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Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
10 kulubumatamatumat Jacob Biltius maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 10 teost Jacob Biltius meie kataloogis
Lühidalt
Dead Wildfowl (1674) on Jacob Biltius maalide kõige silmapaistvam teos; originaal kuulub museumi Statens Museum For Kunst, Kooberemaa. Pärast seda suunatakse pilk Dead Birds (1670) ja Snip, hanging (1663) suunas. Meie kataloogis olevatest Jacob Biltius 10 teosest on need 10 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1633 – 1681, The Hague
Enamama teoseid: Statens Museum For Kunst
Jacob Biltius top 10 maalist galeriist vaatenurgast
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Dead Birds
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
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Teemad, mis püüdisid Jacob Biltius pilma
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Feathers 2 teost
Dark background 2 teost
Muuseumid, kus on säilitatud Jacob Biltius originaalteosed
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jacob Biltius teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table |
 Fries Museum |
Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging |
 Kunsthandel P. de Boer |
1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Jacob Biltius aastate jooksul: iga teose unikaalsed originaalid
Pikk karjäär 17 aastat, aastast 1663 aastani 1679: Jacob Biltius kõige kuulsamad originaalteosed, esitatud aastaaeglaadul.
Teosed aasta kaupa
Vali aasta, et näha originaale.
1666
A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia
Vanus 33
2 teost sel aastal
Veel 1666 teoseid
1670
Dead Birds
Vanus 37
2 teost sel aastal
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Veel 1670 teoseid
1674
Dead Wildfowl
Vanus 41
1 teost sel aastal
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Jacob Biltius maalid: küsimused galeriile
Mis on Jacob Biltius kõige kuulsam teos?Paljasta vastus
Dead Wildfowl (1674), Statens Museum For Kunst, Kooberemaa. Järgnevad Dead Birds (1670) ja Snip, hanging (1663).
Mis vanuses luunud Jacob Biltius teos Dead Wildfowl?Paljasta vastus
41 aastat vanus: teos Dead Wildfowl on pärinev aastast 1674 ning Jacob Biltius sündis aastal 1633.
Millised on Jacob Biltius kümneks kuulsumat maalatist?Paljasta vastus
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall ja Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Kui palju teoseid kunstniku Jacob Biltius kohta on teada?Paljasta vastus
Meie kataloogist leiate 10 teost kunstnikult Jacob Biltius, mis on pärinevad ajastust 1663 kuni 1679.
Kust saab näha kõige kuulsamaid Jacob Biltius originaalteoseid?Paljasta vastus
Peamiselt Statens Museum For Kunst (Kooberemaa), Fries Museum (Leeuwarden) ja Kunsthandel P. de Boer muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Mille perioodi jooksul lõi Jacob Biltius oma tuntumad maalid?Paljasta vastus
Ajal 1663: 2 10 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Snip, hanging.
Milline kuuls Jacob Biltius maal on kõige varasem ja milline kõige hiljema?Paljasta vastus
Sellel lehel on kõige vanem teos Snip, hanging (1663) ja kõige värskeim Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Millist teemasid Jacob Biltius eelistas?Paljasta vastus
Feathers (2) ja Dark background (2), kogu selle lehekülje 10 teose kohta.
Mida Jacob Biltius kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus
Oil On Canvas, 2 teoseks 10 töödelt sellel lehel.
Mida Jacob Biltius originaalte ma näen Statens Museum For Kunst muuseumis?Paljasta vastus
Dead Wildfowl, Dead Birds ja Wildfowl on a Wooden Table: Statens Museum For Kunst, Kooberemaa säilitab 5 selle lehel olevat teost.
Jacob Biltius: kunstniku portree
The Life and Travels of Jacob Biltius
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
Artistic Specializations and Technique
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.