Hermann Struck maalid: 30 kuulsumat teost galeriin läbi

Moroccan Jew, Jerusalem

In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…

Haifa V

In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…

Jerusalem, Russian Building II

In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…

The Pyramids at Giza in the Distance

In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…

Aus dem Spreewalde II

Portrait of Rabbi Samson Raphael Hirsch (1808-1888)

Talmudic Scholar

Fuerstenhaus-Karlshorst

Cactus

The Blind Beggar