Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 65 teost James Guthrie meie kataloogis
Lühidalt
Galleriile on James Guthrie kõige kuulsam teos To Pastures New (1882). A Hind's Daughter (1883) ja Revd Dr Andrew Gardiner (died 1892) (1888) täidavad kolmikut, mille iga silm tunnistab. Kunstnii James Guthrie 65 teose põhjal esitleb galeriis allpool 64 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
James Guthrie completed A Hind's Daughter in 1883. The work presents an essentially Scottish scene, capturing a small girl who has just straightened up after cutting a cabbage. She looks directly at the viewer from within a cabbage field, her presence inextricably merged with the surrounding landscape.
A somber, three-quarter length portrait of an elderly man, rendered with the quiet dignity of the academic tradition. The subject sits turned slightly to his right, his gaze directed toward the viewer's right, emerging from a dark, atmospheric void. Light falls with dramatic intent upon his forehead, weathered skin, and hands, creating a chiaroscuro effect that emphasizes the textures of his white hair and the heavy fabric of his black…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
The afternoon air feels heavy and still as a man pauses on the sidewalk, his presence anchored by a sturdy pole. He wears a hat that casts a soft shadow over his features, and a cane rests in his hand, a silent companion to his slow, deliberate pace. At his side, a dog waits with loyal patience, while further off, another canine wanders through the scene. The world around them…
In "A Gallant of the Terror," James Guthrie presents a solitary figure caught in a moment of heavy introspection. This oil on canvas, painted about 1880, focuses on a weary man from the waist up. He sits in a quiet, shadowed space, his presence filling the frame with a sense of profound fatigue. A dark bicorne-style hat rests upon his head, and a blue jacket covers his shoulders, while a…
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
In this intimate bust-length portrait, we encounter the artist himself, captured in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the viewer's left while his eyes remain fixed forward, creating a sense of psychological depth. There is a certain gravity in his expression, a dignity that comes from a life spent observing the nuances of light and human character. He is dressed in…
In The Wash, James Guthrie presents a vertically oriented scene that immediately draws the eye to the center of the canvas. A solitary, weary figure is positioned centrally, burdened by a heavy load as they move through a desolate landscape. This central placement creates a profound sense of isolation, emphasizing the physical struggle inherent in the subject's movement. The composition is structured with a shallow perspective, where the figure is…
Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh1900 · Šoti Rahvusportreegalerii
12
Christina Wilson, Mrs Thomas Steven, 1827 - 1913.1903 · Scottish National Gallery
13
The Velvet Cloak1907 · Scottish National Gallery
14
Herbert Henry Asquith, 1st Earl of Oxford and Asquith1920 · National Portrait Gallery
15
William Morris Hughes, 1862 - 1952. Prime Minister of Australia. (Study for portrait in Statesman of the Great War)1920 · Šoti Rahvusportreegalerii
16
Sir Alfred Milner, 1st Viscount Milner, 1854 - 1925. Statesman. (Study for portrait in Statesmen of the Great War)1921 · Šoti Rahvusportreegalerii
17
William Ferguson Massey, 1856 - 1925. Prime Minister of New Zealand (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1921 · Šoti Rahvusportreegalerii
18
David Lloyd George, 1st Earl Lloyd-George of Dwyfor, 1863 - 1945. Statesman1920 · Šoti Rahvusportreegalerii
19
Sir Winston Churchill, 1874 - 1965. Statesman1919 · Šoti Rahvusportreegalerii
20
General Louis Botha, 1863 - 1919. Soldier and statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1918 · Šoti Rahvusportreegalerii
21
Arthur James Balfour, 1st Earl of Balfour, 1848 - 1930. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Šoti Rahvusportreegalerii
22
Sri Ganga Singh Bahadur, the Maharaja of Bikaner, 1880 - 1943. Statesman (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1920 · Šoti Rahvusportreegalerii
23
Edward Grey, 1st Viscount Grey of Fallodon1927 · National Portrait Gallery
24
Some statesmen of the Great War1927 · Šoti Rahvusportreegalerii
25
Edward Patrick Morris, 1st Baron Morris, 1859 - 1935. Prime Minister of Newfoundland. (Study for portrait in Statesmen of the Great War)1924 · Šoti Rahvusportreegalerii
26
Henry Herbert Asquith, 1st Earl of Oxford and Asquith, 1852 - 1928. Statesman1923
27
Andrew Bonar Law, 1858 - 1923. Statesman (study for portrait in Statesmen of World War I, 1914 - 1918, in the National Portrait Gallery, London)1924 · Šoti Rahvusportreegalerii
28
Edward Grey, Viscount Grey of Fallodon, 1862 - 1933. Statesman. (Study for portrait in Statesman of the Great War, National Portrait Gallery, London)1924 · Šoti Rahvusportreegalerii
29
Sir Eric Campbell Geddes, 1875 - 1931. Statesman. (Study for portrait in Statesmen of the Great War)1924 · Šoti Rahvusportreegalerii
30
Sir Joseph Cook, 1860 - 1947. Prime Minister of Australia. (Study for portrait in Statesmen of the Great War)1924 · Šoti Rahvusportreegalerii
31
Sir Robert Laird Borden, 1854 - 1937. Prime Minister of Canada. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Šoti Rahvusportreegalerii
32
George Nicoll Barnes, 1859 - 1940. Statesman. (Study for portrait in Statesmen of the Great War, National Portrait Gallery, London)1924 · Šoti Rahvusportreegalerii
33
Schoolmates1884 · Museum voor Schone Kunsten
34
The Shepherd Boy1883 · Scottish National Gallery
35
In a Monastery Garden1884 · Scottish National Gallery
36
Paid-Off1881
37
The Cottage on the Hill1881
38
Hard at It1883 · Kelvingrove Art Gallery and Museum
39
The Pedlar1881
40
Field Work in the Lothians1883
41
Gypsy Fires are Burning for Daylight's Past and Gone1881 · The Hunterian Museum and Art Gallery
42
Poppleton, The Artist at Work1882 · The Hunterian Museum and Art Gallery
43
Miss Helen Sowerby1882 · National Gallery of Scotland
44
The Camp in the Woods1880
45
A Funeral Service in the Highlands1881 · Kelvingrove Art Gallery and Museum
46
Street in Oban, Night1890 · Yale Center for British Art
47
The Tennis Racket1890
48
Candlelight1890
49
Maggie Hamilton1892 · Kelvingrove Art Gallery and Museum
50
The Ropewalk1888
51
Tennis1890
52
The Stonebreaker1886
53
Oban1893 · Scottish National Gallery
54
Oban1893 · Scottish National Gallery
55
Errol Guthrie
56
Pastoral1887 · National Gallery of Scotland
57
Pastureland1890 · Kelvingrove Art Gallery and Museum
58
Firelight Reflections1890
59
Old Willie, A Village Worthy1886 · Kelvingrove Art Gallery and Museum
60
In the Orchard1885 · Kelvingrove Art Gallery and Museum
61
Midsummer1890
62
The Morning Walk
63
St. Mary's Isle, Kirkcudbright
64
Statesmen of World War I1930 · National Portrait Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | James Guthrie teosid | Selle nimekirja maalid |
|---|---|---|---|
 Šoti Rahvusportreegalerii |
Edinburgh | 19 | Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait), Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh |
 Scottish National Gallery |
Edinburgh | 10 | Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), A Gallant of the Terror |
 Kelvingrove Art Gallery and Museum |
Glasgow | 6 | Hard at It, A Funeral Service in the Highlands, Maggie Hamilton |
 National Gallery of Scotland |
Edinburgh | 3 | A Hind's Daughter, Miss Helen Sowerby, Pastoral |
 National Portrait Gallery |
London | 3 | Herbert Henry Asquith, 1st Earl of Oxford and Asquith, Edward Grey, 1st Viscount Grey of Fallodon, Statesmen of World War I |
 The Hunterian Museum and Art Gallery |
Glasgow | 2 | Gypsy Fires are Burning for Daylight's Past and Gone, Poppleton, The Artist at Work |
 Museum voor Schone Kunsten |
Gent | 1 | Schoolmates |
 Yale Center for British Art |
New Haven | 1 | Street in Oban, Night |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The scene unfolds in To Pastures New, an oil on canvas painted by James Guthrie. Completed in 1883, the work captures a quiet moment of movement across the landscape. The artist, who lived from 1859 to 1930, brings a sense of life to this specific rural setting through his careful application of oil pigments.
The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896) is a portrait by James Guthrie. The subject is Anne Orr, also known as Mrs John Guthrie. She was the mother of the artist. This intimate study was painted about 1893.
The portrait titled Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman presents a commanding presence on the canvas. This work, painted about 1908, captures the likeness of the statesman and Prime Minister Sir Henry Campbell-Bannerman. Born in Glasgow, the subject meets the viewer through the steady gaze of a man who has navigated the highest levels of British politics. The painting emerges from the hand of Sir James Guthrie, a significant…
An elderly woman sits in profile, her presence anchored by the weight of an ornate chair. The light enters from the upper left, a soft wash that catches the curve of a cheek and the stillness of hands. She is draped in dark attire, a silhouette of deep blacks and browns that merges with the shadows of the room. The composition is quiet, placing her slightly off-center against a hazy,…
Statesmen of World War I is an oil on canvas painting by Sir James Guthrie. Completed in 1930, the work arrived at a significant moment in the artist's life. This large-scale composition was commissioned by the South African financier Sir Abraham Bailey. It was intended to commemorate the various politicians and statesmen of Britain and its Dominions who held office during the First World War.
To Pastures New (1882). Järgnevad A Hind's Daughter (1883) ja Revd Dr Andrew Gardiner (died 1892) (1888).
23 aastat vanus: teos To Pastures New on pärinev aastast 1882 ning James Guthrie sündis aastal 1859.
To Pastures New, A Hind's Daughter, Revd Dr Andrew Gardiner (died 1892), Mrs Craig Sellar of Ardtornish (1844 - 1929), Crowland, A Gallant of the Terror, Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, The Artist's Mother (Anne Orr, Mrs John Guthrie, 1817 - 1896), Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) ja The Wash. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 65 teost kunstnikult James Guthrie, mis on pärinevad ajastust 1880 kuni 1930.
Peamiselt Šoti Rahvusportreegalerii (Edinburgh), Scottish National Gallery (Edinburgh) ja Kelvingrove Art Gallery and Museum (Glasgow) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 24 64 sellel lehel olevat teost on sellel perioodil loodud, მათart közül To Pastures New.
Sellel lehel on kõige vanem teos A Gallant of the Terror (1880) ja kõige värskeim Statesmen of World War I (1930).
Man (7), Woman (3) ja Rural scene (3), kogu selle lehekülje 64 teose kohta.
Oil On Canvas, 15 teoseks 64 töödelt sellel lehel.
Impressionism ja Scottish realism, seda lähtudes selle lehe originaalteostest.
Sir Henry Campbell-Bannerman, 1836 - 1908. Statesman, Sir James Guthrie, 1859 - 1930. Artist and President of the Royal Scottish Academy (Self-portrait) ja Rev. Alexander Whyte, 1836 - 1921. Principal of New College, Edinburgh: Šoti Rahvusportreegalerii, Edinburgh säilitab 19 selle lehel olevat teost.
Ühendkuningas Greenockis sündinud Sir James Guthrie astus sisse 19. sajandi lõpus kunstimaastanniku keskmesse, muutudes selle ajastu asendamatuks figuuriks. Kuigi ta alustas initially õppetööd Glasgow ülikoolis õigusteadust, tundus lühike pühime ja lõõngast tulenev kutse lõõtsivatele pildile kutsumine vastupandamatuna, sundides ta 1877. aastal õppetööd alla jätma ja suuna oma elu maaliuuringutele. Erinevalt paljudest oma ajast autodest, kes otsisid täiuslikkust Pariisi stuudiois, valis Guthrie üksinduse ja eneseõppimise tee. Kuigi ta sai lühiajal juhendust sellistelt nimidelt nagu James Drummond Glasgows ja John Pettie Londonis, vormus tema kunstiline identiteet läbi sügava ja isikliku suhtluse looduse ja Prantsuse realistide teoste kogemusega.
Tema kunstiline arengut mõjutas sügavalt Jules Bastien-Lepage, kelle realismist lähenemine pakkus Guthrie'le eeskirja atmosfääri ja valguse täiuslikaks valjundamiseks. See side aitas tal saada märkimistavaks liikmeks grupis Glasgow Boys, mis oli tuntud traditsioonilise šotlise maali kunstide piire ületavast uuenemistele püüdmisest. Tema tööd lähenesid sageli kaugemale kui pelgalt dokumenteerimisele, püüdes pigem tabada valguse ja õhu lennukaid naelusid läbi vabadad pintstrookide ning vibratilise, kuid sageli vaigendatud väripalvri. Olgu siis teemaks tal on talu elu vaikne väärikus või portreemalingu intiimsed detailid, Guthrie võttis endale haruldase oskuse üle kanda stseenide emotsionaalne kaal lamedale linale.
Guthrie teosid on pärgelt tunnustatud nende emotsionaalse jõu tõttu, eriti tema võimetuse tõttu imbuidma maastikke sügava rahu tundega. Teostes nagu Pastureland näitab ta valgus ja varjundite sümfoonilist valitsemist, luues Šotlise maastiku immersiivse kogemuse. Tema tehnika hõlmus sageli impressionismi elemente, eelistades meeleolu ja tunnet täpse akadeemilise täpsuse asemel. See on nähtav tema tekstuuride kasutamises — karja pehme karv, sihirdeb rohi või suvepäeva eerav lumevalgus — mis on esitatud sensitiivsusega, mis räägib looduse rütmidest.
Tema maastikud olid sageli inspireeritud Šotlise piirregioonidest, eriti kohtadest nagu Cockburnspath, kus ta osa suurest osast oma elu veetis. Need keskkonnad pakkusid ta püsivaima saavutuste taustaks järgmisi teoseid:
Kogu oma karjääri jooksul saavutas Guthrie olulist institutsionaalset tunnustust, mis peegeldas tema tähtsust Briti kunstimaastikul. Tema tõus Royal Scottish Academy rangides nägi teda valitud assotsiaatiks 1888. aastal ja täiskoguliseks liikmeks 1892. aastal, saavutades lõpuks RSA presidendi ametikoja, asendades Sir George Reid. Seda professionaalset prestiiži kaasas ka isiklikud auhinnad, sealhulgas ritälin 1903. aastal tema tohutite panuste eest kunstide arendamises.
Lisaks tema maastikele ja portreetidele on Guthrie ajalooline tähtsus kinnitatud tema võimetusega vangistada ühe ajastu vaimu. Tema elulähedastatel aastatel pidi ta tegema monumentaalseid töid, nagu 1930. aastal valmis suuremõõtmist gruppiportreet Statesmen of World War I. See teos, mis kujutab seitseteksa poliitikut ja riigimeest, seisib kui tunnistuskult histerilise kompositsiooni ja ajaloolise tõsiduse käsitlemises. Täna mäletatakse Guthrie't mitte ainult Šotlise realismi maalrina, vaid kunstnikuna, kes suutis vangistada rahu, valguse ja looduse igavõimetluse olemuse.
