of France and Navarre1723 · Château de Versailles
21
King Louis XV With Armor in His Tent (El Rey Luis XV Con Armadura en Su Tienda)Zaragoza Museum
22
The Bath of DianaMusée des Beaux-Arts
23
William Murray, 1st Earl of MansfieldMuseum of Fine Arts
24
Portrait of a Lady (Madame Favart) in a pink and white striped dress
25
Portrait of Catherine Opalińska as Queen of Poland
26
Triumph of Galatea1720 · Hermitage muuseum
27
William Murray, 1st Earl of Mansfield1737 · National Portrait Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jean-Baptiste Van Loo teosid | Selle nimekirja maalid |
|---|---|---|---|
 Buckinghami palee |
London | 2 | Frederick, Prince of Wales (1707-51), Augusta, Princess of Wales (1719-72) |
 National Portrait Gallery |
London | 2 | Robert Walpole, William Murray, 1st Earl of Mansfield |
 Hermitage muuseum |
Stiiitlinburg | 2 | Portrait of Sir Robert Walpole, Triumph of Galatea |
 Opera House |
Versailles | 2 | Catherine Opalińska, Queen of Poland, Love Leaving Psyche |
 Château de Versailles |
Versailles | 2 | Portrait of Marie Leszczyńka., Louis XV, king of France and Navarre |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Portrait Of 4th Earl Of Chesterfield (1694-1773), Portrait Of Sir Richard Temple, 4th Viscount of Birmingham |
 Ickworth |
Suffolki maakond | 2 | John Hervey, 1st Earl of Bristol (1665-1751), Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743) holding his Purse of Office as Lord Privy Seal |
 Yale Center for British Art |
New Haven | 1 | The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this 1720 oil painting, we witness a scene of profound spiritual movement. The composition is built upon a strong diagonal, pulling the eye from the celestial heights down into the heavy, shadowed confines of a prison. An angel descends through a rift of golden light, breaking the gloom to reach for Saint Peter. The light is not merely a visual element; it is the primary actor in the scene,…
The sky is a heavy, swirling mass of grey and muted blue. From this celestial weight, Diana descends. She moves in a sweeping upward arc, her body twisting with a grace that defies the gravity of the rocky landscape below. Her skin holds a luminous quality, catching a light that seems to fall from a realm beyond the clouds. She is draped in fabric of deep blue and dark green,…
The Prince stands in a quiet, vertical command. He is draped in heavy velvet, a deep blue that absorbs the light, trimmed with the stark, soft white of ermine. To his side, a table holds a crown, its gold catching a single, sharp light. The background is a dark, indistinct void, pushing his figure forward into the viewer's space. Every fold of his satin clothing carries the weight of his…
Frederick, Prince of Wales (1707-51) (1742), Buckinghami palee, London. Järgnevad Robert Walpole (1740) ja The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire (1740).
58 aastat vanus: teos Frederick, Prince of Wales (1707-51) on pärinev aastast 1742 ning Jean-Baptiste Van Loo sündis aastal 1684.
Frederick, Prince of Wales (1707-51), Robert Walpole, The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire, Portrait of Sir Robert Walpole, Augusta, Princess of Wales (1719-72), Saint Peter Delivered from Prison, Diana and Endymion, Catherine Opalińska, Queen of Poland, Apollo and Daphne ja Portrait of Marie Leszczyńka.. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 27 teost kunstnikult Jean-Baptiste Van Loo, mis on pärinevad ajastust 1720 kuni 1744.
Peamiselt Buckinghami palee (London), National Portrait Gallery (London) ja Hermitage muuseum (Stiiitlinburg) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1740s: 10 27 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Frederick, Prince of Wales (1707-51).
Sellel lehel on kõige vanem teos Saint Peter Delivered from Prison (1720) ja kõige värskeim Love Leaving Psyche (1744).
Man (15), Gold embroidery (7) ja Wig (7), kogu selle lehekülje 27 teose kohta.
Oil On Canvas, 18 teoseks 27 töödelt sellel lehel.
Rococo, seda lähtudes selle lehe originaalteostest.
Frederick, Prince of Wales (1707-51) ja Augusta, Princess of Wales (1719-72): Buckinghami palee, London säilitab 2 selle lehel olevat teost.
Aastal 1737 suunas Jean-Baptiste Van Loo oma sammud Inglismaale, kus ta saavutas kiiresti tunnustumise Colley Cibber ja Owen McSwiny portreerimisega. Siiski jäi tema Briti periood lühiajaliseks, kuna kahanev tervis sundis teda aastal 1742 naasema Prantsusimaale ning lõpuks asuma tagasi Aix-en-Provence'is, kus ta aastal 1745 surni jäi. Vaatamata tema Inglismaal viibitud viibingu lühidusest, jättis see püsiva jälje selle ajastu kunstilavale. Tema tööd mõjutasid järgnevaid portretistide põlvkondi, kes imetlesid tema tehnilist täpsust ja pühendumust realismile. Jean-Baptiste Van Loo pärand ulatub kaugele tema üksikate meistritekirjanõid üle; ta on murdepunktiline tegelane 18. sajandi portretistiku arenduses, ühendades kokku barokki ja rokokoo stiilid. Tänapäeval püsivad tema maalid vaatajates huulest läbivõitvana oma ajaloolise tähtsuse ja kunstilise väärtuse tõttu, pakkudes lennukat pilku möödunud ajastu elegantsile, võimule ja peeneks viimistletud kunstilisele meistriennale. Tema teoseid saab leida nii prominentsetest kogumistest nagu Londoni National Portrait Gallery, tagades, et tema panus kunsti ajalugu on edasini kättesaadav tulevile põlvkonnale.
