Lühidalt
Kõigist Jacob Calmeyer jäetud originaalteostest on kõige kuulsam Self-portrait of Jacob Mathias Calmeyer (1800), mis kuulub Oslo Museum kogele linnas Oslo. Järgnevad sellest Jens Mathias Pram Kaurin (1827) ja Portrait of the Poet J.S. Welhaven (1827). Meie kataloogist löytyb 8 teost kunstnikult Jacob Calmeyer; galeriist on säilitatud 8 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Jacob Calmeyer top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Jacob Calmeyer originaalteosed
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jacob Calmeyer teosid | Selle nimekirja maalid |
|---|---|---|---|
| Oslo | 3 | Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen, The Waterfall at Lysaker | |
| Oslo | 2 | Self-portrait of Jacob Mathias Calmeyer, Portrait |
Jacob Calmeyer aastak aegades: originaalteos, mis määratleb iga ajastu
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Sammlajate küsimused Jacob Calmeyer maalide kohta
Millise teosega on Jacob Calmeyer kõige kuulsam?Paljasta vastus
Self-portrait of Jacob Mathias Calmeyer (1800), Oslo Museum, Oslo. Järgnevad Jens Mathias Pram Kaurin (1827) ja Portrait of the Poet J.S. Welhaven (1827).
Kui palju maali Jacob Calmeyer jäeti?Paljasta vastus
Meie kataloogist leiate 8 teost kunstnikult Jacob Calmeyer, mis on pärinevad ajastust 1827 kuni 1880.
Mitteks muuseumides rihangavad Jacob Calmeyer meistriteosed?Paljasta vastus
Peamiselt National Museum of Art, Architecture and Design (Oslo) ja Oslo Museum (Oslo) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millah aastades maalas Jacob Calmeyer oma kuulsamaid teoseid?Paljasta vastus
Ajal 1820s: 2 8 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Jens Mathias Pram Kaurin.
Mis on Jacob Calmeyer esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos Jens Mathias Pram Kaurin (1827) ja kõige värskeim Georg Carl Christian Wedel Prahl (1880).
Millised Jacob Calmeyer teosed on National Museum of Art, Architecture and Design näituses?Paljasta vastus
Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen ja The Waterfall at Lysaker: National Museum of Art, Architecture and Design, Oslo säilitab 3 selle lehel olevat teost.
Jacob Calmeyer: elu ja looming
A Life Shaped by the Academy
Jacob Mathias Calmeyer emerged from Fredrikshald in 1802, a period when the foundations of Norwegian art were being quietly laid. His path toward the brush began in 1819, joining the very first class of students at the newly established Norwegian Royal Drawing School in Christiania. This early immersion in formal training provided him with a disciplined eye, guided by the instruction of Jacob Munch and Johannes Flintoe.
The pursuit of refinement eventually led him across the borders to Copenhagen. Between 1821 and 1826, Calmeyer studied at the Royal Danish Academy of Fine Arts. It was here that he encountered the influence of Christoffer Wilhelm Eckersberg, a connection that would leave its mark on his approach to composition and light. This period of academic rigor in Denmark prepared him for a career that would span several Scandinavian cities.
Movement Through Scandinavia
Calmeyer’s professional life was marked by a series of shifts between significant cultural centers. After establishing himself within the artist guild in Bergen in 1832, he moved toward Stockholm in 1835, where he remained for several years. This period of residence in Sweden allowed him to exist within a different artistic atmosphere before his eventual return to Norway in 1859.
Upon returning to Christiania, he settled into a later chapter of his life that included passing his knowledge to the next generation. His lineage of instruction can be seen in students such as Ragnvald Hjerlow. His presence in the Norwegian art scene was not merely through his own hand, but through this quiet continuity of technique and tradition.
The Painted Record
The works left behind by Calmeyer offer a window into the landscapes and subjects of his era. His paintings are held within significant collections, including the National Gallery of Norway, the Bergen Art Museum, and the National Museum. These institutions preserve pieces such as Svartediket ved Bergen and Lysakerfossen, works that reflect his engagement with the Norwegian terrain.
His output was not limited to the natural world; he also engaged with portraiture, capturing figures like Knud Bull. Through these varied subjects, Calmeyer contributed to the visual record of 19th-century Norway, leaving a body of work that remains part of the Royal Library in Stockholm and other esteemed repositories.


