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Izaäk Schmidt maalid: 2 kuulsumat teost galeriin läbi
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 2 teost Izaäk Schmidt meie kataloogis
Lühidalt
Galleriist vaadatuna on Izaäk Schmidt kõige kuulsam teos Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), mille originaal ripub Museum Gouda-is, Gouda. Kunstnii Izaäk Schmidt 2 teose põhjal esitleb galeriis allpool 2 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
1740 – 1818, Amsterdam
Enamama teoseid: Museum Gouda
Galeria 10 parimat Izaäk Schmidt maali
Muuseumid, kus on säilitatud Izaäk Schmidt originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Izaäk Schmidt teosid | Selle nimekirja maalid |
|---|---|---|---|
 Museum Gouda |
Gouda | 2 | Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet |
Izaäk Schmidt, iga aasta esindavad teosed
Kõik sellel lehel asuvad Izaäk Schmidt originaalteosed on loodud aastal 1784: siin on need, kõige kuulsemad esimesena.
Teosed aasta kaupa
Vali aasta, et näha originaale.
1784
Portrait of mr. Adriaan Jacob van der Does, 1756-1830
Vanus 44
2 teost sel aastal
Veel 1784 teoseid
Izaäk Schmidt maalid: galerii vastused
Milline Izaäk Schmidt maal on kõige kuulsam?Paljasta vastus
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)
Kui vana Izaäk Schmidt oli teose Portrait of mr. Adriaan Jacob van der Does, 1756-1830 valmimisel?Paljasta vastus
44 aastat vanus: teos Portrait of mr. Adriaan Jacob van der Does, 1756-1830 on pärinev aastast 1784 ning Izaäk Schmidt sündis aastal 1740.
Kui palju teoseid Izaäk Schmidt lõi?Paljasta vastus
Meie kataloogist leibab 2 teost kunstnikult Izaäk Schmidt.
Kust leiad Izaäk Schmidt kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Museum Gouda (Gouda) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millal lõi Izaäk Schmidt oma kuulsamad maalid?Paljasta vastus
Ajal 1784: 2 2 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of mr. Adriaan Jacob van der Does, 1756-1830.
Milliseid Izaäk Schmidt originaalte Museum Gouda kogumuses on?Paljasta vastus
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 ja Portrait of Constantia Catherina Jongbloet: Museum Gouda, Gouda säilitab 2 selle lehel olevat teost.
Izaäk Schmidt: kunstnik
A Life in Amsterdam
Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.
His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.
The Art of the Everyday
Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.
His repertoire included various subjects that reflected his surroundings:
- Village views featuring figures gathered near inns or stone bridges.
- Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
- Landscape studies like country folk at a fence and scenes of rural life.
- Allegorical works including his piece titled Allegory of Painting.
There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.
A Lasting Record
Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.