Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 42 teost Hortense Haudebourt-Lescot meie kataloogis
Lühidalt
Galleriist vaadatuna on Hortense Haudebourt-Lescot kõige kuulsam teos Self-Portrait (1825), mille originaal ripub Louvre'i muuseum-is, Pariis. Two Elegant Women in a Pastry Shop (1801) ja Portrait of a Woman Sketching en plein-air (1814) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Hortense Haudebourt-Lescot 42 teose põhjal esitleb galeriis allpool 41 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
Hortense Haudebourt Lescot's 1825 “Self-Portrait” is not merely a likeness; it’s an intimate revelation, a carefully constructed tableau of introspection and quiet strength. Painted during a pivotal period in her career – a time when she was establishing herself as a significant figure within the French art scene – this oil on canvas offers a rare glimpse into the mind of an artist grappling with her own identity and artistic…
Two Elegant Women in a Pastry Shop is an oil painting by Hortense Haudebourt Lescot. The canvas captures a quiet moment of indulgence, centered on two figures amidst the shadows of a shop. This work dates to about 1801. It emerged from the hand of an artist born in Paris, France, in 1784. The daughter of a perfumer, Jean-Baptiste Viel, Hortense Haudebourt Lescot brought a keen sense of observation to…
This work, titled Portrait of a Woman Sketching en plein-air, was painted by Hortense Haudebourt Lescot. It dates to 1814, a period during which the artist was establishing her presence within the French art scene. The portrait captures a quiet moment of creative focus, presenting a subject engaged in the act of sketching amidst a natural setting.
The air in the courtyard feels heavy with the scent of sun-warmed stone and the rustle of silk. Under the shadow of a classical arch, a group of figures gathers, their bodies caught in a moment of suspended animation. The light falls from the left, slicing through the dimness to strike the curve of a shoulder or the fold of a crimson skirt. It is a scene of quiet tension,…
The oil painting depicts a large-scale scene set within the interior of St. Peter's Basilica in Rome. The composition utilizes a deep linear perspective, drawing the eye through a vast architectural space toward a central religious action. In the background, a statue of St. Peter serves as the focal point, where figures gather to perform a ritual of reverence. The architecture is defined by massive marble columns and soaring vertical…
The Portrait of architect Pierre Adrien Pâris is a formal study of character rendered by Hortense Haudebourt Lescot. Painted about 1809, the work captures the French architect Pierre Adrien Pâris in a moment of quiet, academic stillness. The subject sits with a dignified presence, his gaze directed toward the viewer's left while meeting the observer's eye. It is a portrait of a man defined by his profession and his era.
The scene unfolds within a dim, rustic interior where three figures gather around a wooden table. On the left, a woman in colorful period attire leans toward a seated man. Her skirt is a deep teal, contrasting with the warm, earthy tones of the room. To the right, a man wearing a red waistcoat and a white neckerchief leans over the table, his finger pointing toward a document. The lighting…
In this large-scale oil painting, titled Diane de Poitiers Requests from Francis I the Grace of Her Father, Hortense Haudebourt Lescot captures a significant moment of courtly interaction. Created about 1819, the work presents figures dressed in the intricate attire of the 16th century. The scene focuses on a formal request or a gesture of grace, a subject that touches upon themes of power, supplication, and courtly romance.
is a genre portrait by Hortense Haudebourt Lescot. Created about 1820, the work reflects the artist's focus on the intimate details of human character and domestic life. The composition is signed Haudebourt Lescot in the lower left corner.
Lise Aubin de Fougerais is a formal portrait of a young girl executed by Hortense Haudebourt Lescot. Created in 1817, the work captures the subject in a moment of quietude. The painting is currently held within the collections of the Louvre Museum.
A Man Sentenced to Death, Preached by a Capuchin When Leaving for his Execution1819
12
Firsts Steps1818 · Musée des Beaux-Arts de Libourne
13
The Miller, His Son, and the Donkey1819 · Musée Fabre
14
Self-Portrait of the Artist and Her Husband on Their Wedding Trip1821
15
The Fortune Teller1815 · Musée Fabre
16
Profile of a man1816 · Musée des Beaux-Arts de Bordeaux
17
The Little Grape Thief1827
18
Portrait of Hortense Ballu1831
19
Gil Blas at Corcuello's1826
20
Italian family scene1828 · Musée Fabre
21
The Miller, His Son, and the Donkey1828 · Musée Fabre
22
The Miller, His Son, and the Donkey1827 · Musée Jean de La Fontaine
23
Portrait of Gioachino Rossini1828
24
Peasant in the Roman Campaign1825 · Musée Thomas-Henry
25
Young mother breastfeeding her child1825 · Musée Antoine Vivenel
26
Portrait of Daniel-François-Esprit Auber1831
27
Young Woman Seated in the Shade of a Tree1830 · National Museum of Women in the Arts
28
Portrait of Ours-Joseph-Augustin de Besenval1832 · Nationalmuseum
29
Claude, Count of Choiseul, Marshal of France1835 · Versailles'i kuninglik ooperimaja
30
The Siege of Thionville, 23 June 15581837 · Versailles'i kuninglik ooperimaja
31
A Young Italian Woman Sheltering from the Sun Under Her Tambourine1840
32
Rose Gourreau de Chanzeaux1840
33
Self-portrait with a palette
34
Composer Daniel-francois-esprit Auber
35
Deux Merveilleuses
36
Duc De Lorges Et De RandanVersailles'i kuninglik ooperimaja
37
Nude Model In The Artist's Studio
38
Atelier À Paris
39
Deux Merveilleuses
40
Posthumous Portrait Of Marie-fortunée D'estePalais Bourbon
41
Deux MerveilleusesMusée des Augustins
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Hortense Haudebourt-Lescot teosid | Selle nimekirja maalid |
|---|---|---|---|
 Musée Fabre |
Montpellier | 4 | The Miller, His Son, and the Donkey, The Fortune Teller, Italian family scene |
 Versailles'i kuninglik ooperimaja |
Versailles | 3 | Claude, Count of Choiseul, Marshal of France, The Siege of Thionville, 23 June 1558, Duc De Lorges Et De Randan |
 Nationalmuseum |
Stockholm | 2 | Portrait of a Woman Sketching en plein-air, Portrait of Ours-Joseph-Augustin de Besenval |
 Louvre'i muuseum |
Pariis | 1 | Self-Portrait |
 Carnavalet Museum |
Pariis | 1 | Two Elegant Women in a Pastry Shop |
 Musée Des Beaux |
Tours | 1 | Le Jeu de la main chaude |
 Musée des Beaux-Arts et d'Archéologie |
Besançon | 1 | Portrait of architect Pierre Adrien Pâris |
 Musée des Beaux-Arts de Libourne |
Libourne | 1 | Firsts Steps |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Two Elegant Women in a Pastry Shop is an oil painting by Hortense Haudebourt Lescot. The canvas captures a quiet moment of indulgence, centered on two figures amidst the shadows of a shop. This work dates to about 1801. It emerged from the hand of an artist born in Paris, France, in 1784. The daughter of a perfumer, Jean-Baptiste Viel, Hortense Haudebourt Lescot brought a keen sense of observation to…
This work, titled Portrait of a Woman Sketching en plein-air, was painted by Hortense Haudebourt Lescot. It dates to 1814, a period during which the artist was establishing her presence within the French art scene. The portrait captures a quiet moment of creative focus, presenting a subject engaged in the act of sketching amidst a natural setting.
Hortense Haudebourt Lescot's 1825 “Self-Portrait” is not merely a likeness; it’s an intimate revelation, a carefully constructed tableau of introspection and quiet strength. Painted during a pivotal period in her career – a time when she was establishing herself as a significant figure within the French art scene – this oil on canvas offers a rare glimpse into the mind of an artist grappling with her own identity and artistic…
The Portrait of Hortense Ballu is an oil on canvas painting executed by the French artist Hortense Haudebourt Lescot. Created in 1831, this work depicts the subject, Hortense Ballu, who would later become known as Madame Alphonse Jacob-Desmalter. The portrait captures the sitter in a three-quarter length composition, positioned slightly off-center against a dark, moody background.
A young woman reclines diagonally across a lush, natural landscape in this 1840 oil painting. She is positioned in a medium shot at eye level, creating an intimate proximity to the viewer. Her body rests against a backdrop of textured tree bark and a forest floor composed of dappled light and shadow. She holds a tambourine above her head, using the object as a makeshift parasol to shield herself from…
Self-Portrait (1825), Louvre'i muuseum, Pariis. Järgnevad Two Elegant Women in a Pastry Shop (1801) ja Portrait of a Woman Sketching en plein-air (1814).
41 aastat vanus: teos Self-Portrait on pärinev aastast 1825 ning Hortense Haudebourt-Lescot sündis aastal 1784.
Self-Portrait, Two Elegant Women in a Pastry Shop, Portrait of a Woman Sketching en plein-air, Le Jeu de la main chaude, Kissing the Feet of the Statue of St. Peter in St. Peter's, Rome, Portrait of architect Pierre Adrien Pâris, The Settlement with the Host, Diane de Poitiers Requests from Francis I the Grace of Her Father, The Good Daughter ja Lise Aubin de Fougerais. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 42 teost kunstnikult Hortense Haudebourt-Lescot, mis on pärinevad ajastust 1801 kuni 1840.
Peamiselt Musée Fabre (Montpellier), Versailles'i kuninglik ooperimaja (Versailles) ja Nationalmuseum (Stockholm) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1820s: 12 41 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Self-Portrait.
Sellel lehel on kõige vanem teos Two Elegant Women in a Pastry Shop (1801) ja kõige värskeim A Young Italian Woman Sheltering from the Sun Under Her Tambourine (1840).
Woman (17), Man (14) ja Tree (6), kogu selle lehekülje 41 teose kohta.
Oil On Canvas, 24 teoseks 41 töödelt sellel lehel.
Romanticism, seda lähtudes selle lehe originaalteostest.
The Miller, His Son, and the Donkey, The Fortune Teller ja Italian family scene: Musée Fabre, Montpellier säilitab 4 selle lehel olevat teost.
Hortense Haudebourt-Lescot’i lugu on sügavate vaatlemiste ja julguse lugu leida ilu sellest, mis on sageli üle vaadatud. Sündinud 1784. aastal Pariisis Antoinette Cécile Hortense Vielina, oli tema teekond parfümeeri tütrest Prantsuse romantika ajastu kuulsaks tegelaseks pühitud erakordse pühendumusega inimolu nüanssidele. Tema varajased aastad said vormitud erakordsel talentil, mis pärsis tähelepanu kuulsale ajaloolisele maalile Guillaume Guillon-Lethièrele. Tema mentorina ei õppinud naine pelgalt õli-kangil tehnika põhimõtteid; ta päris oma endale armastuse dramaatilisele valguse ja varju vahelisele mängule, tehnikale, mis sai hiljem tema signatuuriks. See vormiv side oli enam kui akadeemiline; see oli avatus laiemale maailmale, viies ta Igasse Linna, kui Lethière nimetati Rooma Prantsuse akadeemia direktoreks.
Just Itaalia päikeseloojangute ja vibratiliste tänavate keskel, aastatel 1808 kuni 1816, avas Hortense Haudebourt-Lescot oma kunstilise hinge. Kuigi paljud tema kaasajad otsisid mitoloogiliste eeposide suurmeedust või aristokraatliku portreekunst jäiku vormilisust, tõmbas teda ligi maase elu rütmiline pulsatsioon. Ta sai Itaalia talupoest kronikoofiks, püüdes kinni nende kostüümide keerukad tekstuurid, kodsete rituaalide sooja atmosfääri ja igapäevase töö vaikse väärikuse. See süvenemise periood võimaldas tal arendada stiili, mis ühendas klassikalise ranguse ujuva realismiga, muudades lihtsad žanriteened sügavaks inimliku iseloomu uurinud uurimusteks.
Pärast Pariisi naasmist hakkas Hortense Haudebourt-Lescot oma jasaid päratult pärlisse Salonis, esitledes teoseid, mis pärimust tähelepanu oma psühholoogilise sügavuse ja tehnilise briljantsuse tõttu. Tema võime kasutada chiaroscuro’t — dramaatilist kontrasti valguse ja pimeduse vahel — ei valgustanud mitte ainult tema tegelaste füüsilisi omadusi, vaid nende olemuse tuppesse sagedust. Tema kuulsates eneseportreetides, nagu 1825. aasta teos, esitab ta salapõdu pilget, mis kutsub vaatajat vahtluse vaikses dialoogis, paljastades kunstniku, kes oli sama palju nägemise filosoof kui vormide maalija.
Tema loomingut iseloomustavad mitmed määravad elemendid:
Lisaks tema üksikpõhjalistele maalistele lahendustele, ulatus Hortense Haudebourt-Lescot mõju Pariisi kunstimaailma sügavatesse kihtidesse. Tema kodu sai elavaks saloniks, kogunemispaigaks 19. sajand intellektuaalsele ja kunstilisele eliitile. Õpetajana edastas ta oma rangete vaatlemisstandardid uuele naiskunstnike põlvkonnale, sealhulgas Herminie Déhérainile ja Marie-Ernestine Serretile, tagades, et tema täpsuse ja empaatia pärand püsiks.
Hortense Haudebourt-Lescot ajalooline tähtsus peitub tema pioneerlikus rollis. Ajal, mil naiste piirid fine arts — ehk kaunimates kunstides — olid sageli rangalt määratletud, navigeeris ta kunstimaailma keerukusi väärikuse ja erilisusega. Tema tunnustus Berry hertsinna poolt, kes nimetas ta oma isiklikuks maalijaks, on tunnistus tema seisvendile Prantsuse ülihiirel. Siiski, vaatamata sellele lähedusele võimuga, jäi tema süda püsima autentsuse, rühvelduse ja reaalsuse juurde.
Tänapäeval asuvad tema teosed mõnede maailma prestiižsete institutsioonide kogumikes, sealhulgas Louvre muuseumis, serveerides püsivate meeldetuletustena tema võimest leida erimoodset tavalise asja eest. Ta on oluline tegelane kõigile, kes soovib mõista üleminekut neoklassicismist romantikismile, ning tema elu seisab kui tõestus kunstniku silma võimest muuta elu leegitsevad hetked igetiks meistriteoks.
