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1 kulubumatamatumat Harry Holtzman maalist, millist on vaid üks
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Harry Holtzman meie kataloogis
Lühidalt
Square Volume with Green (1936) on Harry Holtzman maalide kõige silmapaistvam teos; originaal kuulub museumi Whitney Museum of American Art, New York. Meie kataloogis olevatest Harry Holtzman 1 teosest on need 1 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
1912 – 1987, New York City
Enamama teoseid: Whitney Museum of American Art
Harry Holtzman top 10 maalist galeriist vaatenurgast
Muuseumid, kus on säilitatud Harry Holtzman originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Harry Holtzman teosid | Selle nimekirja maalid |
|---|---|---|---|
 Whitney Museum of American Art |
New York | 1 | Square Volume with Green |
Harry Holtzman aastate jooksul: iga teose unikaalsed originaalid
Kõik siin kuvatavad Harry Holtzman originaalteosed on pärinevad ühest aastast, 1936: need on esitatud kululuse järjekorras.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Harry Holtzman maalid: küsimused galeriile
Mis on Harry Holtzman kõige kuulsam teos?Paljasta vastus
Square Volume with Green (1936)
Mis vanuses luunud Harry Holtzman teos Square Volume with Green?Paljasta vastus
24 aastat vanus: teos Square Volume with Green on pärinev aastast 1936 ning Harry Holtzman sündis aastal 1912.
Kui palju teoseid kunstniku Harry Holtzman kohta on teada?Paljasta vastus
Meie kataloogist leibab 1 teost kunstnikult Harry Holtzman.
Kust saab näha kõige kuulsamaid Harry Holtzman originaalteoseid?Paljasta vastus
Peamiselt Whitney Museum of American Art (New York) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Harry Holtzman: kunstniku portree
The Evolution of an Abstract Vision
Harry Holtzman was an American painter, photographer, and art collector. His artistic journey began with an early interest in advanced art, which led him to attend the Art Students League of New York. During this formative period, he produced a wide corpus of drawings from the nude, which revealed a progressive evolution toward abstraction. His work eventually moved into a series of rectilinear works and independent abstraction from external objects. This research eventually culminated in a series of "open reliefs," which were free-standing structures painted to stimulate visual interchange between rectilinear solids and voids.
His stylistic development was marked by several distinct phases:
Artistic Contributions and Legacy
As a founding member of the American Abstract Artists, Holtzman played a significant role in the development of modern art in New York. He was instrumental in organizing the nucleus of painters and sculptors who established the group. His involvement extended to the WPA Federal Art project, where he served as an assistant supervisor in charge of abstract mural painters. Beyond his own painting, Holtzman was deeply connected to the international art community, notably serving as an intimate associate to Piet Mondrian during the latter's time in New York.
Holtzman's diverse interests also included: