Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 172 teost Jan Wijnants meie kataloogis
Lühidalt
Landscape with Cattle on a Country Road (1684) on Jan Wijnants maalide kõige silmapaistvam teos; originaal kuulub museumi Rijksmuseum, Amsterdam. Pärast seda suunatakse pilk A peasant cottage (1650) ja Landscape with horsemen and beggars (1660) suunas. Meie kataloogis olevatest Jan Wijnants 172 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The sun filters through a heavy, overcast sky, casting a soft and diffused light across a winding country road. A sense of profound stillness settles over the landscape, broken only by the slow, rhythmic movement of cattle grazing along the path. To the left, a prominent tree anchors the scene, its branches reaching out to frame the view and providing a sturdy vertical contrast to the gentle curves of the…
A heavy, textured brick cottage anchors the left side of this 1650 landscape, its irregular roofline and stone walls suggesting a structure built from the very earth it occupies. A winding dirt path draws the eye away from the dwelling, receding into a dense woodland on the right. The composition relies on an asymmetrical balance, where the weight of the architecture is countered by the organic sprawl of trees and…
A winding dirt path dictates the movement of this 1660 landscape, pulling the eye from the immediate foreground toward a receding horizon. Along this sandy route, a diverse assembly of travelers—horsemen, beggars, and pedestrians—navigates the terrain. The composition relies on a strong diagonal, guided by the skeletal branches of a foreground tree and the verticality of a distant forest. Earthy tones of ochre and brown anchor the scene, while a…
The air feels heavy with the scent of damp earth and wild grass as a winding dirt path cuts through the rugged topography of the hills. A hunter moves along a ridge to the left, accompanied by a pack of hounds that scatter across the uneven ground, their forms blending into the shadows of the landscape. Nearby, another figure walks steadily along the path in the lower right, a solitary…
In this 1667 landscape, we find ourselves within the shifting, undulating terrain of the dunes near Haarlem. The composition is defined by an asymmetrical balance, where a large, elevated dune formation rises on the right, creating a sense of depth through overlapping planes. A winding dirt path draws the eye from the bottom left foreground, leading toward the middle ground where the landscape opens up. The palette is grounded in…
Hilly Landscape with a Beggar Family is a work by Jan Wijnants, a painter who emerged from the Dutch Golden Age. Born in Haarlem in 1632, Wijnants developed a practice that would eventually lead him to Amsterdam, where he remained until his death in 1684. This particular piece, dating to about 1665, reflects the quietude and atmospheric depth characteristic of his mature period.
The air feels heavy with the scent of damp earth and crushed grass as a soft, sepia light filters through the canopy of a massive, ancient tree. This tree anchors the scene, its bark textured with deep ridges and its branches reaching out like weathered fingers to frame the sky. Beneath its sprawling shade, a hunter finds a moment of respite. He sits quietly on a gentle rise, his body…
A man leads his horse to the edge of a small stream. The animal bows its head, its muzzle breaking the surface of the water to drink. At the foot of a soft dune, the landscape settles into a quiet rhythm. Nearby, a man and a woman rest along the road, their presence a silent addition to the pastoral scene. The light is soft and diffused, catching the texture of…
Step back with us into the tranquil heart of the 17th century Netherlands, where Jan Jansz Wijnants captured life not as a grand historical epic, but as a series of exquisitely observed, deeply atmospheric moments. This painting, depicting a Landscape with Two Hunters, invites the viewer to pause amidst the pastoral rhythm of rural Dutch existence. The scene unfolds under a vast, cloudy sky, lending an air of dramatic yet…
To gaze upon this depiction of the Parable of the Good Samaritan is to be arrested by a moment of profound human connection amidst dramatic suffering. Painted in 1670, this canvas captures not merely a biblical narrative, but the very essence of compassion made visible. The scene unfolds with palpable tension; at the heart lies the injured man, his vulnerability stark against the ground, drawing the viewer's eye immediately to…
Evening Landscape1665 · Kunsthistorisches Museum
12
Forest Entrance1674 · Kunsthistorisches Museum
13
Landscape with Figures1665 · Scottish National Gallery
14
Dune Landscape1665 · Museum Boijmans Van Beuningen
15
Landscape with a pond1643
16
Landscape with Rider1658 · Bavaria riiklikud maalidema kogumikud
17
Landscape with Shepherds1658 · Bavaria riiklikud maalidema kogumikud
18
Landscape1658 · Bavaria riiklikud maalidema kogumikud
19
Dune Landscape with Lake1660
20
Wooded Hilly Landscape with a Road1660
21
Landscape with Hunters1660 · Cleveland Museum of Art
22
Herengracht, Amsterdam1661 · Cleveland Museum of Art
23
Paysage avec des chasseurs1660 · Musée Fabre
24
Landscape with hunters1650
25
Landscape with Hunting Party1658 · Bavaria riiklikud maalidema kogumikud
26
Wooded Landscape1658 · Bavaria riiklikud maalidema kogumikud
27
Evening landscape with a farm1655 · Frans Halsi muuseum
28
Landscape at the Edge of Woods1659 · Mauritshuis
29
Shore of a river with houses and trees1655
30
A Hilly Landscape1660 · Wallace Collection
31
Landscape with a Dead Tree and Figure1659
32
A Hilly Landscape1660 · Wallace Collection
33
Landscape with a Bare Tree1659 · Wallace Collection
34
Path at the Edge of the Dunes1665 · Bavaria riiklikud maalidema kogumikud
35
Landscape with Cattle and Rural Couple1672 · Bavaria riiklikud maalidema kogumikud
36
The Dune Path1666 · Bavaria riiklikud maalidema kogumikud
37
Forest Edge1668
38
Landscape with cattle at a wading place1670
39
Landscape with Rolling Hills and a Stag Hunt1670
40
Hunting party in the dunes1670 · Nivaagaards Malerisamling
41
A wooded landscape with a fallen tree trunk, thistle and a farm beyond1673
42
Landscape with Rider, 16701670 · Städel Museum
43
River Landscape with Fisherman and Hunter, 16711671 · Städel Museum
44
Landscape with a Hunter1665 · Museum der bildenden Künste
45
Landscape with a Hunter1670 · Holburne Museum
46
The Leafless Tree1670
47
Landscape with Farmhouse1670
48
Hilly Landscape with Dead tree and Peasants1663
49
Dune landscape with resting hunters with falcons1667 · Wallraf-Richartz-Museum
50
Dune landscape1665
51
Hilly Landscape with Cows1665 · Staatliche Kunsthalle Karlsruhe
52
Dune landscape1670 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
53
Landscape with River1667 · National Museum of Art, Architecture and Design
54
Autumn Landscape1667 · National Museum of Art, Architecture and Design
55
A wooded landscape with a fallen tree trunk, thistle and figures beyond1669
56
Sportsmen in the Dunes1669 · Royal Collection
57
Landscape1670 · Royal Museum of Fine Arts Antwerp
58
Landscape with People on Foot1665 · Statens Museum For Kunst
59
Landscape with Farm1665 · Statens Museum For Kunst
60
Winter Scenery1665 · Statens Museum For Kunst
61
Dune landscape with resting hunters1669 · Rijksmuseum
62
Landscape with rider and beggar1667 · New York Historical Society
63
Road through the Dunes1664 · Nationalmuseum
64
Hilly landscape in evening light1665 · Staatliche Kunsthalle Karlsruhe
65
Mountain landscape with a river in the evening light1665 · Staatliche Kunsthalle Karlsruhe
66
Landscape with a Fallen Tree, Peasants and Huntsmen1672 · Kelvingrove Art Gallery and Museum
67
Landscape with a Hawking Party1666
68
A Hilly Landscape with a Hawking Party1665 · Royal Collection
69
Extensive Wooded Landscape with Herdsmen and Cattle on a Road1666 · Nostell Priory
70
Wooded Landscape1670 · Museum of Fine Arts
71
Figures on a Road by a Wood1668 · Ascott House
72
Landscape with Cattle1670 · Fitzwilliam College
73
Peasants driving Cattle and Sheep by a Sandhill, and Two Sportsmen with Dogs1665 · National Gallery
74
Landscape with a Pedlar and a Woman Resting1669 · Rijksmuseum
75
River Scene with Figures1670 · Bristol Museum - Art Gallery
76
Wooded Landscape1671
77
Landscape with Cattle1670 · Manchesteri Kunstigalerii
78
A Landscape with a Woman driving Sheep through a Ruined Archway1667 · National Gallery
79
Landscape with River1675 · Bavaria riiklikud maalidema kogumikud
80
Landscape with Falconer1675 · Bavaria riiklikud maalidema kogumikud
81
Path Opening onto a Plain, with a Falconer1675
82
Shepherds and Sheep by a Pathside1675
83
Landscape with a Farm1675
84
Wooded Landscape with a River1679 · National Gallery of Ireland
85
Road in a Dune Landscape1675 · Mauritshuis
86
Landscape1679 · Varssavi Rahvusmuuseum
87
Landscape with a Dying Tree1684 · Muzeum Narodowe w Warszawie
88
Hilly Landscape with a Rider on a Country Road1684 · Rijksmuseum
89
Landscape with Two Dead Trees, Two Sportsmen with Dogs on a Sandy Road1675 · National Gallery
90
Landscape in Dunes with a Married Couple1684
91
Landscape with Donkey Rider1684 · Rijksmuseum
92
LandscapeDulwichi Pildigalerii
93
Landscape with a Woman and a DogFitzwilliam College
94
Landscape with a Hunter and Figures1670 · Rijksmuseum
95
A Track by a Dune, with Peasants and a Horseman
96
Landscape with Travellers Resting
97
Landscape with Shepherds and AnimalsBavaria riiklikud maalidema kogumikud
98
Hilly Landscape with Hunters on a Sandy Path
99
Landscape with CattleRoyal Museum of Fine Arts Antwerp
100
LandscapeRoyal Museum of Fine Arts Antwerp
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jan Wijnants teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 11 | Landscape with Rider, Landscape with Shepherds, Landscape |
 Rijksmuseum |
Amsterdam | 9 | Landscape with Cattle on a Country Road, A peasant cottage, Landscape with a Rider Watering His Horse |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 4 | Hilly Landscape with a Beggar Family, Hilly Landscape with Cows, Hilly landscape in evening light |
 Royal Museum of Fine Arts Antwerp |
Antverp | 4 | Landscape, Landscape with Cattle, Landscape |
 Wallace Collection |
London | 3 | A Hilly Landscape, A Hilly Landscape, Landscape with a Bare Tree |
 Statens Museum For Kunst |
Kooberemaa | 3 | Landscape with People on Foot, Landscape with Farm, Winter Scenery |
 National Gallery |
London | 3 | Peasants driving Cattle and Sheep by a Sandhill, and Two Sportsmen with Dogs, A Landscape with a Woman driving Sheep through a Ruined Archway, Landscape with Two Dead Trees, Two Sportsmen with Dogs on a Sandy Road |
 Fitzwilliam College |
Cambridge | 4 | Landscape with Cattle, Landscape with a Woman and a Dog |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The scene unfolds through a heavy, clouded sky that presses down upon a Dutch landscape. A rugged, elevated bank of earth dominates the foreground, its surface broken by scattered logs and tangled vegetation. This uneven ground slopes steeply toward a calm pond tucked into the lower right corner. A dirt path cuts a diagonal line through the composition, leading the eye from a small, thatched-roof cottage on the far left…
A heavy, textured brick cottage anchors the left side of this 1650 landscape, its irregular roofline and stone walls suggesting a structure built from the very earth it occupies. A winding dirt path draws the eye away from the dwelling, receding into a dense woodland on the right. The composition relies on an asymmetrical balance, where the weight of the architecture is countered by the organic sprawl of trees and…
A winding dirt path dictates the movement of this 1660 landscape, pulling the eye from the immediate foreground toward a receding horizon. Along this sandy route, a diverse assembly of travelers—horsemen, beggars, and pedestrians—navigates the terrain. The composition relies on a strong diagonal, guided by the skeletal branches of a foreground tree and the verticality of a distant forest. Earthy tones of ochre and brown anchor the scene, while a…
To gaze upon this depiction of the Parable of the Good Samaritan is to be arrested by a moment of profound human connection amidst dramatic suffering. Painted in 1670, this canvas captures not merely a biblical narrative, but the very essence of compassion made visible. The scene unfolds with palpable tension; at the heart lies the injured man, his vulnerability stark against the ground, drawing the viewer's eye immediately to…
The sun filters through a heavy, overcast sky, casting a soft and diffused light across a winding country road. A sense of profound stillness settles over the landscape, broken only by the slow, rhythmic movement of cattle grazing along the path. To the left, a prominent tree anchors the scene, its branches reaching out to frame the view and providing a sturdy vertical contrast to the gentle curves of the…
Landscape with Cattle on a Country Road (1684), Rijksmuseum, Amsterdam. Järgnevad A peasant cottage (1650) ja Landscape with horsemen and beggars (1660).
52 aastat vanus: teos Landscape with Cattle on a Country Road on pärinev aastast 1684 ning Jan Wijnants sündis aastal 1632.
Landscape with Cattle on a Country Road, A peasant cottage, Landscape with horsemen and beggars, Hilly Landscape with Hunters and Hounds, The Dunes near Haarlem, Hilly Landscape with a Beggar Family, Landscape with a resting hunter, Landscape with a Rider Watering His Horse, Landscape with Two Hunters ja Parable of the Good Samaritan. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 172 teost kunstnikult Jan Wijnants, mis on pärinevad ajastust 1643 kuni 1684.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Rijksmuseum (Amsterdam) ja Staatliche Kunsthalle Karlsruhe (Karlsruhe) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1660s: 41 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Landscape with horsemen and beggars.
Sellel lehel on kõige vanem teos Landscape with a pond (1643) ja kõige värskeim Landscape with Cattle on a Country Road (1684).
Sky (62), Landscape (48) ja Clouds (43), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 52 teoseks 100 töödelt sellel lehel.
Dutch golden age, seda lähtudes selle lehe originaalteostest.
Landscape with Rider, Landscape with Shepherds ja Landscape: Bavaria riiklikud maalidema kogumikud, München säilitab 11 selle lehel olevat teost.
Jan Jansz Wijnants on nimi, mis võib olla oma ajakaudsete kunstnike seas vähemalt koheselt tuntud, kuid ta hoiab siiski olulist kohta 17. sajandi Hollandi maaparidistajate panteonist. Sündinud Haarlemis aastal 1632, pühendas Wijnants oma elu madalrikete rahustavale ilule, sisustades oma stseenid atmosfäärilise sügavuse ja vaikse lirismiga, mis leidis sügavat vastuvõttu tema ajastu tundlikuses. Tema kunst pakub aken maailma, mis on täidetud pastoraalse võluga, kus idyllistes ü Surroundides toimuvad igapäevased tegevused on elustatud inimfiguuridega.
Wijnantsi kunstiline teekond algas peres, mis oli juba kunstimaailmaga seotud; tema isa, Jan Wijnants, oli Haarlemis tegutsev katolik kunsti dealer. See peresuhe tõi kaasa ilmselt varajase kokkupuute maalidega ja soostis visuaalse kultuuri väärtustamist. Pärast ema surma abi meeles uus Maria Jans van Stralen, luutes unikaalse kunstilise suguluse, kuna tema poeg Egbert Jaspersz van Heemskerck sai Wijnantsist iistepsoni. Wijnantsi varajase koolituse täpsed üksikasjad jäävad veidi hämaraks, kuid teada on, et ta tegutses Haarlemis umbes kuni aastani 1660. See periood oli tõenäoliselt see, mil ta imetas kohalike meistrite mõjutusi ja arendas välja oma eripärase stiili.
Umbes aastal 1660 kolles Wijnants Amsterdami, mis oli karge kaubandusliku ja kunstilise uuenduse keskpunkt. Just siin tõi tema karjäär tõelise õitsemise. Kuigi biografilised andmed sellest perioodist on vähegi, pal 드러avad tema Amsterdamis loodud maalid täiskasvanud kunstnikku, kes on oma visiooni suhtes täielikult enesekindel. Ta spetsialiseerus maastikudele, kus nähtakse madu teel karni, puhkuvaid inimesi ja laiavaateid, mis meenutavad Itaalia maastikku – stiili, mida tuntakse kui "italiseerund maastik". Need teosed ei olnud pelgalt topograafilised kujendused; need olid hoolikalt konstrueritud kompositsioonid, mille eesmärk oli tekitada rahu, harmoonia ja idealiseeritud ilu tunne.
Wijnantsi kunst demonstreerib mõjutite põnevust interaktiivsust. Kuigi ta on kindlalt juurdunud Hollandi realistliku maaparidistuse traditsioonis, pal 드러avad tema teosed ka väärtustamist kompositsiooniprintsidele ja atmosfäärsetele efektidele, mida eelistasid italiseerund meistrid. Nicolaes de Vree ja Adriaen van de Velde nagu maalari mõju on nähtav tema varajates töödes, kuid ta arendas kiiresti välja oma eripärase stiili. Tema maalid iseloomustavad sageli pehme, hajutatud valgus, peenud pintstroogid ja peen sottunud palett, mis loob atmosfäärilise sügavuse tunne. Ta oli eriti osav puustiku tekstuuride, vees mängiva päikeseluvi ja oma figuuride natuuralistlike asendite kujundamises. Hilisema ajast kunstnikud nagu Thomas Gainsborough ja Wilhelm von Kobell said inspiratsiooni just Wijnantsi rahustavatest kompositsioonidest.
Jan Jansz Wijnants surmas Amsterdamis aastal 1684, jättes järele teoskogumi, mis võlustab vaatajates ka tänapäeval. Kuigi ta ei olnud mõne oma ajakaudlasega nii produktiivne, on tema maalid hinnatud nende suurepärase ilu, tehnilise oskuse ja sugestiivse atmosfääri tõttu. Tema maastikud pakuvad pilku Hollandi kuldaja kummardusele loodusele, pastoraalse elu väärtustamisele ja realistlikule kujundamisele. Tema teoseid saab leida märkimistesa kollektsioonides, sealhulgas Brugi Memlingi muuseumis, mis toimib tõestusena tema püsivast pärandist. Wijnantsi võime täita tavalised stseenid rahu ja poeetilise ilu tunnetega tagab tema koha ühe kõige armastatumata maaparidistaja ලෙස Hollandi kuldajast.
