Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 78 teost Henri Gervex meie kataloogis
Lühidalt
Kõigist Henri Gervex jäetud originaalteostest on kõige kuulsam Study For A Portrait Of Tsar Nicholas Ii. Järgnevad sellest Portrait De Madame G. ja Portrait of Alfred Stevens (1884). Meie kataloogist löytyb 78 teost kunstnikult Henri Gervex; galeriist on säilitatud 77 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Henri Gervex produced this study, titled Study For A Portrait Of Tsar Nicholas Ii, during a period of significant imperial commission. The work focuses on the likeness of Tsar Nicholas II, the final ruler of the Romanov dynasty before the revolution of 1917. Gervex, a prominent figure in French Naturalism, developed this composition as a preparatory exploration for a larger official portrait of the Russian Emperor.
Portrait De Madame G. is a work by the French artist Henri Gervex. This piece depicts a woman positioned within an outdoor setting, likely a garden or a park situated near a body of water. The subject is presented in a formal yet relaxed pose, occupying the central portion of the frame. She is dressed in elegant attire, which includes a flowing gown and a large hat. A draped shawl…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In Café Scene in Paris, Henri Gervex offers us a quiet glimpse into the daily rhythms of the city. The painting captures a lively moment within a traditional Parisian café, focusing on a group of people gathered around a large rectangular table. Some figures are seated while others stand, creating a sense of natural, unforced movement. It is a snapshot of urban life, caught in a moment of social interaction.
In this preparatory study from 1880, we find Henri Gervex working with a sense of purpose that transcends mere sketching. This is a design for the wedding hall of the Mairie of the 19th Arrondissement in Paris, a space intended to host the most fundamental of civic ceremonies. The composition is structured around three octagonal medallions, arranged with a formal, rhythmic precision against a muted, olive-green ground. There is a…
The scene unfolds in a swirling, oval vignette, pulling the eye into a crowded celebration of human industry and community. Figures move with a restless energy, their bodies caught in mid-gesture against a backdrop of monumental architecture. To the right, massive classical columns rise upward, grounding the composition with a sense of permanence, while the sky peeks through in pale, airy blues. There is a palpable sense of motion here,…
The composition of Allegory of the Bank by Henri Gervex is centered on a single female figure positioned within an oval vignette. This figure is seated atop a celestial or cloud-like formation that occupies the middle ground. She holds a vessel or cornucopia-like object in her hands, symbolizing abundance. Below this central figure, elements suggestive of commerce and industry are partially visible. A globe and heavy, ornate fabrics are situated…
In this 1884 oil portrait, we find ourselves in an intimate, private space with Madame Blerzy. She is seated slightly off-center, her head resting gently against her right hand in a gesture of quiet introspection. There is a profound sense of poise in her posture, a stillness that suggests a woman accustomed to the weight of her own thoughts. The composition draws the eye through a soft, directional light that…
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
In the large-scale expanse of Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform, Henri Gervex captures a moment of quiet social gravity. This academic oil painting, dating to about 1889, presents a gathering of men that feels caught in a suspended breath of history. The figures occupy a space that bridges the gap between private conversation and public observation, creating a scene that feels both formal…
Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution1889 · Petit Palais
12
Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon1889 · Petit Palais
13
Panorama of the Century: Festival of the Federation 1790 - The Convention 17921889 · Petit Palais
14
Panorama of the Century1889 · Petit Palais
15
The Panorama of the Century: Dumas, Rachel, Daumier, Gavarni, Henri Monnier, Frédérick Lemaître, Rude, Horace Vernet, Delaroche1889 · Petit Palais
16
Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury1889 · Petit Palais
17
The Ball1890 · Carnavalet Museum
18
Portrait of Thomas W. Evans1892
19
Young Woman with a Fan1888
20
Pierre Waldeck-Rousseau1894 · Carnavalet Museum
21
Armenonville, the Evening of the Grand Prix (P2708)1905 · Carnavalet Museum
22
Battle of Flowers in Nice1900 · Carnavalet Museum
23
Portrait of Madame de Lorgeril1902 · Carnavalet Museum
24
Un soir de grand prix au pavillon d'Armenonville1905 · Carnavalet Museum
25
A Tuesday, Evening at Madeleine Lemaire's1910 · Carnavalet Museum
26
France Welcoming Abundance, Ceiling Project for the Palais de l'Élysée1907 · Carnavalet Museum
27
The Circle of the Île de Puteaux1907 · Carnavalet Museum
28
The Train of the Wounded1915
29
An Ambulance in Poitiers1914
30
Madame Gervex1923
31
Une Soiree MondaineCarnavalet Museum
32
The Salon Jury
33
Satyre and Menade1874 · Musée d'Orsay
34
Valtesse De La BigneMusée d'Orsay
35
A Meeting of the Judges of the Salon des Artistes
36
Femme Resuse À La Toilette
37
Study for 'Autopsy at the Hôtel-Dieu'1876 · National Gallery of Art
38
Sketch for the Salle des Fêtes of the Hôtel de Ville de Paris: Music Through the Ages1889 · Petit Palais
39
Study for an unidentified painting, showing the Deauville Hippodrome1905 · Carnavalet Museum
40
Parmentier and Louis XVI on the Plain of Sablons
41
Study for the Cercle de l'île de Puteaux (P2710)1907 · Carnavalet Museum
42
Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
43
Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
44
An Elegant Lady
45
Ballerinas
46
The Tub
47
Le Modèle Masqué
48
Venus Et L'amour
49
The Coal CarrierPalais des Beaux-Arts de Lille
50
A Portrait Of Marie-clotilde De Faret Legrand
51
Liebe Und Ehe
52
Winter
53
Madame Valtesse De La Bigne -
54
Portrait Of Madame Gervex
55
Cinq Heures Chez Paquin
56
Liane De Pougy
57
Colette's First Steps
58
Portrait Of Colette Gervex
59
Music Across The Ages
60
L'étéNationalmuseum
61
Fragment Of The Panorama Of 'the History Of The Century' -
62
Communion At The Church Of The Trinity
63
La Toilette
64
Portrait of Tsarina Alexandra
65
Cinq Heures chez le Couturier Paquin
66
Birth, Town Hall Of The 19th Arrondissement
67
Study For The Civil Marriage In The Town Hall Of The 19th Arrondissement
68
Portrait Of The Couturier Madame Paquin
69
The Operation
70
An Elegant Man On A Terrace
71
Jules-émile Pean And His Surgery Class Before The Operation H. Gervex PinxMusée d'Orsay
72
The wedding of Mathurin Moreau in the city hall of Paris
73
Study for the Coronation of Tsar Nicholas II
74
Portrait De Jenny Sacerdote.
75
RollaMusée d'Orsay
76
The Birth of Venus1907 · Petit Palais
77
Une Scéance Du Jury De PeintureMusée d'Orsay
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
#4 Café Scene in Paris
#6 Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling)
#12 Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon
#14 Panorama of the Century
#10 Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform
#11 Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution
#13 Panorama of the Century: Festival of the Federation 1790 - The Convention 1792
#16 Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henri Gervex teosid | Selle nimekirja maalid |
|---|---|---|---|
 Carnavalet Museum |
Pariis | 17 | Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) |
 Petit Palais |
Pariis | 11 | Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform |
 Musée d'Orsay |
Pariis | 5 | Satyre and Menade, Valtesse De La Bigne, Jules-émile Pean And His Surgery Class Before The Operation H. Gervex Pinx |
 Belgia Kuninglikud Fine Artsi muuseumid |
Brüssel | 1 | Portrait of Alfred Stevens |
 Detroit Institute of Arts |
Detroit | 1 | Café Scene in Paris |
 National Gallery of Art |
Washington | 1 | Study for 'Autopsy at the Hôtel-Dieu' |
 Palais des Beaux-Arts de Lille |
Lille | 1 | The Coal Carrier |
 Nationalmuseum |
Stockholm | 1 | L'été |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In "The Ball" by Henri Gervex, a sense of quiet repose settles over a sophisticated interior, even as a social gathering pulses in the distance. The composition centers on a woman seated upon a sofa, her presence anchored in the foreground. She is draped in an elegant, voluminous gown that spreads around her, creating a soft weight against the furniture. To her side, the scene opens up to reveal a…
The air inside the Armenonville feels thick with the hum of conversation and the warmth of a thousand flickering lamps. We find ourselves looking into a grand social gathering, a scene where the elegance of the Belle Époque breathes through every brushstroke. Large, imposing columns frame the view, pulling the eye past the immediate figures and into a crowded, luminous background. There is a sense of movement here, a lively…
A Tuesday, Evening at Madeleine Lemaire's is an oil on canvas painted by Henri Gervex. The work carries the original title Un mardi, soirée chez Madeleine Lemaire. It captures a specific moment of social gathering, frozen in the soft light of a Parisian interior. The brushwork traces the edges of a quiet, private world.
The air feels soft, almost heavy with the scent of old lace and quietude. A young woman turns her head, her gaze catching the light as she looks back toward us from a three-quarter view. She exists in a dreamlike space, an oval-shaped window into a moment of quiet elegance. Her skin glows with a luminous, pale quality, touched by the faintest rose at the cheeks and lips, as if…
Study For A Portrait Of Tsar Nicholas Ii. Järgnevad Portrait De Madame G. ja Portrait of Alfred Stevens (1884).
Study For A Portrait Of Tsar Nicholas Ii, Portrait De Madame G., Portrait of Alfred Stevens, Café Scene in Paris, Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) ja Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 78 teost kunstnikult Henri Gervex, mis on pärinevad ajastust 1874 kuni 1923.
Peamiselt Carnavalet Museum (Pariis), Petit Palais (Pariis) ja Musée d'Orsay (Pariis) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 14 77 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Alfred Stevens.
Sellel lehel on kõige vanem teos Satyre and Menade (1874) ja kõige värskeim Madame Gervex (1923).
Woman (13), People (13) ja Men (8), kogu selle lehekülje 77 teose kohta.
Oil On Canvas, 24 teoseks 77 töödelt sellel lehel.
Naturalism ja Impressionism, seda lähtudes selle lehe originaalteostest.
Allegory of the Bank, Portrait of Madame Blerzy ja Woman with a Fan (Portrait of Réjane?): Carnavalet Museum, Pariis säilitab 17 selle lehel olevat teost.
19. sajandi lõpus Pariisi vibratil ja sageli turbulensilsel südamil ei suutnud vähem aristiid navigoida õigustatud akadeemilise prestiži ja modernse provokatsiooni vahel nii oskuslikult kui Henri Gervex. Sündinud 1852. aastal Montmartre piirkonnas oli Gervex täpselt selle tänavate laps, mille baadumist ta igavendaks. Tema varajased aastad olid upustatud Prantsuse kunsti rangete traditsioonidesse, kuna teda kujundasid selliste meistrite distsiplineeritud käed nagu Alexandre Cabanel ja Pierre-Nicolas Brisset. École des Beaux-Arts õppetundel saavutas Gervex anatomilise täpsuse ja klassikalise elegantsi, mis oli Salonist tõusva tärni eetika alus. Kuid selle läbendatud akadeemilise katte all peitus rahutu vaim, kes tahtis koorida Pariisi kõrgekoda sametist kardeid, et paljastada Belle Époques toores ja pulssiv väärtus.
Gervexi karjääri traject muutus 1878. aastal ühe seismilise sündmuse tõttu jäält.
Tema maalidus Rolla, mis sai inspiratsiooniks Alfred de Musseti melankolia lüürikale, muutus skandaali magnetiks. Kuigi alast keha oli klassikalise müütoloogia vundament, julges Gervex oma teemad asetada kaasaegsesse, peaaegu ebamugavas modernses keskkonnas. Saloni jury, eemale tõmbudes sellest, mida nad pidasid moraalsetest ebaheakstusest ja sotsiaalsest kommentaarist keelatud soovide kohta, lükkas teose tagasi. Selle asemel, et taevas kaugele kaduda, omakasutas Gervex oma mainet. See ebaõnnestumise hetk muuts teda tavalisest traditsiooni õpilasest julgeks provokaatoriks – kunstnikuks, kelle nimi sai sümboliks pingele vana maailma moraalist ja uue maailma kasvava naturalismi vahel.
Karjääri küpungedes liikus Gervex puhtalt müütiliselt eemale, et omakatsuda seda, mida ta nimetas Naturalisme mondain ehk ülemklasslikuks naturalismiks. Ta sai Pariisi zeitgeisti kronika, jäädes kinni säravatele õhtutundidele, tihedatele linnamaastikutele ja isegi kaasaegse teaduse kliinilisele karmusele. Tema pintoonimiste stiil hakkas peegeldama lummavat sündmust; ta säilitas oma akadeemilise koolituse hoolikas detailsus, kuid infuseeris oma kompositsioonidega valgust ja liikumust, mis meenutas impressioniste. See ainulaadne stiililine sild võimaldas tal kujutada oma teemade psühholoogilist sügavust, olgu nad siis ballil asuvad sotsiendid või haigalaos voodis lamavad patsiendid.
Üks tema sügavamatest saavutustest on endiselt Dr Péan at the Salpétrière, mida kutsutakse sageli lihtsalt nimega Operatsioon. Selles monumentaalsetes teoses saavutas Gervex Rembrandt Anatomy Lesson kaasaegse parafraasi, asendades ajaloolise allegoria kaasaegse meditsiinilise protsessi visceralse ja teadusliku realiteediga. Selle maali kaudu demonstreeris ta võimekust leida draamat kliinilisest ja ilu igapäevasest. Tema repertuaar oli märkimisväärselt mitmekesine, ulatudes armsast portreede elegantsist kuni suuremõõtmiliste ametlike tellimusteni, mis pidasid ehtuseks Prantsuse avaliku elu südamet, sealhulgas teostele Palais de lüüIndustrie ja erinevates Pariisi hotellides.
Henri Gervexi ajalooline olulisus peitub tema rollis üleminekufiguurina. Ta seisis ajaloo ristteel, hoides ühte kätt kindlalt Akadeemia kogas ning teist ulatudes avantgardistlike radikaalsete uuenduste poole. Tema töö toimib visuaalse päevikuna ajastust, mida iseloomustas kiire sotsiaalne muutumine, kus häbeme piireid pidulikult ja kunstiliselt pidevalt uuesti määrati. Olles mõjutatud Émile Zola naturalismist, teevad Gervexi maalid rohkem kui lihtsalt kujutavad stseite; nad tabavad selle ajastu hingust, mis oli kornaalselt nii luksuslik kui ka rahutu.
Tänapäeval, kui me vaatame Gervexi teoseid, ei näe me seal ainult ilusat õli kambda peal. Me loeme kunstniku julgust, kes kebvusid traditsioonile tõde kunda. Tema pärand on leida:
Läbi oma triumfide ja skandaalide jääb Henri Gervex oluliseks tegelaseks, kes aitab meil mõista sajandite murdu Pariisi keerulist ja säravat hinged.
