Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 71 teost Jan Miel meie kataloogis
Lühidalt
Scene from the Life of Tramps (Lazzaroni) (1650) on Jan Miel maalide kõige silmapaistvam teos; originaal kuulub museumi Hermitage muuseum, Stiiitlinburg. Pärast seda suunatakse pilk Hunters at Rest (1650) ja Carnival Entertainment (1635) suunas. Meie kataloogis olevatest Jan Miel 71 teosest on need 71 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
A heavy, ochre light settles over the crumbling stone of ancient ruins. Here, the shadows are thick and deep, swallowing the corners of a chaotic street scene. Figures move through the haze of smoke and dust, their bodies caught in a sudden, sharp glare of sun. A man gestures with urgency, his hands carving shapes into the air, while others sit in the dirt, anchored by the weight of their…
is an oil on canvas painting by the Flemish artist Jan Miel. Created about 1650, the work captures a quiet moment within a pastoral scene. It depicts a hunting party finding respite amidst the landscape. The scene is anchored by the presence of horses and the sturdy silhouette of a fortified tower.
In "Carnival Entertainment" by Jan Miel, we find ourselves amidst a dense and dynamic urban scene. The composition is crowded, capturing a street festival where a large group of figures occupies the foreground and middle ground. These individuals—musicians, dancers, and various onlookers—are arranged to create a sense of constant movement. The perspective is a ground-level view, which provides a palpable sense of depth through the careful layering of people and…
The oil painting titled Sine Cerere et Baccho Friget Venus presents a mythological scene of abundance. Jan Miel rendered this work in 1645. It captures a moment where classical deities gather amidst the symbols of harvest and intoxication. The figures exist within a lush, Baroque-style arrangement of life and plenty.
The air in the grand, classical space feels heavy with the scent of incense and the weight of sudden grief. In the center of this dramatic scene, St. Lambert lies in repose, his body a pale, still anchor amidst a sea of movement. Above him, the celestial realm breaks through the gloom; an angel descends with fluid, sweeping drapery that seems to catch a wind from another world. The light…
The air at the roadside inn feels heavy with the scent of dust and old stone. Under a rugged stone archway, a group of travelers huddles in a moment of quiet tension. A woman in a garment of lapis blue leans toward a man, her presence a cool contrast to the earthy ochre and deep crimson that define the crowd. He is the soothsayer, a figure caught in the flickering…
The scene unfolds within the oil on canvas work titled Two hunters resting in a landscape (the standing hunter is a woman in men's clothes). This composition emerges from the hand of Jan Miel, a painter who brings a sense of immediate life to the quietude of the hunt. The work is dated 1639, capturing a specific moment of stillness amidst the natural world.
Three peasants having fun with music and dance by Jan Miel presents a lively genre scene centered on three figures engaged in rhythmic activity. The composition is dynamic, utilizing an intimate perspective that places the viewer in close proximity to the subjects. Within this shallow space, the central figure is captured mid-motion, a choice that establishes a sense of rhythmic movement throughout the scene. To the left of the main…
The Travelers' Dinner. Peasants Eating Near an Inn or Resting is a genre painting by Jan Miel. This work emerged around 1650, a period when the artist was active within the artistic circles of the seventeenth century. The canvas captures a specific slice of rural life through the eyes of a painter who understood the weight of stone and the texture of coarse cloth.
We are looking at An Italianate Landscape with Peasants Dancing, a work by Jan Miel. This piece dates to about 1650, a period when the artist was deeply engaged with the stylistic shifts occurring within the Italian Baroque. It is a significant example of how Miel navigated the transition from the gritty, everyday observations of the Bamboccianti to more expansive, classical compositions.
Falcon hunters in front of an inn in a ruin1650
12
The beggar1650
13
Barber and roulette players1650
14
Military resting with a fortune teller1650
15
Carnival parade in Rome1660
16
Hannibal's dream1661
17
Figures in the vicinity of architectural ruins1650
18
The gathering of the hunters1660 · Galleria Sabauda
19
Boar hunt1660 · Venaria Reale palee
20
Bear hunt1659 · Venaria Reale palee
21
Diana the Huntress1658 · Venaria Reale palee
22
Adoration of the Shepherds1650 · Pushkini riiklik kunstimuuseum
23
Serenade with dancers and musician1650
24
The Race of the Berber Horses in Rome1664
25
Traveling theatre1700
26
Harbour1652 · Hermitage muuseum
27
La curea - curée - con corte Regale, Carlo Emanuele II e Franesca d1661 · Venaria Reale palee
28
Dance in the Trattoria1647 · Academy of Fine Arts Vienna
29
LE BARBIER NAPOLITAINLouvre'i muuseum
30
St John the Baptist Preaching in the DesertNationalmuseum
31
The Arch of Constantine in Rome1648 · Barber Institute of Fine Arts
32
Scene in front of a tavern1638 · Varssavi Rahvusmuuseum
33
Figures Feasting at a Fair in Prati, Outside the Walls of Rome, with the Saint Peter's Basilica and Monte Mario Beyond1650
34
Deer hunt1661 · Venaria Reale palee
35
The death of the deer1660 · Venaria Reale palee
36
The Courtyard of Palazzo Nardini in Rome1650 · Palazzo Barberini
37
Hunters at RestMuseo del Prado
38
Architectural Landscape1638 · Hermitage muuseum
39
Carnival Time in Rome1653 · Museo del Prado
40
The snackMuseo del Prado
41
Cottage with inhabitantsMuseo del Prado
42
The local BarberMuseo del Prado
43
Popular sceneMuseo del Prado
44
The Flight into EgyptStatens Museum For Kunst
45
Soldiers RestingNationalmuseum
46
Peasants RestingNationalmuseum
47
Hunters RestingNationalmuseum
48
Fox huntingVenaria Reale palee
49
Jugglers passing – CarnivalVarssavi Rahvusmuuseum
50
MARCHAND D'ESCARGOTS
51
Road in the Roman CampagnaHermitage muuseum
52
PAYSAGE AVEC FIGURES
53
Maraudeurs italiens Une halte (autre titre)
54
Pastorale avec bergère endormie
55
The fugitive Erminia asks a fellow countryman for admission
56
The Assembly1660 · Château de Versailles
57
The vihuela playerMuseo del Prado
58
LA DINEE DES VOYAGEURSLouvre'i muuseum
59
Genre Scene1650 · Hermitage muuseum
60
Landscape with herdersMuseo del Prado
61
LA HALTE MILITAIRELouvre'i muuseum
62
Landscape with a Battle between Two Rams1640 · Metropolitan Museum of Art
63
Hunters at RestHermitage muuseum
64
Shepherds and herd in a mountainous landscapeMusée Calvet
65
Carnival in the Piazza Colonna, RomeWadsworth Atheneum
66
Roman Lime Kiln with Peasants Gambling
67
Italian Peasants outside a TavernRoyal Collection
68
Un savetier
69
The bowls players
70
LE MENDIANTLouvre'i muuseum
71
CharlatanHermitage muuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jan Miel teosid | Selle nimekirja maalid |
|---|---|---|---|
 Hermitage muuseum |
Stiiitlinburg | 8 | Scene from the Life of Tramps (Lazzaroni), Hunters at Rest, Harbour |
 Museo del Prado |
Madrid | 8 | Hunters at Rest, Carnival Time in Rome, The snack |
 Venaria Reale palee |
Venaria Reale | 7 | Boar hunt, Bear hunt, Diana the Huntress |
 Louvre'i muuseum |
Pariis | 4 | LE BARBIER NAPOLITAIN, LA DINEE DES VOYAGEURS, LA HALTE MILITAIRE |
 Nationalmuseum |
Stockholm | 4 | St John the Baptist Preaching in the Desert, Soldiers Resting, Peasants Resting |
 Varssavi Rahvusmuuseum |
Varssavi | 2 | Scene in front of a tavern, Jugglers passing – Carnival |
 Bavaria riiklikud maalidema kogumikud |
München | 1 | Carnival Entertainment |
 Fitzwilliam Museum |
1 | The Veneration of St. Lambert |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In "Carnival Entertainment" by Jan Miel, we find ourselves amidst a dense and dynamic urban scene. The composition is crowded, capturing a street festival where a large group of figures occupies the foreground and middle ground. These individuals—musicians, dancers, and various onlookers—are arranged to create a sense of constant movement. The perspective is a ground-level view, which provides a palpable sense of depth through the careful layering of people and…
The oil painting titled Sine Cerere et Baccho Friget Venus presents a mythological scene of abundance. Jan Miel rendered this work in 1645. It captures a moment where classical deities gather amidst the symbols of harvest and intoxication. The figures exist within a lush, Baroque-style arrangement of life and plenty.
A heavy, ochre light settles over the crumbling stone of ancient ruins. Here, the shadows are thick and deep, swallowing the corners of a chaotic street scene. Figures move through the haze of smoke and dust, their bodies caught in a sudden, sharp glare of sun. A man gestures with urgency, his hands carving shapes into the air, while others sit in the dirt, anchored by the weight of their…
The artwork titled Carnival parade in Rome is a painting by the artist Jan Miel. This specific piece is dated about 1660. The work belongs to the genre of oil painting, capturing a public celebration within a Roman street setting.
Scene from the Life of Tramps (Lazzaroni) (1650), Hermitage muuseum, Stiiitlinburg. Järgnevad Hunters at Rest (1650) ja Carnival Entertainment (1635).
51 aastat vanus: teos Scene from the Life of Tramps (Lazzaroni) on pärinev aastast 1650 ning Jan Miel sündis aastal 1599.
Scene from the Life of Tramps (Lazzaroni), Hunters at Rest, Carnival Entertainment, Sine Cerere et Baccho Friget Venus, The Veneration of St. Lambert, Soothsayer at an inn, Two hunters resting in a landscape (the standing hunter is a woman in men's clothes), Three peasants having fun with music and dance, The Travelers' Dinner. Peasants Eating Near an Inn or Resting ja An Italianate Landscape with Peasants Dancing. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 71 teost kunstnikult Jan Miel, mis on pärinevad ajastust 1635 kuni 1661.
Peamiselt Hermitage muuseum (Stiiitlinburg), Museo del Prado (Madrid) ja Venaria Reale palee (Venaria Reale) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1650s: 18 71 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Scene from the Life of Tramps (Lazzaroni).
Sellel lehel on kõige vanem teos Carnival Entertainment (1635) ja kõige värskeim Hannibal's dream (1661).
People (21), Landscape (15) ja Architecture (14), kogu selle lehekülje 71 teose kohta.
Oil On Canvas, 34 teoseks 71 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
Scene from the Life of Tramps (Lazzaroni), Hunters at Rest ja Harbour: Hermitage muuseum, Stiiitlinburg säilitab 8 selle lehel olevat teost.
Jan Miel (1599–1663) astub esile kui võtmetäht XVII sajandi kunstimaastikul, sümboliseerides flamiimse traditsiooni ja itaalse uuenduste hämmastavat kokkupõllemist. Sündinud Belgias Beverenis — kuigi Antverp ja 's-Hertogenbosch on samuti võimalikud sünnupaigad — on Mieli varajane elu jäänud võlgtuule ette pühendatud hämarusse, jättes biograafilised detailid harvaks ajaks. Siiski paljastab teaduslik uurimine suurepärase kunstilise teekonna, mida isvestavad stiililine areng ja koostööprojektid, mis kinnistasid tema koha Rooma ja Torino vibrantses kultuurikeskkonnas.
Tema kujunendusvuodet veeti peamiselt Antverpis, kus ta imeles endasse tippmeisterite, nagu Anthony van Dycki, mõjud. Kuigi tema õppetöö täpne ulatus on ebaselge, installeeris see temasse kindlasti austuse täpsele jälgimisele ja rafineeritud tehnikale — omadused, mis isvestasid suuri osi tema hilisemas loomingul. See klassikalise joonistamise ja portreemaalide alus tuvastas vajaliku tööriistajaakule, mis lõpuks ületas piirkondlikud piirid.
Mieli saabumine Rooma umbes aastal 1636 märkis murdelikku hetki tema kunstilises trajektööris. Ta liitus kiiresti Bentvueghels seltsiga, mis oli mõjuva hollandi ja flamiimse kunstnike ühendus Igavesti linnas. Selles vennaskonnas võttis ta endale meeldejääva nime „bieco”, mis peegeldas tema eripärast silmakäärdust — omadust, sellest saabus tema kunstiline alter ego. See kuuluvus lois sügavale sidust laiemale kunstikeskkonnale, mida mõjutas tugevalt Pieter van Laeri Bamboccianti stiil.
See suundumine oli pühendunud Roma ja selle ümbruse madala klassi igapäevase elu kujutamisele, vältides Kõrgsõja renessanssi ideaalset suurmeedlust, et pakkuda midagi palju viskeraalsemat ja vahetut. Miel omakasutas seda suundumist kogu südamega, luues lummavaid žanrimaleed, mis tabasid linnatema elu vaimu märkimisväärse realismi ja tundlikkusega. Tema teosed sisaldasid sageli:
Tema karjääri edenedes läbis Mieli kunstiline visioon märkimisväärse metamorfoosi. Kuigi ta säilis žanrimaleede meistrina, hakkas ta lahkumis tegema Bambocciati karastatud realismist suunates end paremat klassitsistlikke ajaloomaleed. See muutus peegeldas laiemat trendi Euroopa kunstis, kus baroki toores energi see sai üha enam kontrollitud järjekorduse, ülevususe ja klassikalise alegoria sooviga.
See areng tõi teda lõpuks prestiežsete ametikohtade juurde, kõige enam aga teenimisele õukonnakunstnikuna Savooi hertogi Charles Emanuel II juures. Torino õukonna teenistuses võttis Mieli töö vastu suurema formaalsuse ja hiilgab kuju. Tema varasemate Rooma koode intimus annet lõtkus suurema skaala ja keerukusega kompositsioonidele, mis olid loodud peegeldama tema kuningliku patroonide võimu ja prestiiži. See periood kujutab tema professionaalset saavutust äärmisel tasemel, kus tema flamiimiline täpsus kohtus Euroopa aristokraatide nõudlikke suurepäraste narratiividega.
Jan Mieli ajalooline tähtsus peitub tema võimes navigeerida nendes erinimelistes maailmades. Ta oli kunstnik, kes leidis ilu Rooma tänavapoala vaeva ja väärikuse antiigi eepilistes lugudes. Sild kiskudes põhjamere täpsa realismi ja lõuna riiktliku klassitsismi vahel, jättis Miel oma jälje XVII sajandi kunstikanonile, tagades oma pärandi kui tõelise baroki ajastu kosmopoliitina.
