Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 148 teost Henry William Pickersgill meie kataloogis
Lühidalt
Sir Robert Peel, 2nd Bt (1851) on Henry William Pickersgill maalide kõige silmapaistvam teos; originaal kuulub museumi National Portrait Gallery, London. Pärast seda suunatakse pilk Matthew Gregory Lewis (1809) ja Sir George Adam Wood (1767-1831) (1825) suunas. Meie kataloogis olevatest Henry William Pickersgill 148 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
Henry William Pickersgill rendered this oil on canvas in 1851, capturing Sir Robert Peel, 2nd Bt. The sitter, a prominent statesman and leader of the Tory Party, served as Prime Minister during several periods of the mid-19th century. His political legacy includes the founding of the Metropolitan Police in 1829 during his tenure as Home Secretary.
The gaze of Matthew Gregory Lewis meets the air with a quiet, heavy intensity. In this portrait by Henry William Pickersgill, the subject appears caught in a moment of profound contemplation. He sits as a man of intellect and shadow, his presence defined by the sharp contrast of light against the darkness that surrounds him. There is a weight to his expression, a sense of a mind preoccupied with the…
The figure of Sir George Adam Wood emerges from a nebulous, dark background, a presence defined by the sharp geometry of military authority. He stands in a three-quarter length pose, his body angled slightly to create a sense of immediate, commanding weight. Light falls from the upper left, carving the contours of a face that carries the gravity of command. The monochromatic palette strips away the distraction of color, leaving…
In this 1835 oil portrait, we encounter Rowland, 1st Viscount Hill, presented in a three-quarter length composition that speaks to a life defined by military duty. The subject is positioned centrally, his presence anchored against a dark, atmospheric background that suggests the heavy, shifting clouds of a dusk sky. There is a quiet gravity to his posture. He holds a telescope, a tool of his profession, which creates a subtle…
In this 1816 portrait, Henry William Pickersgill captures James Silk Buckingham and his Wife in a moment of quiet connection. The artist, a prominent figure in the Victorian era, brings a sense of lived presence to the pair. They sit together, their figures draped in Arab costume, a choice that reflects the specific interests of the subjects and the era's fascination with the East. The man wears a turban, while…
In this 1824 oil on canvas, we find ourselves drawn into a private, domestic scene set within a Middle Eastern harem. A young woman sits poised in a chair, her presence defined by a blue dress and a striking red sash that cinches her waist. There is a certain stillness to her posture, a quietude that suggests she is lost in the contents of a letter. The background is composed…
In this oil on canvas, Henry William Pickersgill captures the likeness of Jeremy Bentham. The subject sits as a 19th-century English philosopher and proponent of utilitarianism. He was a man of law and thought, a jurist and philosopher whose presence is fixed upon the fabric of the era. The portrait was exhibited in 1829.
The Portrait of Sir Charles James Napier ) is a work by the English portraitist Henry William Pickersgill. This black and white image presents a man who carries the unmistakable presence of a leader or a prominent historical figure. He is depicted in a formal military uniform, though the attire is further detailed by a suit and a tie, lending a sense of gravity to his appearance. The composition places…
The portrait presents a quarter-length view of a man, Thomas Cubitt, positioned against a dark, undifferentiated background. He is oriented toward the left of the frame, though his gaze is directed slightly away from the viewer. The subject possesses a full, well-groomed beard and a mustache. His hair is styled with a side part and features slight curls at the sides of his face. He wears a dark, high-collared coat…
Lord Eldon (1751-1838)
12
Hannah More
13
Charles Manners Sutton, 1st Viscount CanterburyNational Portrait Gallery
14
Peter Mere Latham
15
John BarlowNew York Historical Society
16
Harrison Ainsworth
17
John Narrien, Esq.
18
The Ionian Captive
19
Michael Faraday -
20
Edward Denison
21
Sir Roderick Impey Murchison
22
Sir John F. W. Herschel
23
Richard Bagehot
24
Charles Ewan Law
25
Portrait Of A Man
26
Reverend Joseph Hunter -
27
General Sir George MurrayŠoti Rahvusportreegalerii
28
Lyon Playfair, 1st Baron Playfair Of St Andrews
29
Joseph Michael Gandy
30
GodwinNational Portrait Gallery
31
John Kenrick
32
Sir James Rivett-carnac
33
Jeremy Bentham -
34
Lawrence
35
Benjamin Parsons Symons
36
Thomas Watson
37
George Leith Roupell, Senior Physician At St Bartholomew's Hospital
38
Portrait Of John Thomas Barber Beaumont
39
Robert Vernon -
40
Bishop Henry Ryder
41
Wordsworth -
42
Thomas Brande
43
John Gibson, SculptorNational Library of Wales
44
Michael Faraday -
45
Walter Francis Scott
46
The Nun
47
Sir George Murray (
48
George John, 2nd Earl Spencer
49
John Hunter, Surgeon
50
James Tate
51
Bramston
52
Portrait Of A Brother And Sister
53
Portrait Of Sir Charles Morgan
54
Mrs George Beadnell
55
Sir Charles Bagot
56
John Arrowsmith
57
George Beadnell
58
Thomas Gaisford
59
Sir Charles Edmund Isham
60
Portrait Of A Gentleman -
61
Robert Owen
62
Thomas DrummondŠoti Rahvusportreegalerii
63
Thomas Turton
64
Martin Joseph Routh, President
65
Captain Thomas Drummond
66
Richard Arkwright Junior
67
Emily Maria PickersgillBenthall Hall
68
Ruth And Boaz
69
Sir Jacob Astley
70
Bower
71
The Diarist Charlotte Williams-wynn
72
Sir Richard Owen -
73
Major General Sir George Ridout Bingham
74
James Hadden Of Persley, Provost Of Aberdeen
75
A Portrait Of Naval Officer Edward Brace
76
Charlotte Williams-wynn
77
Jacob Henry Delaval Astley, Later 17th Baron Hastings, As A Boy
78
Harriet Graeme, Mrs Benjamin Sadler
79
Anthony White
80
Sir Edmund Beckett (known As Edmund Denison)
81
Humphry Davy
82
The Honourable William Gordon, Vice-admiral Of Scotland
83
Sir Richard Owen -
84
Portrait Of Merelina Tindal
85
Michael Faraday
86
Sir Robert Peel, 2nd Bt
87
Richard Owen, Naturalist And Palaeontologist
88
VansittartLyme Park
89
George Stephenson -
90
Colonel James Clitherow
91
Wordsworth, Romantic Poet, Alumnus Of St John's College
92
Portrait Of Sir John Conroy, Bt
93
Portrait Of Obadiah Willans, Seated Half-length
94
Hannah More -National Portrait Gallery
95
Daniel Terry, Actor And DramatistŠoti Rahvusportreegalerii
96
Portrait Of A Gentleman
97
George Henry Law, Bishop Of Bath And Wells
98
Allan CunninghamŠoti Rahvusportreegalerii
99
Sir Charles Barry, Ra
100
Portrait Of A Woman
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henry William Pickersgill teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Portrait Gallery |
London | 14 | Sir Robert Peel, 2nd Bt, Matthew Gregory Lewis, Jeremy Bentham |
 Šoti Rahvusportreegalerii |
Edinburgh | 4 | General Sir George Murray, Thomas Drummond, Daniel Terry, Actor And Dramatist |
 Royal Collection |
London | 2 | Sir George Adam Wood (1767-1831), Rowland, 1st Viscount Hill (1772-1842) |
 Benthall Hall |
2 | Emily Maria Pickersgill | |
 New York Historical Society |
New York City | 1 | John Barlow |
 National Library of Wales |
Aberystwyth | 1 | John Gibson, Sculptor |
 Lyme Park |
1 | Vansittart |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The gaze of Matthew Gregory Lewis meets the air with a quiet, heavy intensity. In this portrait by Henry William Pickersgill, the subject appears caught in a moment of profound contemplation. He sits as a man of intellect and shadow, his presence defined by the sharp contrast of light against the darkness that surrounds him. There is a weight to his expression, a sense of a mind preoccupied with the…
The figure of Sir George Adam Wood emerges from a nebulous, dark background, a presence defined by the sharp geometry of military authority. He stands in a three-quarter length pose, his body angled slightly to create a sense of immediate, commanding weight. Light falls from the upper left, carving the contours of a face that carries the gravity of command. The monochromatic palette strips away the distraction of color, leaving…
In this 1835 oil portrait, we encounter Rowland, 1st Viscount Hill, presented in a three-quarter length composition that speaks to a life defined by military duty. The subject is positioned centrally, his presence anchored against a dark, atmospheric background that suggests the heavy, shifting clouds of a dusk sky. There is a quiet gravity to his posture. He holds a telescope, a tool of his profession, which creates a subtle…
Henry William Pickersgill rendered this oil on canvas in 1851, capturing Sir Robert Peel, 2nd Bt. The sitter, a prominent statesman and leader of the Tory Party, served as Prime Minister during several periods of the mid-19th century. His political legacy includes the founding of the Metropolitan Police in 1829 during his tenure as Home Secretary.
Sir Robert Peel, 2nd Bt (1851), National Portrait Gallery, London. Järgnevad Matthew Gregory Lewis (1809) ja Sir George Adam Wood (1767-1831) (1825).
69 aastat vanus: teos Sir Robert Peel, 2nd Bt on pärinev aastast 1851 ning Henry William Pickersgill sündis aastal 1782.
Sir Robert Peel, 2nd Bt, Matthew Gregory Lewis, Sir George Adam Wood (1767-1831), Rowland, 1st Viscount Hill (1772-1842), James Silk Buckingham and his Wife, The Oriental Love Letter, Jeremy Bentham, Portrait of Sir Charles James Napier ), Portrait of thomas cubitt , quarter-length, in a black coat and waistcoat ja James Hadden of Persley, Provost of Aberdeen (1801-3, 1809-11, 1813-15, 1830-32). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 148 teost kunstnikult Henry William Pickersgill, mis on pärinevad ajastust 1809 kuni 1851.
Peamiselt National Portrait Gallery (London), Šoti Rahvusportreegalerii (Edinburgh) ja Royal Collection (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Sellel lehel on kõige vanem teos Matthew Gregory Lewis (1809) ja kõige värskeim Sir Robert Peel, 2nd Bt (1851).
Men (18), Portraits (11) ja Man (8), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 5 teoseks 100 töödelt sellel lehel.
Contemporary realism, seda lähtudes selle lehe originaalteostest.
Sir Robert Peel, 2nd Bt, Matthew Gregory Lewis ja Jeremy Bentham: National Portrait Gallery, London säilitab 6 selle lehel olevat teost.
