Lühidalt
Kõigist Harald Jerichau jäetud originaalteostest on kõige kuulsam Landscape from Rome, Villa dei Quintili near Via Appia (1870), mis kuulub Nivaagaards Malerisamling kogele linnas Nibe. Järgnevad sellest The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) ja Coast Scene, Capri (1876). Meie kataloogist löytyb 3 teost kunstnikult Harald Jerichau; galeriist on säilitatud 3 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Harald Jerichau top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Harald Jerichau originaalteosed
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Harald Jerichau teosid | Selle nimekirja maalid |
|---|---|---|---|
| Nibe | 1 | Landscape from Rome, Villa dei Quintili near Via Appia | |
| Kooberemaa | 1 | The Lydian Plain near Sardis, Asia Minor (Turkey) | |
| Gothenburg | 1 | Coast Scene, Capri |
Harald Jerichau aasta-aastaga: originaalteosed, mis defineerivad iga perioodi
Ainult kümnend aastat, 1870 kuni 1878, on andnud maailmale iga kuupäevaga Harald Jerichau originaalte selles valikus: siin on need, aasta-aastalt.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Sammlajate küsimused Harald Jerichau maalide kohta
Millise teosega on Harald Jerichau kõige kuulsam?Paljasta vastus
Landscape from Rome, Villa dei Quintili near Via Appia (1870), Nivaagaards Malerisamling, Nibe. Järgnevad The Lydian Plain near Sardis, Asia Minor (Turkey) (1878) ja Coast Scene, Capri (1876).
Kui vana oli Harald Jerichau, kui teos Landscape from Rome, Villa dei Quintili near Via Appia loodi?Paljasta vastus
19 aastat vanus: teos Landscape from Rome, Villa dei Quintili near Via Appia on pärinev aastast 1870 ning Harald Jerichau sündis aastal 1851.
Kui palju maali Harald Jerichau jäeti?Paljasta vastus
Meie kataloogist leiate 3 teost kunstnikult Harald Jerichau, mis on pärinevad ajastust 1870 kuni 1878.
Mitteks muuseumides rihangavad Harald Jerichau meistriteosed?Paljasta vastus
Peamiselt Nivaagaards Malerisamling (Nibe), Statens Museum For Kunst (Kooberemaa) ja Gothenburg Museum of Art (Gothenburg) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Mis on Harald Jerichau esimene ja viimane kuuls fama originaalteos?Paljasta vastus
Sellel lehel on kõige vanem teos Landscape from Rome, Villa dei Quintili near Via Appia (1870) ja kõige värskeim The Lydian Plain near Sardis, Asia Minor (Turkey) (1878).
Harald Jerichau: elu ja looming
A Life Painted in Brief Brilliance
The story of Harald Adolf Nikolaj Jerichau is one of profound talent tragically interrupted, a fleeting but luminous chapter in the history of Danish landscape painting. Born in Copenhagen in 1851, Harald was destined for an artistic existence from his very first breath, emerging from a lineage of immense creative power. He was the son of the renowned sculptor Jens Adolf Jerichau and the celebrated painter Elisabeth Jerichau-Baumann, placing him at the heart of a family where art was not merely a profession but a shared language. This pedigree provided him with an early immersion in the nuances of form and color, though his own path would diverge from sculpture to capture the ephemeral beauty of the natural world through the medium of landscape.
His formal education began with the disciplined eye of the architect C. V. Nielsen, who taught him the foundational principles of drawing, before he sought more advanced studies in perspective at the Royal Danish Academy of Fine Arts in 1868. This academic rigor was soon balanced by a wandering spirit and an insatiable curiosity for the light of distant lands. Under the guidance of masters such as Frederik Christian Lund and Eiler Rasmussen Eilersen, Harald began to develop a sensitivity to atmosphere that would become his hallmark. His early exhibitions in Copenhagen, beginning in 1873, signaled the arrival of a promising new voice capable of translating the soul of a landscape onto canvas.
Journeys Through Light and Shadow
Harald’s artistic development was deeply shaped by his travels, which acted as a series of profound encounters with light. Following his mother to Italy, he became a pupil of Jean-Achille Benouville, the director of the French Academy in Rome, an experience that undoubtedly refined his command over Mediterranean luminosity. His wanderlust then carried him through the vibrant landscapes of Turkey and Greece, and eventually to the historic streets of Paris and the majestic peaks of Switzerland. These journeys were more than mere sightseeing; they were essential components of his visual vocabulary, allowing him to absorb the diverse textures of the Orient and the classical grandeur of Europe.
The emotional depth of his work was often intertwined with the personal upheavals of his life. In 1875, he married his cousin, Maria Kutzner, a union that brought moments of profound joy amidst a period of great sorrow. The loss of their first child and the subsequent, devastating death of Maria in 1876 cast a long shadow over his spirit, momentarily threatening to extinguish his creative will. Yet, even in the wake of such grief, Harald demonstrated a remarkable resilience, attempting to rebuild his career through a renewed focus on his craft. His later works, particularly those capturing scenes from Turkey, reflect a mastery of light that speaks to both his technical skill and his enduring connection to the world around him.
A Legacy Etched in Memory
Though his life was cut short by the dual tragedies of typhus and malaria in 1878, at the tender age of only twenty-seven, Harald Jerichau left behind a legacy that continues to resonate within the Danish art tradition. He belonged to a unique era of landscape painters who sought to capture not just the topography of a place, but its very essence—the way light settles upon a valley or how mist clings to a distant mountain. His work remains a testament to a brief but intense period of artistic exploration, bridging the gap between academic precision and a more emotive, atmospheric approach to nature.
Today, Harald is remembered not only as an individual master but as a vital part of the Jerichau artistic dynasty. His contributions are preserved in the collective memory of Danish art history, serving as a poignant reminder of the beauty that can be captured even by those whose time on this earth was all too short. To look upon his landscapes is to witness a soul that, despite facing immense personal darkness, remained forever dedicated to chasing the light.