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1 kulubumatamatumat Henry Hoppner Meyer maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Henry Hoppner Meyer meie kataloogis
Lühidalt
George Dyer, with his dog, Daphne (1819) on Henry Hoppner Meyer maalide kõige rohkem tähelepanu päliva teos; originaal kuulub Fitzwilliam Museum kogukunda. Meie kataloogis olevatest Henry Hoppner Meyer 1 teosest on need 1 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1780 – 1847, Greater London
Enamama teoseid: Fitzwilliam Museum
Henry Hoppner Meyer top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Henry Hoppner Meyer originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Henry Hoppner Meyer teosid | Selle nimekirja maalid |
|---|---|---|---|
 Fitzwilliam Museum |
1 | George Dyer, with his dog, Daphne |
Henry Hoppner Meyer aastate jooksul: iga teose unikaalsed originaalid
Kõik siin kuvatavad Henry Hoppner Meyer originaalteosed on pärinevad ühest aastast, 1819: need on esitatud kululuse järjekorras.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Henry Hoppner Meyer maalid: küsimused galeriile
Mis on Henry Hoppner Meyer kõige kuulsam teos?Paljasta vastus
George Dyer, with his dog, Daphne (1819)
Mis vanuses luunud Henry Hoppner Meyer teos George Dyer, with his dog, Daphne?Paljasta vastus
39 aastat vanus: teos George Dyer, with his dog, Daphne on pärinev aastast 1819 ning Henry Hoppner Meyer sündis aastal 1780.
Kui palju teoseid kunstniku Henry Hoppner Meyer kohta on teada?Paljasta vastus
Meie kataloogist leibab 1 teost kunstnikult Henry Hoppner Meyer.
Kust saab näha kõige kuulsamaid Henry Hoppner Meyer originaalteoseid?Paljasta vastus
Peamiselt Fitzwilliam Museum muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Henry Hoppner Meyer: kunstniku portree
A Life in Portraiture and Engraving
Henry Hoppner Meyer was a British portrait painter and an engraver specializing in stipple and mezzotint. Born in London, he began his artistic journey at Christ’s Hospital, where he studied drawing under Benjamin Green. His formal training continued through a seven-year apprenticeship to the engraver Benjamin Smith, and he later refined his skills in engraving under Francesco Bartolozzi at the Royal Academy Schools.
His professional career saw him exhibiting small portrait-paintings at the Royal Academy starting in 1802. Beyond his paintings, he gained recognition for producing mezzotint and stipple engravings of prominent figures. His notable engraved portraits include:
In 1824, he became a founding member of the Society of British Artists, eventually serving as its President from 1828 to 1829.
Technique and Legacy
Meyer’s technical versatility allowed him to leave a mark on various mediums. His stipple engraving of Charles Lamb was displayed at the India Office between 1820 and 1850. He also achieved international recognition through his detailed portrait of D. Pedro as Regent of Portugal, a work printed for an edition of Portugal's second Constitution in 1832.
In his later years, Meyer operated a studio in Fitzrovia, London, where he took on private pupils in portraiture and stipple engraving. His students included Jane Waterhouse and Thomas Fairchild. His works are preserved in several significant institutions, including: