Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 202 teost Jacob Maris meie kataloogis
Lühidalt
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873) on Jacob Maris maalide kõige silmapaistvam teos; originaal kuulub museumi National Gallery of Art, Washington. Pärast seda suunatakse pilk The little marquise (1870) ja The Fishmonger (1856) suunas. Meie kataloogis olevatest Jacob Maris 202 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
The little marquise emerges from the shadows of history as a quiet genre painting by Jacob Maris. This work captures a fleeting moment of stillness, inviting the viewer into a private, introspective space. The artist, Jacob Maris, brings a sense of lived presence to the figure, grounding the scene in a specific, unhurried atmosphere. Born in The Hague, Netherlands, the painter carries the sensibilities of his Dutch origins into this…
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
This work, titled Servant girl, was painted by Jacob Maris around 1860. It offers a quiet glimpse into the domestic realities of the mid-nineteenth century, focusing on a single figure within a shadowed interior. The painting captures a moment of solitude, rendered with the steady hand of an artist who understood the subtle weight of everyday life.
In Schilder aan het werk, Jacob Maris presents us with a quiet, intimate moment of creation. The composition is centered upon a lone painter, positioned amidst a dense and somewhat chaotic outdoor setting. This figure, focused intently upon his easel, becomes the anchor of the scene. The subject matter explores the delicate relationship between the artist and the natural world, capturing the very act of translation from nature to canvas.…
Jacob Maris produced Siesta about 1871. This oil on canvas work reflects the artist's engagement with the Hague School, a movement he helped define through his focus on atmospheric effects and the Dutch landscape. The piece provides an intimate glimpse into the genre painting traditions of the late nineteenth century.
A Bleaching Field, Jacob Maris, 1870 is a significant work by the Dutch painter Jacob Maris. Created in 1870, this oil painting offers a window into the 19th-century Dutch art tradition. It captures a quiet moment of rural life, focusing on the practicalities of a bleaching field where laundry is spread out to catch the light.
Girl with a Peacock Feather, Jacob Maris, c. 18771877 · Rijksmuseum
12
Gray day with ships1877 · Rijksmuseum
13
De afgesneden molen1872
14
Bomschuit on the Beach1880 · Kunstmuseum Den Haag
15
Shell Fishers1885
16
Landscape with Windmills1890
17
Outside a Café1868 · Scottish National Gallery
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Een molen in de winter1899
19
Meisje bij een deuropening., Jacob Maris, 1870 - 18991899 · Rijksmuseum
20
Young Girl (Artist's Daughter) picking Flowers in the Grass1899 · Rijksmuseum
21
The Violist (Son of the Painter)1887 · Groninger Museum
22
The Dry-Nurse1877 · Museum Boijmans Van Beuningen
23
The Butcher1871 · Museum Boijmans Van Beuningen
24
Summer1889 · Rijksmuseum
25
Canal Side1878 · Metropolitan Museum of Art
26
De Schreierstoren te Amsterdam1880 · Rijksmuseum
27
"Portret van Willem", vermoedelijk Willem Matthijs Maris Jbzn, zoon van Jacob Maris, Jacob Maris, c. 18761876 · Rijksmuseum
28
Lady in the Forest1860 · Museum Gouda
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Small Courtyard, Jacob Maris, 18621862 · Rijksmuseum
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The Prayer1867 · Amsterdam Museum
31
Landscape with Rocks, Fontainebleau1864
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Lady on a Bench in the Park1870 · Museum Gouda
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The Dawn1865 · Museum Gouda
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A boat on a beach1870 · Museum Boijmans Van Beuningen
35
View of a city1867 · The Mesdag Collection
36
Tired Out (Mother Watched), Jacob Maris, 18691869 · Rijksmuseum
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Ferry-boat1870 · Teylers Museum
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A Girl Seated Outside a House1867
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Feeding chicks1866 · Rijksmuseum
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Girl feeding her Bird in a Cage1867
41
Catharina Hendrika Horn1867 · Rijksmuseum
42
Ferry1870 · Kunstmuseum Den Haag
43
Girl knitting on the balcony, Montmartre1869
44
Praying Monk1864 · Rijksmuseum
45
Moe gewaakt'1869
46
Towpath1875 · Rijksmuseum Twenthe
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City in Landscape with Windmill1875 · Dordrechts Museum
48
Return of the Fishing Boat1875 · Amsterdam Museum
49
Prins Hendrikkade with the Schreierstoren1875 · Amsterdam Museum
50
View of The Hague1875 · Museum Boijmans Van Beuningen
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The wooden bridge1877 · Dordrechts Museum
52
The Five Windmills1878 · Centraal Museum
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City view1875 · The Mesdag Collection
54
View of a Dutch City with the Schreierstoren in Amsterdam1873
55
The Truncated Windmill, Jacob Maris, 18721872 · Rijksmuseum
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Townscape with a Domed Church, Jacob Maris, c. 1872 - c. 18751875 · Rijksmuseum
57
Villagers1872 · Rijksmuseum
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View of the new port at the Zuid Kolk in Delft1872
59
De Buitenkant met de Schreierstoren te Amsterdam1875
60
View of the Mill and Bridge at the Noordwest Buitensingel in The Hague1873
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De Schreierstoren met de brug over de Gelderse Kade te Amsterdam1876
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De molen en de brug bij de Noord-West-Buitensingel in Den Haag1877
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View of Dordrecht1884 · Amsterdam Museum
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View of the Lek near Wijk bij Duurstede1882 · Amsterdam Museum
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Vaart bij maanlicht1882 · Rijksmuseum
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By Evening1884 · Rijksmuseum
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River landscape1884 · Rijksmuseum
68
Mill1879 · The Mesdag Collection
69
Schelpenvissen, Jacob Maris, 18851885 · Rijksmuseum
70
Bluff-bowed Fishing Boat on the Beach at Scheveningen, Jacob Maris, c. 18851885
71
Girl at a piano1879 · Rijksmuseum
72
Windmill and Houses beside the Water. Stormy Sky1880
73
Three Windmills1880
74
View on a city (also known as Gezicht op een stad)1882
75
De brug1879
76
Oud buurtje aan het water1883 · Rijksmuseum
77
Dutch Landscape with Shepherdess1891 · Bavaria riiklikud maalidema kogumikud
78
Cityscape with a River1887 · Centraal Museum
79
Landscape with windmills1890 · Groninger Museum
80
Landscape with Canal1887 · Walters Art Museum
81
Landscape near The Hague1891 · Rijksmuseum
82
Havengezicht, Jacob Maris, c. 18901890
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Harbour View1890 · Rijksmuseum
84
View of a Port1887 · Rijksmuseum
85
Windmill1886 · Rijksmuseum
86
Meisje aan de piano1889 · Rijksmuseum
87
Girl at the Window1890
88
Polder na onweer1892 · Rijksmuseum
89
View of a River near a City1896 · Dordrechts Museum
90
Harbor View1894 · Dordrechts Museum
91
View of a Town1893 · Museum Boijmans Van Beuningen
92
Towpath, Jacob Maris, c. 18961896 · Rijksmuseum
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Jaagpad1894 · Rijksmuseum
94
Dorpsgezicht bij Schiedam1894 · Dordrechts Museum
95
Stadsgezicht1898 · Rijksmuseum
96
Visserspink aan het strand1899
97
Molen bij maanlicht1899 · Rijksmuseum
98
Havengezicht1899 · Rijksmuseum
99
Huizen aan de Prins Hendrikkade te Amsterdam op een mistige dag1899 · Rijksmuseum
100
Fishersboat at the Beach of Scheveningen1899 · Rijksmuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jacob Maris teosid | Selle nimekirja maalid |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 44 | A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877, Gray day with ships |
 Dordrechts Museum |
Dordrecht | 7 | Siesta, The Annoying Guest, City in Landscape with Windmill |
 Amsterdam Museum |
Amsterdam | 6 | The Fishmonger, The Prayer, Return of the Fishing Boat |
 Museum Boijmans Van Beuningen |
Rotterdam | 7 | The Dry-Nurse, The Butcher, A boat on a beach |
 The Mesdag Collection |
Haag | 5 | Servant girl, On the lookout, View of a city |
 Kunstmuseum Den Haag |
Haag | 9 | The little marquise, Schilder aan het werk, Bomschuit on the Beach |
 Museum Gouda |
Gouda | 3 | Lady in the Forest, Lady on a Bench in the Park, The Dawn |
 Groninger Museum |
Groningen | 2 | The Violist (Son of the Painter), Landscape with windmills |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
This work, titled Servant girl, was painted by Jacob Maris around 1860. It offers a quiet glimpse into the domestic realities of the mid-nineteenth century, focusing on a single figure within a shadowed interior. The painting captures a moment of solitude, rendered with the steady hand of an artist who understood the subtle weight of everyday life.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873), National Gallery of Art, Washington. Järgnevad The little marquise (1870) ja The Fishmonger (1856).
36 aastat vanus: teos View of the Mill and Bridge on the Noordwest Buitensingel in The Hague on pärinev aastast 1873 ning Jacob Maris sündis aastal 1837.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague, The little marquise, The Fishmonger, Servant girl, Schilder aan het werk, Siesta, A Bleaching Field, Jacob Maris, 1870, The Annoying Guest, Boy and girl drinking in the open air ja On the lookout. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 202 teost kunstnikult Jacob Maris, mis on pärinevad ajastust 1856 kuni 1899.
Peamiselt Rijksmuseum (Amsterdam), Dordrechts Museum (Dordrecht) ja Amsterdam Museum (Amsterdam) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1870s: 38 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül View of the Mill and Bridge on the Noordwest Buitensingel in The Hague.
Sellel lehel on kõige vanem teos The Fishmonger (1856) ja kõige värskeim Een molen in de winter (1899).
Landscape (5), Woman (5) ja Dutch landscape (5), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 13 teoseks 100 töödelt sellel lehel.
Hague school ja Impressionism, seda lähtudes selle lehe originaalteostest.
A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877 ja Gray day with ships: Rijksmuseum, Amsterdam säilitab 35 selle lehel olevat teost.
Maris alustas oma kunstilist teekonda õppetööga J.A.B. Stroebeli juures (1849–1852), luues nii vundamenti oma tulevasele karjäärile.
Ta õppis ametlikult Haagi Kunstakadeemias aastatel 1850 kuni 1853, teritando oma oskusi ja arendades välja oma algusefekti kunstilist stiili.
Mur puntoslik hetk saabus, kui üks kunstikaupmees tunnistas Marisi talenti ja korraldas talle töökohale Hubertus van Hove stuudioos, mis oli tema varajase arengu jaoks murdiliseks mõjuks.
Tema vend Matthijs Maris sai kuningliku toetuse, mis võimaldas neil töötada koos, luues koostöölise keskkonna, mis kujundas edasi ka nende kunstilisi teid.
Marisi karjääri iseloomustasid kommersiline edu, mida kinnitasid müügid kolektoritele Ameerika Ühendustest ja Šotleid, tõenädetades tema kasvavat mainet.
Reisid läbi Saksamaa, Švitsi ja Prantsusmaa (1861) tutvustasid talle erinevaid kunstilisi stiile, laiendades tema mõjutusi ja aitdes kaasa tema stiililisele arengule.
Ta sai kuulsaks joonistades maalidusi, mis sisaldasid jõgesid, tuuleveskeid, jõesrände teid ja rannakohtades kalastuspaate, luues nii omaenda unikaalse teemaväli.
Marisi teoseid on võrdunud varasemate hollandi meistrite, nagu Jan van Goyen, Jacob van Ruisdael ja Johannes Vermeer, töödega, rõhutades tema seost rikkalikule hollandi maastikumaalimise traditsioonile.
Maris on tuntud portaatide sarja poolest, mis kujutasid Oranje maja kuninglikku perekonda; need loodi koostöös tema vennaga Matthijsiga, näidates tema oskusi nii portreemaalimil kui ka maastikukunstis.
"Laev Ševeningeni rannal" on suurepärane näide tema võimest tabada rannakohtades atmosfäärilist sügavust ja detailset täpsust.
1871. aastal sai ta Pulchri Studio liikme, mis oli märk tema tunnustatud staatuse kohta establisheditud kunstikelikus ringis.
Alates 1885. aastast saavutas Maris laialdast tunnust Hollandis, kinnistades oma positsiooni Haagi kooli juhtfiguurina.
Marisi panus Haagi kooli on märkimisväärne; ta aitas määratleda selle esteetikat, mida iseloomustasvad hollandi maastike realistlikud kujutused ja atmosfäärist sõltuv tähelepanu.
Tema mõju ulatus üle tema eluaja, inspireerides järgmisi kunstigeneratsioone oma eripärase stiili ja maastikukunstilise lähenemise kaudu.
Tema teoseid on leitav nii tunnustatud kollektsioonidest nagu Rijksmuseum, mis on tunnistus nende püsivale kunstilisele väärtusele ja ajaloolisele olulisusele.
Marisi pärand peitub tema võimes tabada hollandi maastiku olemust läbi ainulaadse tähelepanu, tehnika ja kunstilise visiooni segamise.
