Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 42 teost Henry Mosler meie kataloogis
Lühidalt
Pilgrims' Grace (1897) on Henry Mosler maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk Christmas Morning (1916) ja Elizabeth Moerlein Portrait, 1869 (1869) suunas. Meie kataloogis olevatest Henry Mosler 42 teosest on need 40 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this bust-length oil portrait, Henry Mosler captures Carl Heinrich Spitzner within a formal oval format. The subject sits slightly off-center, his gaze directed toward the viewer with a calm and serious expression. This eye-level perspective establishes an intimate connection, pulling the sitter into the immediate space of the observer. The dignity of the 19th-century sitter is held in the stillness of his posture.
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
The oil sketch titled Sketch for Chimney Corner is a work by the artist Henry Mosler. Created about 1892, the piece captures a fleeting moment of domestic light. It remains part of the permanent collection at the Cincinnati Art Museum.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In "The Spirit of the Rainbow" by Henry Mosler, a nude female figure is positioned in a reclining, weightless pose, appearing to float across a large, sweeping arc. This rainbow spans the composition from the upper left to the lower right, establishing a sense of movement and celestial scale. The figure's pale skin is illuminated by light that emanates from within the rainbow itself, casting a soft glow across the…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
In this Henry Mosler Self-portrait, the artist Henry Mosler presents himself in a bust-length composition that feels remarkably intimate. He is positioned slightly off-center, meeting the viewer through a close-up, eye-level view. His gaze is steady and contemplative, suggesting a moment of quiet introspection. The subject is an elderly man, and the arrangement of his features invites a sense of psychological depth. This approach is characteristic of late 19th-century academic…
Later Afternoon1919
12
Lost Cause1869
13
Plum Street Temple1866
14
Portrait of a Rabbi's Wife (Ktherine Schiff Illowy.)1869
15
Portrait of a Rabbi (Rabbi Bernard Illowy.)1869
16
Heidi1877
17
Quadroon Girl1878
18
The Quadroon Girl1878 · Cincinnati Art Museum
19
The Last Sacraments1884
20
Peasant Girl and Doves1880
21
Harvest Festival1884
22
Return of the Shrimp Fishers1880
23
Visit of the Marquese1887
24
The Husking Bee1890
25
New Year's Morning1888
26
Portrait of Agnes1888
27
Daydreaming1898
28
The Chimney Corner1893 · Cincinnati Art Museum
29
Portrait of EdithCincinnati Art Museum
30
Charles Henry Spitzner as a Young Child
31
The Sewing Lesson
32
Siesta1910
33
Vegetable Vendor1906
34
Quilting Bee1916
35
Rio Aguirvate1913
36
Young Indian Woman (also known as Young Indian Girl)1887
37
Courtship1874 · Nelson-Atkins Museum of Art
38
Just Moved1870 · Metropolitan Museum of Art
39
Study for EVENING OF THE BATTLE (1882)Cincinnati Art Museum
40
The Return of the Prodigal Son1879 · Musée d'Orsay
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henry Mosler teosid | Selle nimekirja maalid |
|---|---|---|---|
 Cincinnati Art Museum |
Cincinnati | 5 | Sketch for Chimney Corner, The Quadroon Girl, The Chimney Corner |
 Cincinnati Museum Center at Union Terminal |
Cincinnati | 2 | Elizabeth Moerlein Portrait, 1869, George B. Cox |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Spirit of the Rainbow |
 Dayton Art Institute |
Dayton | 1 | The Beauty |
 National Portrait Gallery |
Washington, D.C. | 1 | Henry Mosler Self-portrait |
 Nelson-Atkins Museum of Art |
Kansas City | 1 | Courtship |
 Metropolitan Museum of Art |
New York | 1 | Just Moved |
 Musée d'Orsay |
Pariis | 1 | The Return of the Prodigal Son |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the Elizabeth Moerlein Portrait, 1869, Henry Mosler captures a quiet moment in the life of a young girl. She stands amidst a wooded setting, her presence anchored by a stone pedestal to her side. The air feels still, as if the rustle of the leaves in the background has just subsided. She looks directly at us, her expression serious and steady, meeting the gaze of anyone who pauses to…
In this oval-shaped bust-length portrait, Henry Mosler presents Mathilde Therese Pannwitz Spitzner with a quiet, dignified presence. The subject is positioned centrally, emerging from a dark, muted, and non-descript background that offers little distraction from her persona. This lack of environmental detail focuses the viewer entirely on her poised and calm expression. The composition relies on a restrained color palette, where deep blacks and dark browns establish a somber atmosphere,…
Pilgrims' Grace is an oil on canvas by Henry Mosler. Created about 1897, the work belongs to the artist's later period of genre painting, a phase in which he frequently explored themes of colonial history and domestic life.
In this formal, classical oil portrait by Henry Mosler, titled George B. Cox, the subject is presented in a bust-length composition. The man is positioned slightly off-center, creating a subtle tension within the frame. While his body is turned toward the viewer's left, his gaze is directed straight forward, meeting the observer with a sense of stability and importance. This arrangement, dating from about 1900, emphasizes the dignity of the…
In this 1916 work, we find ourselves in a private, intimate moment of domestic life. Two children stand at the threshold of a doorway, their bodies angled toward the interior of a room. They are caught in a state of quiet observation, peering into a space that holds the promise of holiday discovery. The scene is illuminated by the soft, warm glow of several lit candles, which cast a gentle…
In "The Beauty" by Henry Mosler, painted about 1920, the viewer is brought into a quiet, intimate moment through a medium shot at eye level. The composition centers on a female figure, though she is positioned slightly to the right of the vertical axis, creating a naturalistic balance within the frame. She is captured in a moment of quiet contemplation, admiring a large bouquet of flowers held before her. This…
Pilgrims' Grace (1897). Järgnevad Christmas Morning (1916) ja Elizabeth Moerlein Portrait, 1869 (1869).
56 aastat vanus: teos Pilgrims' Grace on pärinev aastast 1897 ning Henry Mosler sündis aastal 1841.
Pilgrims' Grace, Christmas Morning, Elizabeth Moerlein Portrait, 1869, Carl Heinrich Spitzner, Mathilde Therese Pannwitz Spitzner, Sketch for Chimney Corner, George B. Cox, The Spirit of the Rainbow, The Beauty ja Henry Mosler Self-portrait. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 42 teost kunstnikult Henry Mosler, mis on pärinevad ajastust 1866 kuni 1920.
Peamiselt Cincinnati Art Museum (Cincinnati), Cincinnati Museum Center at Union Terminal (Cincinnati) ja Smithsonian American Art Museum (Washington, D.C.) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 8 40 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Last Sacraments.
Sellel lehel on kõige vanem teos Plum Street Temple (1866) ja kõige värskeim The Beauty (1920).
Man (4), Woman (4) ja People (3), kogu selle lehekülje 40 teose kohta.
Oil On Canvas, 8 teoseks 40 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
Sketch for Chimney Corner, The Quadroon Girl ja The Chimney Corner: Cincinnati Art Museum, Cincinnati säilitab 5 selle lehel olevat teost.
